现在将收藏帕里什艺术博物馆藏品的新建筑是由赫尔佐格和德梅隆设计的，距离位于蒙托克高速公路北侧的水磨村的现址两英里。十四英亩的场地容纳了34,510平方英尺的建筑和现有景观。保留的设计尊重景观，通过简洁的形式和简单的材料引导自然之美，同时保留了博物馆的艺术遗产。
The new building that will now house the collections of the Parrish Art Museum is designed by Herzog & de Meuron, two miles from the current site in the village of Water Mill, on the north side of Montauk Highway. The fourteen-acre site accommodates the 34,510-square-foot building and the existing landscape. The reserved design is respectful of the landscape and channels the natural beauty through crisp forms and simple materials, while preserving the artistic legacy of the museum.
建筑师从周围的景观和他们对长岛东区的艺术家工作室的访问中获得了灵感。这是帕里什艺术博物馆设计的出发点，它从单一画廊空间的基本参数开始，利用工作室的比例，推导出带有北向天窗的简单房屋部分。其中两个画廊的侧面是一个中央循环脊柱，产生了建筑的简单挤压形式。
The architects drew their inspiration from the surrounding landscape and their visits to the artists’ studios in Long Island’s East End. This was the starting point for the design of the Parrish Art Museum which began with the basic parameters for a single gallery space, using the proportions of a studio and deriving a simple house section with north-facing skylights. Two of these galleries flank a central circulation spine that produces the simple extruded form of the building.
该建筑有一个东西向的方向，以利用穿透画廊空间的自然北光。 通过使用大面积的玻璃，为博物馆和由Reed Hilderbrand事务所设计的景观提供了广阔的视野，对环境的敏感性得到了发展。 它被塑造成一个以草、本地野花和橡树及常青树的树篱为特色的草地，提供了场地的北部边界。 一个阴凉的门廊环绕着整个建筑，为游客创造了一个大型的公共空间。
The building has an east-west orientation to take advantage of the natural north light which penetrates the gallery spaces. A sensibility to the environment is developed through the use of large sections of glass that provide broad open views through the museum and onto the landscape, which is designed by Reed Hilderbrand Associates. It is shaped into a meadow features grasses, native wildflowers and a hedgerow of oak and evergreen trees that provide a northern boundary of the site. A shaded porch surrounds the entire building, creating a large public space for visitors.
博物馆的布局设计是为了优化博物馆的功能。 一个由10个画廊组成的集群是博物馆的核心，在一个结构网格内布置，其滑动隔墙可以重新安排，以适应各种各样的展览。 可用的展览空间总面积为12,000平方英尺。 公共项目，如大厅、礼品店和一个带有多功能教育空间的咖啡馆都设在画廊的西面。 后台功能位于画廊核心区的东部，包括行政管理、仓储、车间和一个装货码头。
The layout of the museum is designed so as to optimize the functionality of the museum. A cluster of ten galleries is the heart of the museum, laid out within a structural grid whose sliding partition walls can be rearranged to accommodate a wide variety of exhibitions. The total area of available exhibition space is 12,000 square feet. Public programs such as the lobby, a gift shop, and a cafe with a multi-purpose educational space are housed to the west of the galleries. The back of house functions are located to the east of the gallery core and include administration, storage, workshops and a loading dock.
当地的建筑方法和简单的材料指导了建筑结构的发展，它是一个木柱、梁和桁架结构，并配有现浇混凝土墙。 这些建筑材料的宏伟规模与开阔的景观和与人体相称的定义时刻相协调，例如从混凝土墙延伸出来的连续长凳，让游客在博物馆外有了停顿的时刻。这个环绕建筑的户外庇护所的时刻强调了场地的重要性及其与内部艺术的互动。
Local construction methods and simple materials guided the development of the structure for the building, which is a wood post, beam and truss construction with in situ concrete walls. The grand scale of these building materials is tempered with the expanse of the open landscape and defined moments proportioned to the human body, such as a continuous bench that extends from the concrete walls to give visitors a moment of pause outside of the museum. This moment of outdoor shelter that surrounds the building emphasizes the importance of the site and its interaction with the art within.
观看这段视频，它描绘了建筑对景观的敏感性。 这座建筑有一种微妙的感觉，通过广阔的景观来表达，同时保持自己强大的存在感，这是由赫尔佐格和德梅隆的材料和形式选择所促成的。
Watch this video as it portrays the sensitivity of the architecture to the landscape. The building has a subtlety that is expressed through the expansive landscape while maintaining a strong presence of its own, made possible by the material and formal choices of Herzog & de Meuron.
Architects: Herzog & de Meuron
Area : 34510 ft²
Year : 2012
Manufacturers : Panelite
Project Team : Philip Schmerbeck, Jayne Barlow, Raymond Jr. Gaëtan
Client : Parrish Art Museum
City : Water Mill
Country : United States