该任务包括位于智利圣地亚哥的一个可容纳1000人的活动中心的设计。一座19世纪的老宅子的废墟位于该地段的一座小山上。
The assignment consisted of the design of an event center for 1,000 people located in Santiago de Chile. The ruins of an old 19th-century mansion are located on a small hill on the lot.
与考古学家合作，所有留在这里的石头和砖石墙都被抢救出来。通过清理和清除因地震和掠夺而积累的土壤，揭示了废墟的重要性和优雅性，将它们转化为建筑方案中可以成为主角的元素。
Working with archaeologists, all of the stone and masonry walls that remained in the place were rescued. The cleaning and removal of soil accumulated by earthquakes and looting revealed the importance and elegance of the ruins, transforming them into elements that could be protagonists within the architectural proposal.
通过这种方式，主要概念是重视现有废墟的遗迹和原始材料，使它们作为活动中心的背景，只寻求建造新用途和项目所需的基本元素。
In this way, the main concept was to value the vestiges and original materials of the existing ruin so that they function as a backdrop for the events center, seeking to build only the essential elements required for the new uses and programs.
该项目被整合到一个由墙、天井、以及配置内部、扩展和鸡尾酒空间的河岸系统中。位于房子的废墟中，使它能够拥有对该区的优越视野，并反过来成为社区的一个可识别的城市地标。
The project is integrated into a system of walls, patios, and esplanades that configure interior, extension, and cocktail spaces. Being located among the ruins of the house allowed it to have privileged views over the sector, and in turn, become a recognizable urban landmark for the community.
该项目提出了两个大型密封的 "木制酒吧"，包含活动中心所需的服务和管理区域。所有的浴室、行政区域和对客人的支持都位于一个区域，而另一个区域则是厨房、仓库、设备和供应商的服务。对原有的路面进行了恢复，对围墙进行了加固，并对砖和石的垂直墙进行了清理。
The project proposes two large hermetic "wooden bars" that contain the service and administration areas required for an event center. All bathrooms, administrative areas, and support for guests are located in one area, while the other houses the kitchens, warehouses, equipment, and services for suppliers. The recovery of original pavements, reinforcement of perimeter walls, and cleaning of vertical walls of brick and stone were carried out.
在现有的墙壁和这些程序条之间，提出了四面暴露的钢筋混凝土墙，在结构上分布，以减少地震时的变形。墙体支撑着一个1100平方米的大型悬挂式钢木屋顶，为大型活动厅遮阳和配置。
Between the existing walls and these programmatic bars, four exposed reinforced concrete walls are proposed, structurally distributed to reduce deformations in the event of earthquakes. The walls support a large 1,100 m2 suspended steel and wood roof that shades and configures the large events hall.
这样，一个没有柱子的宽阔空间就实现了，整个周边有五米高的玻璃围墙，在视觉上向行人和邻近的废墟和地理环境 "开放 "内部空间。此外，这些围墙包含大型移动玻璃门，允许空间自然通风，减少其对空调的需求，并将大厅与废墟区域不同层面的天井系统连接起来。
With this, a wide space free of pillars is achieved, with five-meter-high glass enclosures around the entire perimeter, visually “opening” the interior spaces towards the pedestrians and adjacent ruins and geographical environments. In addition, these enclosures contain large mobile glass doors, allowing the space to be naturally ventilated, reducing its demand for air conditioning and connecting the hall with the system of patios at different levels of the area of ruins.
因此，该项目在前卫建筑和恢复见证了智利历史时期的遗产建筑之间寻求一种衔接。其目的是，一方面，明确区分什么是新的，什么是世袭的；另一方面，新的元素与现有废墟的比例和规模相互尊重地融合。
Thus, the project seeks an articulation between avant-garde architecture and the recovery of patrimonial architecture that witnessed a historical period in Chile. The aim is to, on one hand, clearly differentiate what is new and what is patrimonial; and on the other, that the new elements are respectfully integrated with proportion and scale among the existing ruins.
通过在主厅地板上绘制砖石墙重建房屋的原始平面图是项目的一部分，以显示不再存在的原始建筑的规模和大小。
The reconstruction of the original floor plan of the house through drawings of masonry walls on the floor of the main hall was part of the project to show the scale and magnitude of the original building that was no longer there.
景观设计工作是该项目与其背景重新融合的关键，并促进利用原有的户外广场作为鸡尾酒区，使用低耗水的本地物种。
The landscaping work was key to the reintegration of the project with its context and to promote the use of original outdoor esplanades as cocktail areas, using native species of low water consumption.
反过来，从地面对废墟墙壁的照明揭示了它们在项目中的相关性和重量，与大厅及其木质屋顶的透明和轻盈形成对比。
In turn, the lighting from the ground on the walls of the ruins reveals their relevance and weight within the project, in contrast to the transparency and lightness of the hall and its wooden roof.
Architects: Triangular
Area : 2000 m²
Year : 2020
Photographs :Nico Saieh, Ximena Muñoz
Manufacturers : GLASSTECH, Topwood
Architects : Tomás Swett Amenábar, Gonzalo De la Parra García
Collaborating Architects : Alejandro Armstorng, Gabriel Díaz
City : Santiago de Chile
Country : Chile
