这个建筑是一个摄影工作室，用于拍摄住宅场景中的产品和杂志。这个建筑是在现有仓库的钢架下建造的，是一个独立的木制单层房屋。并且需要将几个住宅场景结合起来。起初，照相馆需要来自南方的光线。

This building is a photo studio for taking pictures of products and magazines in a residential scene. This building was built under the steel frame of an existing warehouse as an independent wooden one-story house. And it was required to combine the several residential scenes. At first, a photo studio needs light from the south.

通过使所需的平面图在东西方向上变长，在南北方向上变不平，通过改变角度，就可以进行远距离的照片拍摄。修饰可以每隔几年改变一次，所以以角落为拍摄点的L型墙面是由配件连接的。在2.7米高的墙顶上，有一个小的天花板，如抄手，将照片裱起来，上面有一个照明层。工作室旁边有化妆室。主楼和现有建筑之间的空间是一个没有空调的半室外空间。

By making the required plan long in the east-west direction uneven in the north-south direction, it becomes possible to take a long-distance photo shooting by changing the angle. Finishing can change every few years, so the L-shaped walls, which have the corner as a shooting spot, are connected by fittings. At the top of the 2.7 meter-high wall, there is a small ceiling, such as a coping, that framing the photograph, and above that, there is a lighting layer. There are make-up rooms attached to the studio. The space between the main building and the existing building is a semi-outdoor space with no air conditioning.

起初，我们建议有一个普通木制房屋的跨度，但考虑到剧组的位置，跨度超过了5米。在这里，我们考虑只用一般分布的120毫米方木来建造框架，而不使用层压木。首先，考虑到木制建筑方法，每根木头的强度都不一样，每根木头都会变形或开裂，所以从结构上看是不合理的。

At first, it was proposed to have a span of normal wooden houses, but considering the location of the crew, the span exceeded 5 meters. Here, we considered the construction of a frame using only 120mm squares of wood, which is generally distributed, without using laminated wood. In the first place, considering the wooden construction method, the strength of each wood is different, and each wood is distorted or cracked, so it is not rational from the structural point of view.

相反，现代木制建筑方法具有模糊性，如木材的温暖性、吸湿性、隔热性和可塑性。为了最大限度地提高这种模糊性，12块3米和4米长的方形木材被捆绑在一起，形成结构上冗余的 “叠加梁”，并呈现在照明层。

Instead, the modern wooden construction method has ambiguous aspects such as the warmth, hygroscopicity, heat insulation, and plasticity of wood. In order to maximize such ambiguity, 12 pieces of 3 m and 4 m long square timber were bundled together to make a structurally redundant “stacked beam” and presented in the lighting layer.

Architects: Hiroki Tominaga-Atelier, Yae Fujima
Area: 203 m²
Year: 2019
Photographs: Yasuhiro Nakayama
City：Tokyo
Country：Japan