该项目位于两个绿叶蔬菜的生产仓库之间，包括解决办公室在一个空间的位置，强调构成行政部门的区域的不断互动，以促进友好的气氛，与企业条件保持距离，并试图接近一个为共同目的工作的社区。

Located between two production warehouses of leafy green vegetables, the project consisted of resolving the location of offices in a space that made emphasis on the constant interaction of the areas that comprise the administration, to promote a friendly atmosphere, take distance from the corporate condition, and try to approach a community working for common purposes.

就像其他项目一样，我面对的是一个没有普通地段或财产概念限制的场地区域。环境由产生深远视野的农田组成。这成为我想解决的第二个方面：如何包含工作空间，为整体带来人的尺度，并提供视觉休息。我利用靠近一个生产厂仓库的优势，在视觉上涉及到生产过程。

As in the case of other projects, I faced a site area that has no limits in the ordinary concept of lot or property. The context consists of agricultural fields that generate deep horizons. This became the second aspect I wanted to address: how to contain work spaces, bring a human scale to the whole, and provide visual breaks. I took advantage of the proximity to one of the production plant warehouses to visually involve the production process.

该项目被分割成一组被短距离分开的体量，这种情况产生了绿色饰面的空间，同时也造成了花园或主庭院中的移动和相遇。该项目由一块连接各体量的板块覆盖，并提供遮荫，因此，植物变得可以透风并免受阳光的影响，让日光通过一个洞通向天空。

The program is split into a set of volumes separated by short distances, a condition that generates space for green finishes which at the same time cause mobility and encounter, either in the gardens or in the main courtyard. The project is covered by a slab linking the volumes and giving shade, thus, the plant becomes permeable to the wind and protected from the sun, letting daylight through a hole that opens to the sky.

我们为艺术家Jeronimo Hagerman保留了其中一个院子，让他在那里创作一件作品。他决定采用植物内部对蚊子的保护带的黄色来绘制院子的墙壁。通常情况下，哈格曼使用植被来建造他的作品，在这种情况下，他使用南洋杉来创造一个由长椅和绿色窗帘组成的迷宫，这指的是《Next》中使用的水培系统。

We reserved one of the courtyards for the artist Jeronimo Hagerman to produce a piece there. He decided to take the yellow color of the protective bands for mosquitoes inside the plant to paint the walls of the courtyard. Usually, Hagerman uses vegetation to build his pieces, and in this case he used Cissus Antartica to create a maze of benches and green curtains, which refer to the hydroponics system used in Next.

Architects: Manuel Cervantes Estudio
Year: 2014
Photographs: Rafael Gamo
Project Architects:Manuel Cervantes, Lizett Matsumoto
Structure:Mauricio Pantoja, Fernando Calleja
Building Services:IESH, Samuel Nischli
City:Leon
Country:Mexico