该项目涉及国家公园 “De Weerribben-Wieden “中的一个小型摄影工作室。主要的出发点是与周围的自然环境相融合,以及与邻近的家庭住宅建立关系。

The project concerns a small photostudio in National Park ‘De Weerribben-Wieden’. The main starting point was to blend with the nature around it, as well as establish a relationship with the adjacent family house.

该公园因其生物多样性和芦苇田在欧洲是独一无二的。该地区的主要经济动力历来是收集芦苇。在荷兰各地,这种典型的Weerribben-Wieden的产品可以在房屋的屋顶上找到。在这个项目中,不寻常的是,芦苇被用在正面和背面的立面上。当走近建筑时,芦苇形成了一个友好的问候和它背后风景的具体投影。

The park is unique in Europe for its biodiversity and reed fields. The main economic driver of the region has traditionally been the collection of reed. Everywhere around the Netherlands this typical product of the Weerribben- Wieden can be found on roofs of houses. For this project, uncommonly, the reed is used for the front and back façade. When approaching the building, the reed forms a friendly greeting and tangible projection of the landscape behind it.

应用于外墙的芦苇在任何家庭用品商店都可以买到,一般来说,它可以作为一个篱笆。一个空腔被应用,以使芦苇自然干燥。一块木板的网格用于连接芦苇单元。牧师建筑师Dom Hans van der Laan制定的测量顺序为网格的节奏提供了依据。与房屋的连接是根据当地的建筑技术 “potdekselen”,用黑色的木板来实现的。

The reed that is applied in the facade is available in any home-improvement store and generally functions as a fence. An air cavity is applied to allow the reed to dry naturally. A grid of timber planks serves to attach the reed units. The order of measurements formulated by priest-architect Dom Hans van der Laan, informs the rhythm of the grid. The connection to the house is achieved by applying black timber planks according to a local building technique called ‘potdekselen’.

工作室的内部是尽可能的轻盈。白色的内部是房子形状的抽象表现。最大的开口朝向北方,让无影灯进入,而无影灯又在白色灰泥墙和天花板上反射。

The interior of the studio is as light as possible. The white interior is an abstract representation of the shape of the house. The largest openings are facing the north to let in shadow-less light, which in turn reflects off the white stucco walls and ceiling.

通常情况下,在摄影过程中会使用纸质背景屏,确保背景光滑。当纸屏风被卷起时,一个类似尺寸的窗口出现了。这扇窗户成为房子后面风景的绘画般的框架。房子的使用是灵活的。工作室的功能在未来可以容纳人,因为储藏室可以变成浴室,在上面的夹层可以放置一张床。

Usually, a paper backdrop screen will be used in photography sessions, ensuring a smooth background. When the paper screen is rolled up, a window of similar dimensions emerges. This window becomes a painting-like frame of the landscape behind the house. The use of the house is flexible. The studio could function to accommodate people in the future as the storage can be transformed into a bathroom and a bed can be placed on the mezzanine above.

Architects: Thomas Hagemeijer
Area: 34 m²
Year: 2021
Photographs: Annette Hagemeijer
Manufacturers: Knauff, Timmerfabriek Bart Smit
Lead Architects: Thomas Hagemeijer
Construction: Bouwbedrijf Bart Smit
City:Ossenzijl
Country:The Netherlands