市政空间 “无线电车库 “是一个媒体艺术中心,一个以无线电艺术、声音艺术、VR艺术、互动媒体为重点的临时展览的实验性画廊。

The municipal space “Radio Garage” is a media art center, an experimental gallery for temporary exhibitions in the focus of radio art, sound art, VR-art, interactive media.

利沃夫电台的建筑是在1912-1913年根据建筑师阿道夫-皮勒的计划建造的。这是一个早期现代主义建筑的例子,具有新艺术主义、新哥特式和新艺术主义的图案。曾经是公寓,后来是波兰银行,再后来是利沃夫电台的房子:这个地方的历史非常有趣。然而,苏维埃时代产生了重大影响,不幸的是,现在,我们只保留了部分原始元素。

The building of Lviv Radio was built in 1912–1913 according to the project of architect Adolf Piller. This is an example of early modernist architecture with motifs of Art Nouveau, Neo-Gothic and Art Nouveau. Once – a tenement house, later – a Polish bank, a little later – the house of Lviv radio: the history of this place is very interesting. However, the times of the Soviet have had a significant impact and, unfortunately, now, we have only partially preserved the original elements.

因此,与这样的项目合作,对我们来说最重要的事情 – 是归还损失。因此,我们对内部进行了保护,以保留所有过去的印刷品。我们非常高兴的是,在这个项目中,我们在墙壁和天花板上发现了由Luxpheres制成的独特装饰品。这些玻璃棱镜是一家美国公司在十九世纪的发明,在欧洲经常使用。光线进入地下房间,这有助于避免不必要的电力消耗,再加上防潮和良好的隔热性能。由于利沃夫艺术家Oles Dzyndra,从Luxpheres(从Kn Romana str.)的重叠部分之一被重新创建。

Therefore, working with such projects, the most important thing for us – was to return the loss. So we made the preservation of the interior for keeping all the prints of the past. And we are very happy that during the project we have found unique ornaments on the walls and ceilings made of luxpheres. These glass prisms are an invention of an American company since the XIX century, which is often used in Europe. Light got into the underground rooms, which helped to avoid unnecessary electricity consumption, plus moisture resistance and excellent thermal insulation. Thanks to Lviv artist Oles Dzyndra, one of the overlaps from the luxpheres (from Kn Romana str.) was recreated.

一般来说,空间包括一个入口组,有小的走廊,厕所,和一个开放的中庭庭院。在设计时,我们尽可能地研究了所有的房间。因此,我们发现有3个窗户是用砖砌成的。我们修复了它们,结果,我们得到了从大厅到中庭庭院的入口,厕所和走廊上的窗户。由于这个原因,我们把空间统一成一个有机体。此外,我们还使用了镜子来最大限度地消解设计。

In general, space consists of an entrance group, there are small corridors, WC, and an open atrium courtyard. Designing, we researched all the rooms as much as possible. So we found that 3 windows were bricked up. We restored them, as a result, we got the entrance from the hall to the atrium courtyard, windows in the WC and in the corridors. Due to this, we have united the space into a single organism. Also, we used mirrors to maximize dissolve the design.

地板 – 修复,在其中一个走廊 – 微水泥。地下室 – 为展览而设计。楼梯和地板已被修复。修复后的Luxpheres的重叠部分位于这里。

Floor -restored, in one of the corridors – micro cement. Basement – designed for exhibitions. Stairs and floor have been restored. Restored overlaps from the luxpheres are located here.

底层是一个讲座和展览的地方。为了增加功能,我们利用高度,为员工创造了一个 “二楼”。地板和墙壁也被尽可能地恢复了。金属门洞被设计用来分隔入口组和演讲厅的空间。此外,来自Knyazya Romana街道的入口门也被恢复了。这个空间的独特之处在于,翻新后的大门是中央入口,但不是唯一的入口。事实证明,在这个空间里有两个门–可以进入Knyaz Roman和Nyzhankivsky街。第二道门里没有多少有色金属。在苏联时期,它的下部被完全切断了–修复者找到了遗迹,并修复了一个带有小平台的新入口门。

A ground floor is a place for lectures and exhibitions. In an effort to add functionality, we used height and created a “second floor” for employees. The floor and walls are also restored as much as possible. Metal doorways were designed to separate the spaces of the entrance group and the lecture hall. Besides, the entrance gate from the street Knyazya Romana was restored. The uniqueness of this space is also in the fact that the renovated gate – the central entrance, but not the only one. It turns out that there were two gates in this space – with access to Knyaz Roman and Nyzhankivsky Street. There are not many non-ferrous metals in the second gate. In Soviet times, its lower part was completely cut off – the restorers found the remains and restored a new entrance gate with a small terrace.

Architects: studio architecture & design O.M.SHUMELDA
Area: 167 m²
Year: 2021
Photographs: RomanShyshak
Manufacturers: JUNG, Aluprof, Simas, AMF
Lead Architects: Oksana Shumelda, Marjan Shumelda
Architect:Sofiia Rudetska
Interior Designer:Nataliia Nykolyshyn
Graphic:Kateryna Oliynyk
City:L’viv
Country:Ukraine