MinJuKim是韩国著名时装设计师Minju Kim的时装品牌。MinjuKim的第一个展厅位于北村，一个你可以感受到首尔最古老传统的地区。北村有许多hanoks和韩国传统房屋，是许多来自国外的游客的地区。Hanok是韩国的传统房屋，一般是由木头制成的，但在Minju Kim的展厅所在地的建筑，不同寻常的是它是一个现代改进的hanok，具有混凝土结构和hanok形状的组合。我们对当时的建筑很感兴趣，当时的结构和风格结合在一起，创造了一种新的形式，它不像是按计划制作的，而是作为当时建筑的思想和形式的实验。
MinJuKim is the fashion brand of famous Korean fashion designer Minju Kim. MinjuKim's first showroom is located in Bukchon, an area where you can feel the oldest tradition in Seoul. Bukchon has many hanoks, and Korean traditional houses, and is an area where many tourists come from abroad. Hanok, a traditional Korean house, is generally made of wood, but the building on the site where Minju Kim's showroom was planned was unusually a modern improved hanok with a concrete structure and a combination of hanok shapes. We were interested in the architecture of the time when structure and style were combined to create a new format, and it was not as if it were made as planned, but as an experiment of ideas and forms of architecture at the time.
当我们看了金敏珠的衣服和作品，我们可以看到她所有的作品，从她丰富的想象力到她对形式和材料的改造和实验，我们认为她自己的方式所产生的自由形式与这个建筑如此契合。同时，她希望她最重要的思想和想象力的表达能够在同一空间背景下被看到。因此，我们希望这个建筑是一个包含hanok的思想和情感的结构，而不仅仅是借用一种风格。我们首先删除了除柱子以外的墙壁，窗户也出了柱子，这样就可以感觉到边界的延伸。此外，柱子和梁被暴露出来，使它们可以被看作是框架，所以当从内部看时，外部的景观进入了内部，内部空间的边界从外部看是灵活的，使空间看起来扩大了。
When we looked at Minju Kim's clothes and works, we could see all her work, from her rich imagination to her transformations and experiments on forms and materials, and we thought that the free forms that came out of her own way fit so well with this architecture. At the same time, she wanted her most important expression of her thoughts and imagination to be seen in the same context in space. So, we wanted this building to be a structure that contained the thoughts and emotions of hanok, not just borrowing in a style. We first deleted the walls except for the columns, and the windows were out of the columns so that the boundaries could feel extended. In addition, the pillars and beams were exposed so that they could be seen as frames, so when viewed from the inside, the landscape of the exterior came into the interior, and the boundary of the interior space was flexible from the outside, making the space look expanded.
我们希望金敏珠的想象力，从草图开始，在空间中延伸，甚至展厅都是她的画纸。他计划抓住金敏珠的衣服和草图中感受到的丰富的想象力和感性，成为她自己的空间，他希望去除所有建筑内部和外部的颜色，只留下形式和重复的图案，使它们看起来像用纸剪贴的建筑模型。而在内部，金属和镜面材料造成空间的扭曲和反射，让我们感受到真实和想象的空间共存或过渡的体验。
We hoped that Minju Kim's imagination, starting with sketches, would extend in space and even the showroom would be her drawing paper. He planned to capture the rich imagination and sensibility felt in Minju Kim's clothes and sketches to become her own space, and he wanted to remove the colors of the interior and exterior of all buildings to leave only forms and repeated patterns, making them look like an architectural model cut and pasted with paper. And inside, metal and mirror materials that create distortion and reflection of space made us feel the experience of coexisting or transitioning between real and imaginary spaces.
地下室是Minju Kim的工作空间。一楼是展示金敏珠的空间，但地下一层是金敏珠思考和制作的空间。所以，我们只在地下一层为金敏珠的工作设计了设施和设备，在一边，我们设计了一个为金敏珠的作品存档的空间。
The basement is Minju Kim's workspace. The first floor is a space to show Minju Kim, but the underground floor is a space where Minju Kim thinks and produces. So, we designed facilities and devices for Minju Kim's work only on the basement floor, and on one side, we designed a space for archiving Minju Kim's work.
Architects: studio fragment
Area : 479 m²
Year : 2022
Photographs :Kim Donggyu
Lead Architects : Seo Donghan
Design Team : Seo Donghan, Kim Haejin, Song Jaewoo
Construction Team : Kim Daejong
Clients : MINJUKIM
Country : South Korea
