由Estúdio Sumaúma设计，设计师Airon Martin和建筑师Gabriel Contreira合作，在圣保罗Pinheiros社区的中心对Neriage的第一家店进行了全面改造，该店是一个拥有艺术画廊的旧仓库。
Designed by Estúdio Sumaúma, a collaboration between designer Airon Martin and architect Gabriel Contreira for Neriage’s first store an old warehouse that held an art gallery was completely remodeled in the heart of the Pinheiros neighborhood in São Paulo.
该项目的前提是通过建筑和设计的元素寻求时尚的物质化，正如在蜿蜒和流动的混凝土外墙中所看到的，这是设计师Rafaella Caniello设计的一个标志。
The project’s premise sought a materialization of fashion through elements of architecture and design, as seen in the pleated concrete facade in sinuous and fluid forms, a trademark in the drawings of Rafaella Caniello, the designer.
入口处的体量，一个 “空洞的隧道”，源于对存储空间的需求，当你进入天花板高度为6米的商店时，就会产生巨大和呼吸的感觉，在白天，一个巨大的天窗让你沐浴在阳光下。
The volume of the entrance, a “cavernous tunnel” originated from the demand for storage space and creates the sensation of magnitude and breath as soon as you enter the store with a ceiling height of 6 meters and that during the day is bathed in sunlight by a huge skylight.
没有石膏和屋顶的原始金属结构是指原来的财产，并形成了刮除侧墙的过程的起点，在其第一层显示了一个巨大的惊喜：旧画廊的作品被悬挂的孔和钩。因此，我们寻求一种美学上的对立，即在衣架的有机形式中观察到的，结合使用高贵的材料，如洞石和黄铜作为品牌的褶皱丝绸衣服的背景，与在屋顶桁架、精心选择的照明装置和剥落的墙壁中观察到的工业和粗糙形成对比。这种和谐而奇特的对立受到了品牌DNA的启发，它使用了一个日语单词，指的是一种陶瓷技术，在这种技术中，来自不同核心的粘土的混合产生了大理石的效果。
The absence of plaster and the raw metal structure of the roof refers to the original property and form the starting point for the process of scraping the sidewalls that revealed in its first layer a great surprise: the holes and hooks where works from the old gallery were hung. Therefore, it was sought an aesthetic antithesis observed in the organic forms of the clothes rack combined with the use of noble materials such as travertine and brass for the background of the pleated silk clothes of the brand in contrast to the industrial and the rough observed in the roof truss, the carefully chosen lighting fixtures and the peeling walls. This yet harmonious and singular opposition was inspired by the brand’s DNA, which uses a Japanese word that designates a ceramic technique in which a mixture of clay from different cores produces a marbled effect.
双层天花板高度的特点使其他设计前提成为可能，如直接和间接照明解决方案，更衣室的褶皱织物来自天花板，最重要的是它标志着夹层上的裁缝工作室与商店完全开放的空间，创造一个沉浸在Neriage的宇宙中，你可以看到从原型件到最终调整。
The double ceiling height feature enabled other design premises such as direct and indirect lighting solutions, the changing rooms in pleated fabric coming from the ceiling, and above all it marks the openness of spaces between the seamstress’s studio on the mezzanine completely open to the store, creating an immersion into the Neriage universe in which you can see from the prototyping piece to its final adjustments.
最重要的资产是在小细节中发现的，以及由工作室二人组专门为该项目设计的旨在追求舒适和材料实验的作品，如将商店分成两半的大型悬臂式混凝土长凳与有机镜子，一个中心作品，几乎是一个装置；蜿蜒的地毯，结合了不同层次的再生尼龙，为赤脚行走而设计，以及用拆卸的木材制成的更衣室凳子，带有挂钩的挂架。
The greatest assets are found in the small details and in the pieces detailed by the Studio duo exclusively for the project aiming at comfort and the experimentation of materials such as the large cantilevered concrete bench that divides the store in half combined with the organic mirror, a central piece, almost an installation; the sinuous rugs that combine different levels of regenerated nylon designed for barefoot walking and the changing room stools in demolition wood with hooks for hangers.
屋顶也经历了一些变化，主要是由于拆除了以前画廊的仓库，现在在Pinheiros最新的设计、时尚和美食中心拥有一个活动的屋顶。
The roof also underwent several changes, mainly caused by the removal of the old volume that used to house the gallery’s warehouse and now holds a rooftop for events in the newest hub of design, fashion and gastronomy in Pinheiros.
Architects: Estúdio Sumaúma
Area : 230 m²
Year : 2021
Photographs :Felco
Manufacturers : Edson sampaio Serralheria, NS Brazil, Terracor
Architecture : Airon Martin, Gabriel Contreira
Lighting Design : Auma Estudio
Landscape : Vitor Ballan Paisagismo
City : Pinheiros
Country : Brazil