在布宜诺斯艾利斯郊区西区Ituzaingó的一个角落,是Ocampo的住宅楼。它的环境目前显示了各种正在建设中的多户住宅项目,以响应新的城市规划法规,该法规考虑到了该地区的更大密度。然而,一个前提是产生一个尊重其环境的项目,理解其改造将需要时间,同时,该建筑将不得不与低层邻居和带花园的房子共存。

In a corner of Ituzaingó, in the west zone of the Buenos Aires suburbs, is the residential building of Ocampo. Its environment currently displays various multi-family housing projects under construction, responding to the new urban planning code that contemplates greater densification for the area. However, one premise was to generate a project that is respectful of its environment, understanding that its modification will take time and, meanwhile, the building will have to coexist with low-rise neighbors and houses with gardens.

我们提出的建筑有底层和五层,首先是利用了角落,一个可以旋转并利用其四个方向的建筑,因此从其开口处可以获得任何变化的日光。所有的外墙都享受着不同平面的光影投射的运动,因为和城市一样,我们认为建筑作品必须适应它的直接环境。利用扩张作为一种形态学工具,一个交替的系统在每一层创造了不同的类型,这种异质性不仅是形式上的,而且是程序上的,使不同的居住方式成为可能。

With its ground level and five floors, we proposed a building that above all makes use of the corner, a building that rotates and makes use of its four orientations and therefore has any variation of daylight from its openings. All the facades enjoy the movement of different planes of light and shadow projections because, like the city, we believe that the architectural work must adapt to its immediate environment. Using the expansions as a morphological tool, an alternating system creates different typologies on each floor, the heterogeneity being not only formal but also programmatic, enabling different ways of inhabiting.

在一个所有东西都是私人的城市里,在一个陌生人感到可疑的地方,最大的贡献是让出底层的强制退出,供公众使用,并提供新的植被,支持城市生活在其中发展:一个与美食场所有关的变化和低维护的地板,一个池塘,一个连续的混凝土长凳,花盆,剥去酒吧的聚会墙,用藤蔓覆盖,半覆盖的混凝土梁,和饮水机。总面积为210平方米的地方现在是公共的。

The greatest contribution in a city where everything is private, where the stranger feels suspicious, was to cede the obligatory withdrawals of the ground floor to public use and provide it with new vegetation, support for city life to develop in it: a changing and low-maintenance flooring in relation to the gastronomic venues, a pond, a continuous concrete bench, flowerpots, party walls stripped of bars and covered with vines, semi-covered with concrete beams, and drinking fountains. A total area of 210 m2 is now public.

在功能上,该建筑显示了从二楼到六楼的三种大的类型,有宽大的外部扩展区域,而没有按单元的房间总数或其房地产价值进行分类。对我们来说,一个主要的挑战是确保每套公寓至少在感官上具有房屋的独立性。

Functionally, the building shows three large typologies from the second to the sixth floor with generous areas of exterior expansions without categorizing them by the total number of rooms in the unit or their real estate value. A major challenge for us was to ensure that each apartment has, at least in a sensory sense, the independence of a house.

该项目的一部分反映了产生孤立的住房单元的意图,在公寓之间听到干扰性噪音的可能性较小,同时也有交叉的视野。这就是为什么大多数单元不共享隔断墙,它们被空隙、循环系统以及在第三种和最终的情况下,被湿润的核分隔。我们以阿根廷作家Silvina Ocampo的 “布宜诺斯艾利斯之树 “命名这些单元,并通过楼梯和半覆盖的桥梁将它们连接起来。

Part of the project reflects the intention to generate isolated housing units, with fewer possibilities of hearing disturbing noises between apartments, as well as crossed views. That is why most of the units do not share dividing walls, they are separated by voids, by the circulatory system and, in a third and eventual case, by the humid nuclei. We named the units after the “Trees of Buenos Aires” by the Argentine writer Silvina Ocampo and we linked them through stairs and semi-covered bridges.

在城市规模上,该建筑是一个带有三个大空隙的穿孔体。这些空间容纳了植被和循环,同时提供了交叉通风。我们专注于高贵的材料,允许时间的流逝和外观的改变而不失去结构能力,就像我们的皮肤随着时间的推移而老化。我们的每一个意图都成为一个空间、一个立面、一种技术、一种与城市相关的方式、一个扩散的限制、一个细节。

The building is, on an urban scale, a perforated mass with three large voids. These house vegetation and circulation while providing cross ventilation. We focus on noble materials that allow the passage of time and change in appearance without losing structural capacity, just as our skin ages over the years. Each of our intentions became a space, a facade, a technique, a way of relating to the city, a diffuse limit, a detail.

Architects: Estudio Morton 51st
Area : 1968 m²
Year : 2021
Photographs :Federico Kulekdjian
Manufacturers : Bará, D’accord, Descar SRL , Domec, FV, Grun Vivero Orgánico, Iwin , Johson, Oblack , Roca Capea , Runic
Lead Architect : Diorella A. Fortunati
City : Ituzaingó
Country : Argentina