在弯曲的镜子王国1，主要产业是生产具有各种弧度的镜子。唯一能反映现实真实形象的平面镜子是国王的专有财产，因此，不那么优雅的居民看起来很美，漂亮的人看起来很丑，年轻人看起来很老，老年人看起来很年轻，而饥饿和憔悴的居民看起来很明亮，营养充足。
In the Kingdom of Crooked Mirrors1 the main industry is the production of mirrors with various curvatures. The only mirror with a flat surface that reflects a true image of reality is the exclusive property of the king, so that the less graceful inhabitants look beautiful and the beautiful ones look ugly, the young people look old and the older people look young, while the hungry and gaunt inhabitants appear bright and well nourished.
2015年冬天，我们接到了对一个商业场所进行改造的委托，以使其适应作为审美中心的新用途。我们的意图是构思一个地方，满足客户要求的功能，将意味着用户的体验不同于通常与该业务相关的体验。通过美发空间内的路径，并感谢一个连续的镜像表面，有凸面、凹面和平面区域，该项目旨在在游客中产生不同的感觉，这取决于他们的位置和在每个时刻可以获得他们自己和他们的环境的反射图像。
In the winter of 2015 we received the commission of the reform of a commercial premises to adapt it to a new use as an aesthetic center. Our intention was to conceive a place that, fulfilling the functions required by the client, would imply an experience for the user other than the one commonly associated with this business. Through the path inside the hairdressing space and thanks to a continuous mirrored surface, with convex, concave and flat areas, the project aims to generate different sensations in the visitor, depending on their position and the reflected image that can be obtained of themselves and their environment in each moment.
用户在从入口处，通过镜子到另一边，在洗头的地方，将看到一个扭曲和放大的现实，而在镜子保持平坦的工作区，他将能够观察到周围发生的不同扭曲。
The user will see a distorted and enlarged reality during the journey from the entrance, through the mirror to the other side, where the hair is washed, and in the work area where the mirror remains flat he will be able to observe different distortions of what is happening around.
在2016年1月和3月期间，该项目实现了，用一个建筑来应对手段的匮乏，保留了所有的隔断、墙壁和以前的装置，用白色油漆涂抹，并安排了一个地板，部分地毯，作为一个T台，限制了 "等待和闲谈区"、儿童游戏区和保留给工作的空间。主要的努力集中在房间里引进的作品的结构上，它是由外面的镜子和里面的黑色天鹅绒制成。它与房间的几何形状无关，包含了厕所、储藏室和接待区，以及照明系统，限定了空间，同时扩大了对它的感知。
During the months of January and March of 2016, the project materialized, responding to the scarcity of means with an architecture that treats the existing premises preserving all partitions, walls and previous installations, painting them with white paint, and arranging a floor, carpeted in part, as a catwalk that limit the 'waiting and gossip area', the children's play area and the space reserved for work. The main effort is centered on the construction of the piece introduced in the room, which is made by mirror on the outside and black velvet on the inside. It is unrelated to the geometry of the room and contains the toilets, storage and reception area, as well as the lighting system, delimiting the space and at the same time expanding the perception of it.
在 "弯曲的镜子王国 "1中，只有国王可以通过平面镜子和弯曲的镜子接触到对同一现实的多种解释。在这个项目中，墙壁自己会说话，所以在空间中发生的所有幻象都会展示给参观者，由他来决定他喜欢留在哪个版本的自己。
In the Kingdom of Crooked Mirrors1 only the king had access to the multiple interpretations of the same reality, through the flat mirror and the curved mirrors. In this project the walls speak for themselves so all the visions of what happens in the space are shown to the visitor, and it is up to him to decide which version of himself he prefer to stay with.
Korolevstvo krivykh zerkal（弯曲的镜子王国）。共产主义剪辑的电影，在某种程度上让人想起《爱丽丝梦游仙境》、《透过玻璃》和《绿野仙踪》等故事在电影中的改编，由导演Aleksandr Rou于1963年在苏联拍摄。
Korolevstvo krivykh zerkal (Kingdom of Crooked Mirrors). Communist cut film that recalls to a certain extent the adaptations taken to the cinema of stories like 'Alice in Wonderland', 'Through the Looking Glass' and 'The Wizard of Oz', made in the Soviet Union in the year 1963 by director Aleksandr Rou.
Architects: Serrano + Baquero Arquitectos
Area : 120 m²
Year : 2016
Photographer :Fernando Alda, Courtesy of Serrano + Baquero Arquitectos
Manufacturers : Grupo Corbalan, Barcelona Led, EAH Almagro, Supreme floors, tejidos buenos aires
City：GRANADA
Country：Spain
