2015年4月，奥斯陆建筑与设计学院（AHO）在骊山国际大学建筑竞赛中获得了一等奖。在接下来的夏天，我们在隈研吾建筑事务所建筑师的监督下，详细开发了该项目，并绘制了施工图。今年冬天，倒置的房子在北海道大木町建成，在整个过程中，我们与当地的承包商在现场紧密合作。现在，这座房子正等待着它的新生活，成为梅姆草地空地上的第五个竞赛房屋。
In April of 2015, The Oslo School of Architecture and Design (AHO) was awarded the first prize in the LIXIL International University Architectural Competition. During the following summer, we developed the project in detail and made construction drawings, supervised by architects from Kengo Kuma and Associates. This winter, the Inverted House was built in Taiki-cho, Hokkaido, and we were working closely on site with the local contractor throughout the process. Now the house is awaiting its new life as the 5th competition house on the open fields of Memu Meadows.
这次竞赛的主题是非典型的："享受严寒的房子"。传统上，建筑在内部和外部之间形成了强烈的分界线，在保持内部热量的同时也保持了寒冷。颠倒的房子 "试图挑战这种想法，并将世界的 "严酷 "带入房子本身。通过最小化加热的内部空间和创造一系列遮蔽的外部空间，该建筑在斯堪的纳维亚的节俭中解读了传统日本Sukiya-zukuri的遗产。其粗糙的墙壁在景观中创造了一个清晰的分界线，将精确衔接的木制屋顶和地板固定在一起。由此产生的统一性成为一种工具，利用风、雪和太阳来改变其居民对世界的感觉。
The theme of the competition was atypical: “House for Enjoying the Harsh Cold”. Traditionally, architecture has created a strong division between inside and outside, keeping the cold at bay while preserving heat within. The Inverted House seeks to challenge this idea and to bring the ‘harshness’ of the world into the house itself. By minimalizing heated interior spaces and creating a series of sheltered exterior spaces, the building reads the legacy of traditional Japanese Sukiya-zukuri in the light of Scandinavian frugality. Its rough walls create a clear division in the landscape, holding together precisely articulated wooden roofs and floors. The resulting unity becomes an instrument, using wind, snow and sun to change the feeling of the world for its inhabitants.
通过横墙定义的第一个空间接近房子：花园房间，它在冬天收集雪，并在高墙的阴影下保持到晚春。从这里，通过主入口进入室外起居室，一系列高架木地板通向壁炉，而一个大的、缓缓倾斜的屋顶向周围环境和夕阳延伸。毗邻的烹饪室由一个非常陡峭的屋顶保护，免受强风的影响。绕过横墙的狭窄通道通向受保护的内部，即内室，这是一个狭窄、黑暗的空间，由一个开放的壁炉供暖。一扇长而低的窗户将视线集中在外面花园房间的冬雪或夏花上。在它的另一端，人们发现了最私密的空间：一个浴缸隐藏在墙外，紧贴在屋顶下，一个睡台漂浮在雪地上，面对着日出，屋顶朝向梅姆的满天星斗打开。
The house is approached through the first space defined by the cross-wall: the Garden Room, that gathers snow in winter and keeps it until late spring in the shadow of the high walls. From here, the Outside Living Room is entered through the main entrance, where a series of elevated wooden floors leads to the fireplace, while a large, gently sloping roof extends toward the surroundings and the sunset. Adjacent, the Room for Cooking is protected from the strong winds by a very steep roof. A narrow passage around the cross wall leads to a protected interior, the Inside Room, a narrow, dark space, heated by an open fireplace. A long, low window focuses the view on winter snow or summer flowers in the Garden Room outside. At its other end, one finds the most intimate spaces: a bathtub is hidden beyond the wall, closely under the roof, and a sleeping platform floats above the snow, facing the sunrise, with a roof opening towards Memu’s full sky.
我们把 "倒置的房子 “想象成一个由许多部件组成的精致的工具，而不是一个主导的概念。每面墙、地板、屋顶、柱子和台阶，都经过仔细考虑，与整个建筑和它所处的世界的比例和关系。
We imagined Inverted House as a delicate instrumentation of many pieces, rather then one dominating concept. Each wall, floor, roof, pillar, and step, has been carefully considered in proportion and relation to the building as a whole and to the world in which it is built.
Architects: The Oslo School of Architecture and Design + Kengo Kuma & Associates
Area : 140 m²
Year : 2015
Photographs :Shinkenchiku Sha, Laurian Ghinitoiu
Manufacturers : Akita Plywood, JFE, Lixil Corporation, Ltd. Kiriyama, Xyladecor, kita Plywood
Structural Engineer : Oak Structural Design Office
General Constructor : Takahashi Construction Company
Local Architect : Kengo Kuma & Associates
Design Team : Laura Cristea, Mari Hellum, Stefan Hurrell, Niklas Lenander, Neven Fuchs-Mikac, Thomas McQuillan, Raphael Zuber
City : Taiki-chō
Country : Japan
