当我们作为公民面对大流行病的障碍时，作为专业人员，我们感觉到对我们的家有一个显著的和日益增长的关注。禁闭向我们展示了高质量的环境如何影响我们的福祉和日常工作。
While we faced the obstacles of the pandemic as citizens, we perceived as professionals, a notable and growing concern regarding our homes. The confinement showed us in practice, how quality environments impact our well-being and routine.
但更重要的是，它暴露了人类对与自然联系的深刻需求。在最近几个月里，我们观察到的结果是，领养和购买家养动物的人越来越多，家具的布置发生了变化，以确保室内日光浴的空间，植物和花卉的销售也在增加。
But more than that, it exposed the deep human need for connection with nature. In the recent months, we observed as consequence, an increase in the adoption and purchase of domestic animals, a change in the arrangement of furniture to ensure space for indoor sunbathing, and an increase in the sales of plants and flowers.
在环境方面，社会的疏远和大城市的减速给全球化的世界带来了难以想象的情景。30年来第一次可以从印度看到喜马拉雅山，在威尼斯看到了海豚，瓜纳巴拉湾的海龟也被登记在册。
In regards to the environment, social distancing and the deceleration in large cities have brought unimaginable scenarios to the globalized world. The Himalayas could be seen from India for the first time in 30 years, dolphins were sighted in Venice and the presence of turtles in the Guanabara Bay was registered.
在这一时期，很少有东西被证明是真正必要的，揭示了基本事物的真正价值。这种提醒我们自己是自然的一部分的潜在冲动，体现在人们寻求与土地接触的重大运动中。我们把注意力转移到周围的环境，与附近的地区，与我们已经疏远的自然和自然景观重新联系起来。
During this period, few things were proven truly necessary, revealing the real value of what is essential. This latent urge of reminding ourselves that we are part of nature was manifested in the significant movement of people seeking contact with the land. We turned our attention to the surroundings, reconnecting with nearby areas, with nature and natural landscapes from which we have distanced ourselves.
Botânico是一个植物苗圃，作为对这些问题的反应，传达了一种失重和平静的气氛，沉思，简单，以及我们所相信的本质。建筑过去、现在和将来都是对一个时代的生活方式的反应。我们是一个重新发现生活的邀请。
The Botânico is a plant nursery that comes as a reaction to these questionings, communicating a weightless and calm atmosphere, contemplation, simplicity, and the essence of what we believe in. The architecture was, is, and will always be a response to the lifestyle of a time. We are an invitation to rediscover life.
每年，巴西利亚的大雨季都与CasaCor的展览期相吻合。对于某些场合，气象现象被视为一个问题，但对于Botânico，雨提供了一种诗意的体验。为了不让游客错过这个机会，我们创造了一个带有雨伞架的信息图腾。我们还设计了一张用种子纸制作的名片，以继续我们在Botânico的叙述，忍受循环，并加强与土地的联系。
Every year, the heavy rainy season in Brasilia coincides with the CasaCor exhibition period. For some occasions, the meteorological phenomenon is seen as a problem, but for the Botânico, the rain offers a poetic experience. So that no visitors miss out on the opportunity, we have created an informative totem with an umbrella stand. We also designed a business card made of seed paper to continue the narrative we approached in the Botânico, to endure the cycle, and to strengthen contact with the land.
Botânico的选址以现有的Ficus Benjamina树种的序列为指导，该树种环绕着亭子并保证了阴凉。因此，对于景观设计，我们选择了享受部分阴凉的植物。不过，关于植被的选择，我们还是选择了阔叶树种，它们带来了舒适的感觉，并无形中为花园增添了热带风情。
The siting of the Botânico was guided by a sequence of existing trees of the species Ficus Benjamina, which embraces the pavilion and guarantees shade. Therefore, for the landscaping, we chose plants that enjoy the partial shade. Still, regarding the choice of vegetation, we chose broad-leaved species, which bring a cozy feeling and invariably add a tropical touch to the garden.
边上的天井有一个沉思的功能，暗示着一个暂停和呼吸的时刻。它收到了保罗-门德斯-达罗沙（Paulo Mendes da Rocha）签名的22号线的家具，是专门为Sesc 24 de Maio设计的。
The side patio has a contemplative function, suggesting a moment of pause and breath. It received furniture from line 22 signed by Paulo Mendes da Rocha and created especially for Sesc 24 de Maio.
为了创造一个轻盈的氛围，我们将立面结构从木质结构中分离出来，从而在整个周边和屋顶上创造了一个空隙，而屋顶并不接触墙壁。通过这种方式，我们允许雨水进入，并保证苗圃的湿度。屋顶使用的来自Cebrace Vidros的Habitat玻璃具有智能制造，可以保持热量，并整合了最好的设计和技术，使环境更加舒适，并在游客和外部环境之间建立起视觉联系。
In order to create a light ambiance, we detached our façade structure from the wooden structure, thus creating a void in the entire perimeter and also in the roof, which does not touch the walls. In this way, we allow the entry of rain and guarantee the humidity of the nursery. The Habitat glass from Cebrace Vidros used in the roof has intelligent manufacture that keeps the heat out and integrates the best in design and technology, making the environment more pleasant and creating a visual connection between the visitor and the external environment.
Architects: Studio Pippa
Area: 2874 ft²
Year: 2021
Photographs: Julia Totoli
Manufacturers: AutoDesk, Ana Paula Roseo, Casa Certa, Dessine, Gravia, Hill House, LV Engenhaira, Multtoldos, Portobello Shop, Vansati, Vitral
Lead Architect: Priscila Gabriel
Engineering: LV Engenharia
Landscape: Ana Paula Roseo
Project Team:Priscila Gabriel, Virginia Castro, Marina Davi, Valentina Moura e Gabriela Schinzel
Clients:CasaCor Brasília
Landscaping:Ana Paula Roseo
Pavilion Area:452 ft2
Balcony Area:2422 ft2
City:Brasilia
Country:Brazil