KLab（空间设计）和Mulo创意实验室（展览设计）利用2004年雅典奥运会期间国际广播中心的现有建筑外壳，致力于将博物馆的内部改造成一个令人兴奋的学习体验，为参观者带来充满空间和图形的惊喜。
Working with the shell of an existing building that used to be the ( IBC) International Broadcast Center during the 2004 Olympic Games in Athens, KLab (SPATIAL DESIGN) and Mulo Creative Lab (EXHIBITION DESIGN), focused on transforming the museum’s interior into an exciting, learning experience, full of spatial and graphic surprises for the visitor.
雅典奥林匹克博物馆（AOM）讲述了古代和现代奥林匹克运动会的故事，展开了一个关于体育精神及其英雄--运动员的3000年的演变。
Narrating the story of the Olympic Games, ancient and modern, Athens Olympic Museum(AOM) unfolds a story of 3000 years on the evolution of sportsmanship and its heroes, the athletes.
该博物馆分为两部分。一部分讲述了奥林匹克运动会从古希腊开始到1896年重生的故事，以及我们现在所知的现代时期的情况。第二部分专门介绍奥林匹克运动的价值观、运动员和运动。
The museum is organized in two parts. One tells the story of the Olympic Games from their beginning in ancient Greece till their rebirth in 1896, and their modern period as we know it until now. The second part is dedicated to the Olympic movement its values, its athletes, and sports.
建筑师和设计师们同时开发了建筑和展览设计，因此整体感觉是连贯的。两个设计团队有幸在同一空间内同时工作，对博物馆的展品和图形的最终外观有了完整的概念。
The architects and designers developed the architecture and exhibition design in parallel, so the whole feel coherent. Both design teams had the privilege to work simultaneously in the same space developing a complete idea of how the museum will look at the end with its exhibits and graphics.
该博物馆既简约又有纪念意义，让你有机会体验到各种耐人寻味的空间。每个空间的叙述导致了一个特别的设计，同时保持了一个整体的建筑身份。虽然空间是强大的，但它们的抽象性允许不同的阅读和建筑对象和图形相互补充，而不会分散对信息丰富的内容的注意力。
The museum both minimal and monumental gives you the opportunity of experiencing a variety of intriguing spaces. The narrative of each space leads to an ad hoc design while maintaining an overall architectural identity. Whilst spaces are powerful their abstraction allows different readings and architecture objects and graphics complementing each other without distracting from the information-rich content.
曲线和拱门以一种新的方式被引入，让人想起古代的体育场。这创造了一个流动的有机空间，覆盖了1800平方米的展览空间，使博物馆参观者的移动变得容易和舒适。
Curves and arches were introduced in a new way recalling the ancient stadiums. This has created a fluid organic space that covered the 1800m2 of the exhibition space making the movement of the museum visitors easy and comfortable.
Klab建筑事务所和作为照明顾问的Coolshadow认为，这个博物馆的灯光应该是一个优先事项。我们认为它应该是无所不在的，就像它在希腊的风景中一样，不被人注意。空间充满了光线，模拟自然光侵入空间。
Klab architecture along with Coolshadow as lighting consultants believe that light in this museum should be a priority. We felt that it should be omnipresent, as it is in the Greek landscape, without being noticed. Spaces were filled with light simulating natural light intruding the spaces.
空间与空间之间的过渡被细致地处理，以便提供平滑的过渡或令人惊讶的过渡。天花板高度的差异，颜色和纹理的变化，以及引人入胜的图形插图，产生了复杂的空间故事，强调了内容。
Transitions from space to space were treated meticulously in order to provide either smooth transitions or surprising ones. Differentiation on ceiling heights, color and texture variations, and engaging graphic illustrations produce complex spatial storytelling that emphasizes the content.
KLab的主管Konstantinos Labrinopoulos说："我们对整体构图有无限的灵感来源，因为我们有许多物品可以使用，并得到其他博物馆和文化机构以及希腊庞大的考古宝藏的支持。我们的设计，在某种程度上，通过对运动中的运动员的描述，突出了体育竞争的意识，这反过来又是对体育在时间中的演变理念的一种叙述"。
‘We had infinite sources of inspiration for the overall composition,’ says KLab’s director Konstantinos Labrinopoulos, ‘as we had many objects to work with, supported by other museums and cultural bodies and the vast archaeological treasure of Greece. Our design, to an extent, highlights the sense of sporting competition, through the depictions of athletes in motion, which in turn is a narration of the idea of evolution of sports through time.’
Architects: KLab architecture, MULO creative Lab
Lighting Design: Cool Shadow
Design Team:Konstantinos Labrinopoulos, Xara Marantidou, Evangelia Kakkava, Fani Peroni Chalkia Katerina Tsitsiva, Vasiliki Dermitzaki
Content Research & Development, Texts:Alexandra Nikiforidou
Art Direction:Xara Marantidou
City:Marousi
Country:Greece
