Niayesh办公楼俯瞰着德黑兰的一条繁忙的高速公路，坐落在一块不成比例的三角形地块上。主要的设计目标是通过将各层从单调的重复或其他结构限制中解放出来，创造出一种不反映不相称的形式。在这里，每一层都独立于下面的另一层之上移动。
Niayesh Office Building overlooks a busy expressway in Tehran and is set on a disproportionate triangular plot of land. The main design objectives were to create a form that would not reflect the disproportionality, through setting the layers free from a monotonous repetition or other structural confinements. Here, each layer moves independently from the one on top of the other below.
地板层，虽然不完全相似，但以一种自由的方式建立起来，并采用浅色的单一材料的石头覆盖，为建筑创造一个和谐和同质的身份/质量。在阳光下，深色的阴影被画在这些单色的形状上，使线条呈现出更多的水平特征。建筑物的高度与面积的比例进一步突出了这一特点（地面上有七层）。窗户，进一步定义了这一概念，其中一些窗户又被拉到了建筑旁边，因为它们意味着帮助眼睛在建筑周围滑行。
The floor layers, while not exactly similar, build up in a free manner and take on a light color single-material stone cover to create a harmonic and homogenous identity/quality for the building. In the sunlight, dark shades are drawn over these monochrome shapes which make the lines take on a more horizontal characteristic. This characteristic is further highlighted by the height of the building in proportion to its area (seven floors on the ground). The windows, further define this concept, where some are again stretched alongside the building as they mean to help the eye glide around it.
该建筑的特征也从场地周围的高水平动能中得到提示，它类似于快速移动物体的摄影图像，被视为拉伸的波浪线。所有这些都为建筑提供了自由漂浮的线条，这些线条贯穿整个建筑，非常流畅地连接了南北方向，避免了任何尖锐的角度，使其在每个层面上都具有美感。
The building’s identity also takes a cue from the high level of kinetic energy surrounding the site in that it resembles a photographic image of a fast-moving object that is seen as stretched wavelike lines. All this provides the building with free-floating lines that run all around it and connect the north-south orientation very smoothly avoiding any sharp angles and giving it aesthetic consistency on every level.
室内的设计也遵循了同样的空间平滑性和流动性的概念。这些单元的设计是基于一个开放的办公系统，可以根据他们所需的功能进行分区。为了受益于日光和城市、山脉和天空的迷人景色，我们安装了大窗户。外部的线条以一种更平静柔和的方式流入室内，然后流向天花板，在那里它们形成了灯光轨道，并与天花板上设计的其他照明一起，提供夜间照明。墙壁、地板和天花板的明亮白色反映了单一材料和和谐立面的相同概念。
The interior moves along with the same concept of spatial smoothness and flow. The units have been designed based on an open office system and may be partitioned according to their desired functions. In order to benefit from the daylight and the fascinating views of the city, mountains and the sky, large windows have been installed. Exterior lines flow into the interior in a calmer softer way, and then onto the ceiling where they have formed track of lights and together with other lighting designed in the ceiling that provides the lighting at night. The bright white color of the walls, the floor, and the ceiling reflects the same concept of the mono-material and harmonic façade.
Architects: BonnArq Architects
Area: 3258 m²
Year: 2014
Photographs: Parham Taghioff, Behzad Atabaki
Manufacturers: Knauf / False Ceiling System & Plasterboards, RESCARA, ASAŞ / Aluminium Windows, Tabriz Tile
Interior Designers: BonnArq Architects
Landscape Architecture: BonnArq Architects
Structural Engineer: Hesab co.
Contractor: Bamtir co.
Drawing & Presntation:Soheil Korjani, Sayna Afshar, Hamed Sarhadi
Electrical Consultant:Mohammad Bolourian
Mechanical Consultant:Mohammad Hassan Sharif Mousavi
Project Manager:Reza Farahbakhsh
Construction:Hassan Farahhbakhsh, Sam Nasiripour
City:Tehran
Country:Iran