奥斯莫里斯酒店的设计是基于几个基本的二元性的相互作用：重和轻，光和影。混凝土结构的沉重感强调了内部空间的轻盈和透明。

The Hotel Osmolis design is based on the interplay of a few essential dualities: heaviness and lightness, light and shade. The heaviness of the concrete structure emphasizes the lightness and transparency of the interior spaces.

在其最基本的层面上，该建筑提供了一个保护居民免受夏季强烈阳光照射的结构，为生活提供了阴凉。巨大的混凝土悬臂框住了大海和岛屿，因此使地平线的视角成为紧邻室内环境的一个组成部分。
At its most fundamental level, the architecture provides a structure to protect inhabitants from the strong summer sun, to make shade for living. The massive concrete cantilevers frame the sea and islands, hence making the perspective of the horizon an integral part of the immediate interior surroundings.

外部混凝土的原始状态被室内柔软而温暖的木质包层所平衡。这种对立的作用是在外部和内部的交界处创造不同的重叠气氛。平衡的方法突出了空间的特点：不同的触觉体验，不同强度的阴凉，以及太阳每天在朝南的地平线上划出的弧线所增强的丰富色彩。

该设计结合了当地的 “dolac “传统，即为农业而将山坡塑造成整齐的表面。陡峭的山坡被赋予了许多梯田的形式，这些梯田逐渐向海面下降。在这里，同样的原则也被用来将建筑融入倾斜的地形。屋顶与山坡对齐，以保持每个层面的景观。

The raw state of the exterior concrete is counterbalanced by the soft and warm wooden cladding of the interiors. Such oppositions function to create diverse overlapping atmospheres at the junction of out- and inside. Counterbalancing methods highlight the spaces characterized by different tactile experiences, different intensities of shade, and the rich colors augmented by the sun’s daily arc across the south-facing horizon.

The design incorporates the local tradition of “dolac” which is the shaping of slopes into aligned surfaces for agriculture. The steep hillsides are given the form of many terraces that fall incrementally towards the sea. This same principle has here been used to integrate the building into the sloped terrain. The roofs are aligned with the hillside to maintain the view from every level.

在建筑中使用传统的 “dolac “原则使我们能够调和已建和未建的环境。建筑物缓缓下降的轮廓，呈现出一种俏皮的散落形状，对下面的基础土地表示尊重。
另一个传统原则被用来平衡新与旧。 功能性和清晰的形式是我们从20世纪的现代性的遗产。引用现代性的常见视觉套路给人的印象是，酒店已经在这个地方定居了几十年。

Using the traditional principle of “dolac” in construction allows us to reconcile the built and unbuilt environments. The building’s gently falling profile, which takes on a playfully scattered shape, pays respect to the foundational earth beneath.

Another traditional principle is used to counterbalance the old and the new. Functionality and clear forms are our heritage from 20th century modernity. Citing modernity’s common visual tropes gives the impression that the hotel has already settled into this place for decades.

混凝土结构与独特的砖顶，受保护的模块化房间，以及共享空间上的大型天幕的沉重控制台，既是功能性的，也是设计面向大海和风景的行为。

The concrete structure with distinct brise-soleils, the protected modular rooms, and the large canopy’s heavy console over the shared spaces are both functional and act to orient the design towards the sea and view.

酒店的共享空间位于似乎漂浮在山坡上的玻璃底层，其特点是开放的计划和视觉效果，与周围山坡上的茂密植被交织在一起。

The hotel’s shared spaces, located on the glazed ground floor level that appears to be floating over the hillside, are characterized by open plans and visuals that interweave with the lush vegetation of the surrounding slopes.

与建筑的重量和某种粗暴相比，所有的家具和装置都以相对的中性和精致的形式为标志，从而产生了令人愉快的触觉和谨慎的色彩游戏性。

In contrast to the architecture’s weight and certain kind of brutality, all the furniture and fixtures are marked by relative neutrality and delicacy of form, resulting in pleasant haptics and a discreet chromatic playfulness.

木板的组成遵循了建筑的层次，并在裸露的混凝土板的宏伟和更人性化的室内领域之间的过渡区域，其家具、织物和照明强调了宁静、纹理和天然材料。

The composition of the wooden panels follows the architectural strata and traces the transitional zones between the grandeur of the exposed concrete slabs and the more human domain of the interior, with its furniture, fabrics and lighting emphasizing serenity, textures and natural materials

Architects: U.O.A. Damir Vitkovic
Area: 2925 m²
Year: 2022
Manufacturers: prostoria
Structural Engineers:: Ultra Studio
Mechanical Installations: PRO-ING
Sprinkler Installation: Aling projektiranjE
Electrical Engineering: NNS-EL-ING
Building Physics: AKFZ studio
Interior Design: U.O.A. Damir Vitkovic, Numen/For Use
Fire Protection / Strategy / Safety Project: Flamit
Visual Identity: Linear Studio
City: Brsečine
Country: Croatia