Lago Algo是一个由CMR和OMR创建和运营的文化中心，位于墨西哥城的el Bosque de Chapultepec。该建筑项目包括对现有建筑的重新规划，该建筑最初由Leónides Guadarrama和Alfonso Ramírez Ponce于1964年设计，随后由Javier Sordo Madaleno于1998年进行翻新。
Lago Algo is a cultural center created and run by CMR and OMR, located in el Bosque de Chapultepec, Mexico City. The architectural project consisted of the re-programming of the existing building which was originally designed by Leónides Guadarrama and Alfonso Ramírez Ponce in 1964 and subsequently renovated by Javier Sordo Madaleno in 1998.
该项目的城市目标是通过提供一个强调当代艺术和可持续食品的新公共项目，使查普尔特佩克公园的第二部分再生，从而在公园现有的娱乐和文化基础设施中形成新的张力。
The urban aim of the project is to regenerate the second section of el Bosque de Chapultepec by offering a new public program emphasizing contemporary art and sustainable food, thereby forging new tensions within the existing recreational and cultural infrastructure of the park.
我们注意到，在整个建筑的考古历史中，1964年最初项目的建筑目的是通过双曲线抛物面的天花板来容纳不同的相邻空间--它们共同组成一个餐厅。90年代空间改造的主要目的是为私人活动的开展提供不同的空间可能性，首先是在原来的结构上增加新的空间，其次是将现有的餐厅空间划分为三个独立的空间，这意味着游客无法欣赏到完整的双曲抛物面天花板。
We noticed that, throughout the archaeological history of the building, the architectural aim of the original 1964 project was the containment of different adjoining spaces - which together formed a restaurant - by a hyperbolic paraboloid ceiling. The main purpose of the spatial renovation of the ´90s was to offer different spatial possibilities for the production of private events, firstly by adding new spaces adjacent to the original structure, and secondly by dividing the existing restaurant space into three independent spaces, which meant that visitors were unable to appreciate the complete hyperbolic paraboloid ceiling.
我们建筑设计的主要目的是充分了解原始项目及其不同的改建，以便我们能够将该建筑改造成一个公共画廊空间和一个餐厅。我们的方法是制定一个计划，展示建筑的独立结构，以便整合独特的开放空间，为建筑提供所需的灵活性，以举办不同类型的展览。
The main aim of our architectural design was to fully understand the original project and its different alterations so that we could transform the building into a public gallery space and a restaurant. Our approach was to develop a plan which would showcase the free-standing structure of the building in order to integrate distinct open plan spaces that could provide the required flexibility for the building to host distinct types of exhibitions.
在我们寻找恢复以前破碎的天花板的过程中，我们决定通过整合不同的地面和低墙来重新制定不同空间之间的空间限制。这样做的目的是整合特定的门槛，将各种项目分开，同时在视觉上将它们连接起来。通过这种方式，视觉上的互动始终与连续的双曲抛物面天花板保持一致，这被认为是整个空间的主要建筑特征。
During our search to recover the previously fragmented ceiling, we decided to reformulate the spatial limits between the different spaces by integrating distinct ground levels and low walls. The purpose of this was to integrate particular thresholds to separate the various programs while simultaneously connecting them visually. In this way, visual interaction is always maintained with the continuous hyperbolic paraboloid ceiling which is considered the main architectural feature of the entire space.
我们项目的美学语言显示了原始结构的粗糙性，以及受时间影响的后续改造的建筑特征。它剥离并展示了它的所有元素，目的是产生一个教学空间，在那里可以欣赏到建筑和它的天花板的独特的建设过程。同时，屋顶清楚地显示了不同的疤痕，暴露了在整个建筑历史上由经济、政治和社会力量产生的多种空间分区的痕迹。
The aesthetic language of our project shows the crudeness of the original structure affected through time together with the architectural features of the subsequent renovation. It strips back and shows all its elements with the intention of generating a pedagogical space where it is possible to appreciate the distinct constructive processes of the building and its ceiling. At the same time, the roof plainly shows the different scars that expose the traces of the multiple spatial partitions generated by economic, political, and social forces throughout the history of the building.
Architects: Naso
Area : 40365 ft²
Year : 2022
Photographs :Maureen M. Evans
Lead Architects : Beatrice Kretschmer, José Ignacio Vargas
Construction Team : Fernando Páramo, Atilio Canfalonieri
Landscaping : Planta Diseño Botánico
Furniture : Rituales Mx & Taller Nacional
City : Mexico City
Country : Mexico
