在马斯特里赫特的Klevarie遗址上有一座私人住宅。在历史悠久的城墙内,这里之前是一个古老的修道院花园,后来是一家医院,还有一家疗养院。但一直作为该地块的隐藏绿地。在我们对该地的城市规划中,我们珍视这一绿色空间。街道上的大门作为这个项目的 “总纲 “发挥作用。建筑师Schellinckx于1962年设计的迷人的现代主义疗养院仍然矗立在这个地方。在马斯特里赫特标准的城市景观中,这是一个独特的现代主义事件。

A private house at the Klevarie site in Maastricht. Within the historic city walls, this was before an old monastery garden, later a hospital, and a nursing home. But always served as hidden green space for the site. In our urban plan for the site, we cherished this green space. The gate on the street functions as a ‘pars pro toto’ for this project. The charming modernist nursing home of the architect Schellinckx from 1962 still stands at the site. A unique modernist incident within the cityscape for Maastricht standards.

在这些条件下,有一个地段仍然是自由的。在这个地方的边缘矗立着一棵高大的纪念性树木。在属于疗养院的20世纪50年代的小花园里,保存着一棵古老的纪念性银杏树的树桩。这是18世纪末由一位方济各会修士从中国进口到荷兰的第一棵银杏叶的遗迹。(其中的剪枝分布在荷兰最重要的植物园里,包括莱顿的植物园)。

Within these conditions, one lot remained free. On the edge of this place stands a high monumental tree. In the small garden from the 1950s that belonged to the nursing home, a stump of an ancient monumental Ginkgo Biloba was preserved. This is the remnant of the first Ginkgo Biloba that was imported from China by a Franciscan monk to the Netherlands at the end of the 18th century. (Of these cuttings are spread over the most important botanical gardens in the Netherlands, including the Hortus Botanicus in Leiden.)

房屋体量是由一些城市规划限制和地块上的树的存在形成的。作为最后的作品,房屋被作为一个雕塑对象插入到这一排。而这样一来,这些体量与相邻的现代主义纪念碑式的Polvertoren形成了对立。在色调、质地和规模上,它们是家庭在两个事件中的停留。属于一个渐进式城市的个人姿态。

The housing volume is formed by a number of urban planning restrictions and the presence of the tree on the plot. As the final piece, the house has been inserted into the row as a sculptural object. And in doing so, the masses form a counterpoint to the adjacent modernist monumental Polvertoren. In tone, texture, and scale they are family staying in both incidents. Personal gestures that belong to an incremental city.

占地面积被限制在6×9米的范围内。在这之上,体积被允许再次扩大到9乘9米的正方形。在平面图和横断面中,这些措施和尺寸总是在各种空间和外墙的划分中起作用。

The footprint is limited to an area of 6 by 9 meters. Above that, the volume was allowed to expand again to a square of 9 by 9 meters. In floor plans and cross-sections, these measures and dimensions always play a role in the division of the various spaces and facades.

一楼通过一个大的空隙与一楼相连,而该楼则通过凉亭与二楼相连。三楼通过一个大的天窗与天空相接,并回望着Polvertoren。混凝土螺旋楼梯以一个开放的中心圈贯穿整个体量,是整个房子的连接垂直核心。

The ground floor is connected to the first floor by a large void and that floor is connected to the second floor by the loggia. The third floor through a large skylight with the sky and looks back at the Polvertoren. The concrete spiral staircase with an open center circle through the volume is a connecting vertical core throughout the house.

基座上提供了光滑的油漆灰泥,顶部有一个粗糙的 “kratzputz”,以开启更强烈的重力反转。房子有一个厚厚的温暖的外壳,结构紧凑,并有一个完全集成的天窗,为热泵提供能量。

The plinth was provided with smooth painted stucco, the top with a coarse ‘kratzputz’ to turn on the gravity inversion a little more strongly. The house has a thick warm shell, is compact, and has a fully integrated sunroof that supplies the heat pump with energy.

Architects: Martens Willems & Humblé Architecten
Area : 315 m²
Year : 2021
Photographs :Philip Driessen
Manufacturers : Heroal, Trimet, strikolith
Lead Architects : Maikel Willems, Rik Martens, Fred Humblé
Contractors : Balans Bouw Geleen
Constructors : Palte Heerlen
Client : Mulleners Vastgoed
Ground Floor : Bureau Verbeek
City : Maastricht
Country : The Netherlands