棕榈树、小屋和躺椅……这实质上是PLICOSA展厅，是为批发商提供的户外家具展示，是向那些最了解如何向我们销售户外家具的人销售舒适的空间。
一个足够抽象的空间，能够在每个季节发生变化，而不会失去它的基本条件，即在外面……或者至少是假装在外面!
Palm tree, hut and lounger … this is in essence SHOWROOM PLICOSA, a display of outdoor furniture for wholesalers, a space to sell outdoors Comfort to those who know how best to sell it to us.
A sufficiently abstract space to be able to change each season without ever losing its primordial condition, being outside … or at least pretending to be!
那么在一个商业机构中如何创造外部空间呢？…通过反对？如果有一个内部，而我不在里面，那么我就在外面？… ALL IN!
我们的商业空间是由8个相连的工业单位组成的，略呈梯形（20米×7.60/8.20米），所以当7个内部分区被移除后，在1.235平方米的空间上出现了一片柱子的海洋，5.80米高，略呈放射状的植物。
And how does onecreate outer space inside a commercial establishment? … by opposition? If there is an interior and I’m not inside then I’m out? … ALL IN!
Our commercial space resulted from the addition of 8 attached industrial units with a slightly trapezoidal shape (20m x 7.60 / 8.20m), so when the 7 internal divisions were removed, a sea of pillars appeared on a 1.235m2 space, 5.80m high and slightly radial plant.
外部家具中最出色的是藤制扶手椅，这是一种原产于印度尼西亚的攀缘棕榈树，其纤维不具尖锐性，非常灵活，而且非常耐腐蚀。
The exterior furniture par excellence is the rattan armchair, a climbing palm of Indonesian origin whose fibers are non-prutescent, very flexible and extremely resistant.
1.从棕榈树，树藤；2.从柱子的森林，棕榈树林；3.对于内部/外部，森林中的小屋。然后是8个宽8米、高4米的窗户，一个70米长的电影屏幕来观看和被观看。
1. From the palm, the tree rattan; 2. From the Forest of pillars,the Palm Grove; 3.andfor the inside / outside, the cabin in the forest. Then the 8 windows 8m wide and 4m high, a 70m long cinemascope screen to watch and to be seen.
我们在空间中寻找自己方向的自然方式是将我们的身体与附近的两个点联系起来，我们就像导航时一样进行三角测量……我们从来没有画过一个心理网格！”。
The natural way in which we find our own way in space is by placing our body in relation to two nearby points, we triangulate just as when navigating … we never draw a mentalgrid!
基于这一认知证据，我们建立了一套空间组织，以适应棕榈树森林的节奏，采用 “略带放射状 “的三角测量模式。
Based on this cognitive evidence we established the spatial organization of the set adapting to the rhythm of the forest of palm trees with a “slightly radial” triangulation pattern.
还有一点：支撑护民官和阳台的约束性支架，筛选和通风的柏树格子，黑色的管道和空调轴，就像覆盖着它们的夜色，盒子里的盒子，像俄罗斯娃娃一样被组装的层次结构，以及由此产生的为SHOW准备的 “外部 “空间，无论是杜鲁门还是你家里的独立共和国。
And little more: restraining braces that support tribunes and balconies, lattices of cypress that sift and ventilate, black pipes and air condition shaftslike the night that covers them, boxes inside boxes, hierarchies that are assembled as Russian dolls and the resulting “outer” space prepared for the SHOW, whether Truman or the independent Republic of your home.
Architects: Miel Arquitectos
Area: 1935 m²
Year: 2018
Photographs: José Hevia
Manufacturers: Weber, QI PG, SLV
City：PALMA
Country：Spain