Anders Berensson建筑事务所为北欧授权公司Rights & Brands设计了新的斯德哥尔摩办公室。室内设计的重点是创造一个功能性的工作空间,以及通过定制的柜子和数控铣削、印刷或绘画在空间内部的壁画来展示该公司的经典斯堪的纳维亚品牌。

Anders Berensson Architects have designed the new Stockholm office for Nordic licensing company Rights & Brands. The interior design focus on creating a functional workspace as well as displaying the company’s classic Scandinavian brands, through custom-made cabinets and murals CNC-milled, printed, or painted onto the interior of the space.

该项目分为两部分。带有工作空间、电话室、储藏室和打印机的办公室部分位于离入口最远的安静部分。这些功能占据了一半的空间,采用柔和的颜色和斯堪的纳维亚的材料,具有平静而严格的功能设计。地板是由工业白蜡木拼花和来自瑞典哥特兰岛的石灰石制成。室内采用了柔和的颜色和松树。

The program is divided into two parts. An office part with workspaces, telephone rooms, storage, and printers is located at the quiet part furthest from the entrance. These functions take up half the space and have a calm and strict functional design in soft colors and Scandinavian materials. The floors are made of industrial ash wood parquet and limestone from the Swedish island Gotland. The interiors are in soft colors and pine trees.

第二个更公共的部分包括入口、会议室、厨房和厕所,设计方式相同,但更具有代表性和社会功能。这一部分的设计是用定制的家具来展示公司的品牌。由于许多品牌都是斯堪的纳维亚的标志,我们专注于创造一种设计,宁愿参考博物馆如何展示其收藏品,而不是一般商店或办公室如何展示其产品。因此,我们决定将少量高质量的物品装在柜子和基座上,而不是做成一个展示大量物品的包装架。

The second more public part includes the entrance, conference rooms, kitchens, and toilets and is designed in the same fashion but with more representative and social functions. This part is designed with custom-made furniture displaying the company’s brands. Since many brands are Scandinavian icons we focused on creating a design that rather refers to how a museum would show its collections than how a typical store or office would show its products. We, therefore, decided to frame a smaller amount of high-quality items in cabinets and on pedestals instead of making a packed shelf showing a lot.

展示的物品随着时间的推移或根据活动或访客的情况而改变。所有的物品都有自己的空间,装在框架里或放在基座上,作为独立的艺术作品展示。所有定制的内饰都是在松树上制作的,让物品有一个斯堪的纳维亚的背景。大多数设计品牌的开始就像一个艺术项目,而不是一个企业。为了突出这一点,我们选择将一些精美的图形艺术融入到建造中。一些经典的图形已经成为切割出来的剪影,作为舱口的把手,其他的图案已经被放大到数控铣制的壁画或按比例放大的绘画,放大到单件艺术品的巨大工艺。

The displayed items change over time or depending on events or visitors. All items have their own space in frames or on a pedestal to be shown as a standalone piece of art. All custom-made interior is made in a pine tree to give the items a Scandinavian backdrop. Most design brands start like an art project rather than a business. To highlight this we chosen to incorporate some of the fine graphic art into the built. Some classic graphics has become cut out silhouettes functioning as handles in hatches, other patterns have been enlarged into CNC-milled murals or scaled up paintings zooming into the enormous craft of one single piece of art.

入口处。入口区是一个博物馆空间,有一个覆盖整个入口墙的柜子。柜子包括大多数品牌。柜子上有可改变的舱口,以适应几种情况。当一个特定的事件发生时,一个特定类型的物品可以被展示。每个舱口都有一个铣制的孔,既是一个把手,也是其内容的剪影。因此,当舱门关闭时,它是对隐藏在舱门后面的产品的一个小小的提醒。入口区也有一个等待区,在基座上有一个展览,展示稀有物品和设计图标。

The entrance. The entrance area is a museum space with a cabinet covering the whole entrance wall. The cabinet includes most brands. The cabinet is covered with changeable hatches to fit several scenarios. When a specific event is taken place a specific type of item can be displayed. Every hatch has a milled hole that is both a handle but also a silhouette of its content. So when the hatch is closed it’s a small reminder of the product hidden behind the hatch. The entrance area also has a waiting area with an exhibition on pedestals showing rarities and design icons.

中央走廊。中央走廊是一个混合的柜子、储物柜、图书馆和展示产品的玻璃柜。在走廊的尽头是芬兰传奇艺术家托弗-扬松(Tove Jansson)的一个放大的壁纸图案,说明了艰难的旅程。

The central corridor. The central corridor is a mix of cabinets, lockers, library, and glass cabinets for displaying products. At the end of the corridor is an upscaled up wallpaper motive from the legendary Finnish artist Tove Jansson illustration the tough journey.

厨房和休息区。厨房和休息区主要是为自发的会议而设计的。定制的家具是为更多的社交活动设计的。在门面有一个长凳,可以从坐着的地方转变为一个工作台。在休息区有一个设计和插画师书籍的图书馆。咖啡吧里有另一幅托弗-扬松的森林画,按比例放大,数字化,并在松木墙上进行数控铣削。

The Kitchen and lounge area. The kitchen and lounge area is mostly designed for spontaneous meetings. The custom made furniture are designed for more social functions. At the facade runs a long bench that shifts from being a sitting area to a workbench. At the lounge area is a library of design and illustrator books. The coffee bar has another Tove Jansson drawing of a forest scaled up, digitalized and CNC milled into the pinewood wall.

Architects: Anders Berensson Architects
Area: 500 m²
Year: 2020
Manufacturers: Adobe Systems Incorporated, Ash wood parquette, BRICMATE, Dahl Agentur, Gulled, SA Möbler, SIS
Lead Architects: Anders Berensson
Consultants: SIS
Design Team:Anders Berensson, Christer Wallensteen, Eva Sachs, Richard Prugger
Clients:Rights & Brands
City:Stockholm
Country:Sweden