这个结构并不能完全决定是一个舞台、一个房间还是一个广场。它是由一系列的平台和四个立面组成的，具有鲜明的特征。整体的体积让人想起附近的军营，但它的语言却没有任何军事色彩。
The structure doesn’t exactly decide between being a stage, a room or a plaza. It is made of a series of plateaux and four façades with distinct characters. The overall volume recalls the nearby barracks but its language is nothing military.
基本上是由当地的木材制成，对油漆的精心使用澄清了建筑元素的阅读。该项目的连贯性是自豪地松散和开放的解释。绿色和白色的胶合板瓦片在外面成为羽毛，在里面成为横条纹。
Essentially made of local wood, a careful use of paint clarifies the reading of the architectural elements. The coherence of the project is proudly loose and open to interpretation. Green and white plywood tiles become feathers towards the outside, horizontal stripes on the inside.
一个金属屋顶欢迎客人进入，保护舞台，并为两个迪斯科球提供支持。其中一个短的立面看起来像一个上升的月亮，另一个让人想起一只躺在阳光下的白猫。
A metal roof welcomes guests in, protects the stage, and provides support for two disco balls. One of the short façades looks like a rising moon, the other one recalls a white cat lying in the sun.
Architects: Fala
Area : 285 m²
Year : 2019
Project Team : filipe magalhães ana luisa soares ahmed belkhodja beatriz branco lera samovich paulo sousa
Workshop Leader : Beatriz Branco
Workshop Team : Stan Vrebos, John Gillen, Nargiz Abasova, Francesco Martello, Anton Hewit, Sacha Ketelbuters, Johannes Meinzer, Kaye Song, Margot Bossy, Sofia Hosszufalussy, Maaie Abou Ghali, Marta Gruca, Sandrine Gaulin, Asli Candan, Gareth Smyth, Vitor Rocha, Ana Mata, Gabriel Brugnara, Verena Zahn, Andrew Finn, Ivana Brzovic, Melissandre De Negri, Oli Brenner, Simon Kaisin
Client : horst arts & music festival
City : Brussels
Country : Belgium
