住在Av. 保利斯塔大道意味着–从任何意义上说–生活在拉丁美洲最重要的城市之一的最高点上。在圣保罗的一些伟大的标志性景观中，这条繁忙的大道描绘了当代和全球化的生活方式，沿途有商业和住宅的标志性建筑。其中，保利塞亚大厦（Edifício Paulicéia）宽大的窗户以如此惊人的方式描绘了日常生活。大道从底层到公寓高层的视角变化使人有一种独特的视觉体验，但这远不是这个项目最强的概念。
Living at Av. Paulista means – at every sense – living on the highest point of one of the most important cities of Latin America. Within some great iconic landscapes of São Paulo, the busy avenue portrays a contemporary and globalized lifestyle, along both commercial and residential imponent buildings. Among them, the wide windows of Edifício Paulicéia portraits the daily life in such astonishing way. The perspective change of the Avenue from the ground floor to the high level of the apartment allows a unique sight experience, but this is far from being the strongest concept of this project.
在业主的构想下，建筑师里卡多-阿布雷乌探索了该建筑的现代特征。与单色和密集的景色相反，该公寓通过将大道的景色与构成设计的巨大植被种类相框，使人感到惊讶。亮点是超过50种不同的植物，如蕨类植物，Philodendros，榕树和多肉植物。绿色的主导地位也覆盖了墙壁，以及一些织物、窗帘和家具。
Conceived by its owner, the architect Ricardo Abreu explores the modern features of the building. In opposition to the monochromatic and dense view, the apartment amazes the sight by framing the avenue view with a great vegetation variety that composes the design. The highlight is about the inception of more than 50 different sort of plants, such as ferns, philodendros, ficus and succulents. The predominancy of the color green also covers the walls, as long as some fabrics, curtains and furniture.
在整个165平方米的公寓里，不同艺术运动的风格融合在一起，使项目更加复杂。新古典主义元素、几何绘画和当代艺术作品结合了不同的历史层次，作为对城市历史的一种比喻。波西米亚风格与沿天花板和墙壁的明显管道相融合。该公寓也被设计为建筑师的办公室。其他房间都用颜色强烈的几何墙画来突出，强调了艺术作品。
Throughout the 165m2 of the apartment, the style blend of different artistic movements compounds the project. The neoclassic elements, geometric paintings and the contemporary art work combines different history layers as an analogy to the history of the city. The Boiseries are blended to the apparent pipelines along the ceiling and the walls. The apartment was also designed to be the architect’s office. The other rooms are highlighted with geometric wall painting in strong colors, emphasizing the art work.
选择的家具物品都是由一些标志性的艺术家和设计师签署的，如Lina Bo Bardi的Girafa椅子，以及Charles Eames的物品。其他一些当代作品有费利佩-普罗蒂（Felipe Protti）的椅子Sentah，布鲁诺-梅雷莱斯（Brunno Meireles）的沙发Aga II，以及莱昂纳多-拉塔沃（Leonardo Lattavo）和佩德罗-莫格（Pedro Moog）的椅子Pantosh。在客厅里，大的折叠屏风是用金色的金属结构和青铜镜面制成的，拥抱着植被旁边的钢琴。在艺术作品中，有艺术家里卡多-特谢拉（Ricardo Teixeira）的雕塑《Pranto》，日本艺术家丰田逸夫（Yataka Toyota）的印刷艺术《Espaço 4a Dimensão》，Antônio Brasileiro的布面油画，以及建筑师和艺术家Juracy Dórea的《Fantasia Sertaneja》，还有摄影师Marcelo Magnani的照片。
The furniture items from the selection are signed by some iconic artists and designers, as the Girafa chair from Lina Bo Bardi, and items from Charles Eames. Some other contemporary pieces are the chairs Sentah from Felipe Protti, the sofa Aga II from Brunno Meireles, and the chair Pantosh from Leonardo Lattavo and Pedro Moog. In the living room, the big folding screen is made in golden metallic structure and bronze mirror that embraces the piano next to the vegetation. Among the art pieces are the sculptures Pranto from the artist Ricardo Teixeira, the print art Espaço 4a Dimensão from the Japanese artist Yataka Toyota, the oil on canvas from Antônio Brasileiro, and Fantasia Sertaneja from the architect and artist Juracy Dórea, beside pictures from the photographer Marcelo Magnani.
Architects: Ricardo Abreu Arquitetos
Area : 165 m²
Year : 2021
Photographs :Renato Navarro
Manufacturers : Amorim Cortinas, Armarinhos Teixeira, Arte Própria, Botteh Tapetes, Bruno Meireles Studio, Clami, Cristiana Bertolucci, Estudio Iludi, JB Goldenberg – Escritório de Arte, Lattoog, Líder Interiores, Marcelo Magnani Foto, Marcenaria Baraúna, Neon Três Estações, Promex Décor, Prototype Chão de Fábrica, Santa Luzia Molduras, Silvestre Vidros, Tintas Coral, Trousseau, Urban Arts, Wall Lamps
Lead Architect : Ricardo Abreu
Country : Brazil