The Pottering Shed是一个30平米的艺术家工作室,位于英国南海岸的普尔。该工作室的设计感觉就像一艘倒置的船。一个木质结构坐落在一个混凝土架子上,从景观中延伸到下面的海滩。建筑本身的朝向使它看起来像是在凝视普尔港,这种朝向和展望为客户提供了一个空间,再现了在海上的另一个世界的宁静。

The Pottering Shed is a 30sqm artists studio located in Poole on the south coast of the UK. The studio is designed to feel like an upside-down boat. A timber structure sits on a concrete shelf, projecting from the landscape over the beach below. The building itself is oriented so that it physically appears to gaze out across Poole Harbour, this orientation and outlook provide a space for the client that recreates the other-worldly peacefulness of being out at sea.

木质结构被涂上了一层雕塑用网布和液体橡胶。黑色的粘性橡胶参考了历史上为船体防水而涂抹沥青的技术。封闭在橡胶下面的围网看起来像渔网,为建筑的表面提供了一种微妙的纹理。涂漆的木栅栏和橡胶涂漆的扇贝的菱形网格位于围网的顶部,提供了装饰,打破了建筑的单一体量。 在后面,屋顶的斜面几何形状被操纵,尺寸缩小,高度也变小了。

The timber structure is painted with a layering of sculptures scrim and liquid rubber. The black viscous rubber references the historic technique of tarring boats to waterproof the timber hull. Sealed beneath the rubber, the scrim appears like fishing netting and provides a subtle texture across the surface of the building. Painted timber battens and a diamond grid of rubber-painted scallop shells sit on top of the scrim and provide ornamentation that breaks down the single mass of the building. At the rear, the pitched geometry of the roof manipulates and reduces in size to become diminutive in height.

客户希望有一个可以写作、绘画、印刷、拼贴的空间,也就是他们所说的 “模拟活动”,并提供一个与港口的视觉和气候联系。这些模拟活动,以及具有挑战性的场地限制,也推动了设计的施工和材料,建筑的拼贴外观是庆祝建筑施工的雄心的结果。

The client wanted a space to write, draw, print, collage – what they refer to as their ‘analogue activities’ – and which provides a visual and climatic connection to the harbour. These analogue activities, along with challenging site constraints, have also driven the construction and materiality of the design, the collage-like appearance of the building being a result of an ambition to celebrate the building’s construction.

首先,混凝土基座被浇筑在倾斜的崖壁上,尊重普尔港的SSSI环境。接下来,数控切割的胶合板盒在现场外生产,公差为1毫米,并自豪地显示出蚀刻的零件代码。现场组装快速而简单,在几天内就将盒式面板用螺栓连接起来。

First, a concrete base was cast into the sloping cliff face, respecting the SSSI environment of Poole Harbour. Next, CNC-cut plywood cassettes were manufactured off-site to 1mm tolerance, with etched part codes proudly displayed. Assembly on-site was then quick and simple, with cassette panels bolted together in a matter of days.

在内部,回收的木板成为地板,而带有门窗的前门则是从附近的造船厂回收的。带有中央转轴和水平开口的钢窗被用来产生完全灵活和可变的通风,并被涂成浅蓝色,以参考邻近的历史船棚和二级保护的船屋的鲜艳的屋顶瓦片。

Internally, recycled timber shuttering planks become the flooring, while the front door, complete with portal window, is reclaimed from a nearby shipyard. Steel windows with a central pivot and horizontal opening are used to generate fully flexible and variable ventilation and are painted in a light blue to reference the vibrant roof tiles of the adjacent historic boatshed and Grade II-listed Boat House.

Architects: Studio MUTT
Area : 30 m²
Year : 2021
Photographs :Jim Stephenson
Manufacturers : Nemetschek, Bostic
Lead Architects : Studio MUTT
Project Management : Solidspace
Painting : Andrew Blackburn
Executive Architect : Rebecca Granger
City : Poole
Country : United Kingdom