就像古代的美发艺术发生在山洞里一样，一个被挖空的现有的20世纪80年代的混凝土结构为发廊提供了合适的环境：一个坚韧的、功利的空间，用于剪发、梳理、染色、清洗；更新。这个项目将一家小型印刷公司改造成美发厅，位于大阪清水丹妮教育区的一幢混合用途的商业/住宅楼的底层。
Just as the ancient art of hairdressing took place in the cave, a hollowed-out existing 1980s concrete structure provides the appropriate setting for a hair-salon: a tough, utilitarian space for cutting, grooming, coloring, washing; renewal. This project converts a small printing firm to a hair salon on the ground level of a mixed-use commercial/residential building in the educational precinct of Shimizu Dani, Osaka.
沙龙面对一条繁忙的人行道，从街道上退后一步，画出一个正式的入口，并通过一大片玻璃，将整个内部空间向外开放，让人想起洞穴的入口。对现有建筑的重新解释，新旧之间的关系，是一个出发点。
Fronting a busy pedestrian thoroughfare, the salon takes a step back from the street, drawing a formalized entry and, through an expanse of glazing, opens the entire interior space to the outside, recalling the mouth of the cave. A reinterpretation of the existing building, the relationship between old and new, is a point of departure.
一种类似墨水的绿色化合物涂在现有的石板上，在沉重的印刷机器的轮子下，石板已经开裂和磨损。新的瓷砖来自与原来的砖瓦相同的窑场。现有的金属服务门被用作产品展示仓库，通往底层的服务开口被上了玻璃。这些将建筑更新的行为与美发的行为联系起来。
An ink-like green compound coats an existing slab, cracked and worn under the wheels of heavy print machines. New tiles are sourced from the same kilns as the original brickwork. Existing metal service doors are put to new use as product display storage and service openings to the sub-floor are glazed. These connect the act of architectural renewal to that of hairdressing.
抽象的建筑姿态被用来表示空间功能，而不是标牌和图形：红色的瓷砖和白色的灌浆料让人想起理发师的杆子，一个用于等待顾客的长凳被平行放置在街边，类似于经典的理发店的座位。空间内的物体是漂浮的、可移动的，可以被扫到一边–就像剪掉的头发一样–以允许电影之夜、展览或业主最喜欢的消遣–插花课。
Abstracted architectural gestures are used in preference to signage and graphics to denote spatial function: red tiling and white grout recall the barber’s pole and a bench for waiting for customers is positioned parallel at the street front, akin to classic barber salon seating. Objects within the space are floating, moveable and can be swept aside – like cut hair – to allow for film nights, exhibitions or the owner’s favorite pastime, an ikebana class.
Architects: Niimori Jamison Architects, Yoneda Architect Atelier
Area : 54 m²
Year : 2019
Photographs :Hiroki Kawata
Manufacturers : Artek, Masahiro Minami Design
Interior Designers : Niimori Jamison Architects, Yoneda Architect Atelier
Builder : Kadowaki Construction Office, Delight House
Architect : Yudai Niimori, Tadashi Yoneda, James Jamison
Furniture Designer : Masahiro Minami, Yuki Matsumoto
Budget : 8,00,000 JPY
City : Osaka
Country : Japan