这个全面的改革项目产生于对如何从性别角度和情感设计上使当代住房更灵活的调查。位于马德里Lavapies标志性街区的60年代的三居室房屋并不适应其新居民的生活方式。
This comprehensive reform project arises from an investigation on how to make contemporary housing more flexible from a gender perspective and from emotional design. The three-small-bedroom house of the ’60s located in the emblematic neighborhood of Lavapies in Madrid did not adapt to the way of life of its new inhabitant.
生活就是表演。该项目产生于寻找一个灵活的空间，可以产生与新主人的爱好有关的变化行为的场景：绘画工作室，学习，电影院，或15人的品酒会。房子的基本部分是两个交织在一起的立方体–潮湿区域的容器–这反过来又解决了房子的所有装置。颜色的重要性是非常存在的，因为它是一个家庭-展览空间。灵感来自于维姆-文德斯的《德克萨斯的巴黎》电影中的气氛；图像充当了一个即将到来但同时又无法实现的真相的调解人。
Life as performance. The project arises from the search for a flexible spatiality that could generate scenarios of changing acts in relation to the hobbies of its new owner: painting workshop, study, cinema, or tastings for fifteen people. The fundamental piece of the house is two intertwined cubes – containers for the wet areas – which in turn solve all the installations of the house. The importance of color is very present as it is a home – exhibition space. Inspired by the atmosphere in Wim Wenders’ Paris, Texas movie; the image acts as a mediator of an imminent but at the same time unattainable truth.
新方案旨在将厨房的社交区域与生活空间联系起来，使烹饪功能更加灵活，并使其成为公共空间；始终寻求打破分配活动和预定空间的角色。 浴室像法国或日本家庭一样被分割开来，将厕所作为一个私人空间分离出来；现在沐浴在色彩之中。浴室反过来成为一个洗衣房，容纳了淋浴-浴缸-脏衣服和干净衣服的循环，使每个人都成为这个过程的一部分。
The new program aims to link the social areas of the kitchen to the living space, making cooking functions more flexible and making it public; always seeking to break the roles that assign activities and predefined spaces. The bathrooms are fragmented as in French or Japanese homes, detaching the toilet as a private space; now bathed in color. The bathroom, in turn, becomes a laundry, housing the cycle of the shower – bathtub – dirty clothes and clean clothes, making everyone part of the process.
花蜜汁+水蓝+印度黄是用来发展过程和庇护行动的主要颜色。房子的其他部分是一个中性容器的配备和紧凑。美利松地板是原来房子的唯一痕迹，其轮廓显示了房子的原始布局。
Nectar Juice + Acqua Blue + Indian Yellow are the main colors used to develop processes and harbor actions. The rest of the house is a neutral container equipped and compact. The Meli Pine floor is the only trace of the original house, whose outline reveals the original layout of the house.
委托从史密斯夫妇的建筑思想出发，对从一开始就有秩序地控制所有的物品和日常生存所需的财物的必要性给出了答案，同时也是为了实现一个清晰的可居住空间的想法。
无论是移动的办公桌和使房间独立的三层波纹玻璃和锻铁门，还是展览通道中的漂浮画作，都产生了对主空间进行分区的变化空间。
The commissioning starts from that architectural thinking of the Smithsons, of giving an answer to the necessity to control, from the beginning in an orderly manner, all the objects and belongings that daily existence entails, together with the idea of achieving a clear habitable space.
Both the mobile desk table and the triple corrugated glass and wrought iron door that make the room independent, or the floating paintings in the exhibition lanes, generate changing spaces that zone the main space.
Architects: Carmen Ana de Miguel, SUAV
Area : 807 ft²
Year : 2021
Photographs :Milena Villalba
Manufacturers : Hisbalit, JUNG, Kerlanic, Krion
Lead Architects : Paula Herrera, Beatriz María Jiménez
Collaborator : Carmen Ana de Miguel