可以说，城市是由不同的背景层组成的，这些背景层随着时间的推移相互接近或相互叠加，甚至有时交织在一起，并为其特定的现有状态奠定基础。在雅洛瓦这个城市特有的例子中，主要层次之间的对立非常突出。

It is possible to say that cities are made out of different contextual layers, which time by time come near each other or on top of each other, even intertwine at times and ground their specific existing states. In the Yalova example peculiar to this city, oppositions between the main layers stand out.

亚洛瓦的一面是它的自然面。地方性植物，这些植物被种植、展览和商业评估的地区，甚至附近地理上最发达的植物园，都是决定这个城市目前现有状态的事实。一个五彩缤纷、充满欢乐和活力的世界脱颖而出。在这个意义上，它体现了一种乐观主义，一种在这个夏天的地方生活更加快乐和无忧的感觉。

One face of Yalova is its natural side. The endemic plants, areas where these plants are grown, exhibited and evaluated commercially, and even the most developed arboretums of the near geography are facts that determine the current existing state of the city. A colorful, joyful and vibrant world stands out. In this sense, it embodies an optimism, a feeling that the life is more joyous and trouble-free in this summer place.

雅洛瓦也是一个工业城市。无疑，要说雅洛瓦现有状态的这张脸并不那么无忧无虑。很难说它会是欢乐和充满活力的。相反，生活、劳动和汗水的艰难部分就出来了。与另一方相比，这个世界更具挑战性。

Yalova is also an industrial city. Doubtless to say this face of Yalova’s existing state is not as trouble-free. It is hard to say it would be joyous and vibrant. Instead, the harder parts of life, labor and sweat come out. Compared to the other side, this world is more challenging.

甚至不用质疑哪张脸更真实，就可以说，这两种完全对立的现存状态在这个城市里交织在一起，相互哺育，甚至从对立造成的紧张中创造了这个城市的独特灵魂。作为文化中心的建筑、城市和城市的人们之间的关系是设计的主要容器。在这个意义上，它的目的是让中心与城市的对面层进行调解。
It would not be wrong to say, without even questioning which face is more veritable, these two existing states that are totally opposites of each other have intertwined in this city, have fed off each other and even have created the city’s unique soul from the tension caused by the opposition. The relationship between the building which is a cultural center, the city and the people of the city is the primary vessel of the design. In this sense, it is aimed that the center mediates with the opposite layers of the city.

建筑物屈服于场地的西侧，并向边缘倾斜，以便为前面的城市花园腾出空间。从外观上看，它并没有让人看到最近的文化中心的闪亮和主导的世界，这些文化中心想要纪念碑化。此外，它避免了这个多彩的、无忧无虑的而又不失威严的世界。通过这样做，”设计的 “并不试图强迫一个秩序，它确实试图教导 “用户”。相反，设计大多是 “开放式 “的。

The building resigns to the west side of the site and leans to the edge in order to make space for the city garden that will be placed in front. The perception from the exterior does not give away to the shiny and dominant world of the recent cultural centers that want to monumentalize. Moreover, it holds off from this colorful, carefree yet imperious world. By doing this the ‘designed’ does not try to force an order, it does try to teach the ‘user’. Instead, the design is mostly ‘open-ended’.

乍一看，这个建筑并不参考任何形状。当你靠近建筑时，这种与任何形状体量都不相同的客观性就会变成城市的工业特征。与其使用闪亮和浮夸的材料，不如使用由耐腐蚀的建筑钢材制成的铁板来加强这种感觉，这些铁板的表面是生锈的。市民们会很容易认出这种质地，因为他们在生产区看到过这种质地，尽管它没有被用在建筑物上。现在的建筑，已经超越了它新的和陌生的状态，开始与市民交织在一起。也适合回收的表面，作为一个自然调色板，包含了它将经历的变化，如氧化引起的颜色和色调的变化。这种运动将使城市和建筑之间的关系更加互动。

At first glance, the building does not reference to any shape. This objectivity that the building’s unlike to any shape mass creates, changes to the industrial character of the city as you get close to the building. Instead of the shiny and ostentations materials, the foraminous plates made out of resistant construction steel that was designed for facade sheating, was used to strengthen this feeling with their rusty surface. Citizens would recognize this texture easily as they have seen it in the production areas even though it had not been used on a building. The building now, has overgrown its new and stranger state ans has started to intertwine with the citizens. The surface which is also suitable for recycling, acts as a natural palette, containing the changes it will go through like the color and tone changes caused by oxidation. This movement will make the relationship between the city and the building more interactive.

外墙打孔的事实使其表面在夜间像薄纱窗帘一样溶化，内部将被轻易感知。用户从建筑物的口进入。这里没有门或障碍物。金属薄纱现在变成了一个保护者。它留下了雨水、阳光和风的负面影响，但由于它的半透明性质，它并没有变成一个内部空间。空气在这个区域自由地通风。

The fact that the facade is perforated provide the surface to dissolve at the night time like a tulle curtain and the inner would to be perceived easily. The user enters the building from its mouth. There is not a door or a barrier. The metal tulle now transforms into a protector. It leaves the negative impacts of rain, sun and wind but it does not transform into an interior space because of it semi-transparent nature. The air ventilates freely in this area.

建筑物中的各部分都是根据其不同的功能和必要的尺寸专门设计的。像可容纳600人的多功能厅、可容纳150人的车间、婚礼和展览室、图书馆、办公室和食堂等区域从不同的立面相互关联。这些与建筑外墙和相互之间没有联系的体块，以其独特的几何形状存在于建筑内部。它们的表面强调了雅洛瓦的色彩和杂草的自然纹理。它的目的是，各种植物产生的快乐形象将出现在外墙的表面之下，作为建筑外部感知的第二层，就像它在数字出版物上的近距离感知。

The masses in the building are shaped specifically to their different functions and necessary dimensions. Areas like 600 people capacity multi-purpose room, 150 people capacity workshop room, nuptial and exhibition rooms, library, office and cafeteria are related to each other from different elevations. These masses that are disconnected from the building facade and from each other, exist inside the building with their unique geometries. Their surfaces emphasize Yalova’s colorful and overgrown natural texture. It is aimed that the joyful image that various plants generate will appear beneath the surface of the facade as a second layer of exterior perception of the building just like it is on digital publications in close perception.

坡道通过创造一个遮蔽的内部街道将这些体块相互连接起来，试图丰富游客的生活。在这些体块之间的空隙中，主要是休闲活动功能和服务空间。思考RDKM文化中心之间的预测关系，该项目是由投资者组织的有限竞争获得的，它的位置和它的所有者；市民，把建筑带到了一个非常具体的位置。

The ramp that connects these masses to each other by creating a sheltered inner street, try to enrich the lives of the visitors. In the voids that are in between the masses are mostly recreational activity functions and service spaces. To think about the predicted relationship between RDKM Cultural Center, which’s project was acquired by a limited competition organized by the investor, its place and the owner of its place; the citizens, takes the building to a very specific position for the designer.

Architects: EAA – Emre Arolat Architecture
Area : 7900 m²
Year : 2010
Manufacturers : Kasso
City：YALOVA
Ccountry：Turkey