项目简介 位于吉罗内拉的前圣欧拉利亚教堂可以追溯到十四世纪中叶,在其六个世纪的历史中,它经历了无数次的用途变化。1971年,吉罗内拉委员会从无法保证维护的前主人手中转让了这座建筑,使其恢复了岌岌可危的保护状态。2016年,由于建筑状况不佳,服务和设施缺乏,有必要重新规划空间,开展与表演艺术相关的文化活动,特别是舞蹈、音乐和诗歌。这项干预措施是吉罗内拉委员会推动的恢复现有建筑计划的一部分。干预标准 该项目包括阅读所有的历史层次和在圣欧拉利亚定居的时刻,其明确的目标是突出每个干预的优点,并将其理解为一个层次的序列。计划中的新用途要求插入适应性服务和更新设施,以符合公共空间的规定。同样,外墙和地板的老化也造成了漏水和潮湿的问题,需要紧急翻新。

Project brief The former church of Santa Eulàlia in Gironella dates back to the mid-fourteenth century and throughout its six centuries of history it has undergone innumerable changes of use. In 1971, Gironella Council recovered the building in a precarious state of conservation when it was transferred from the previous owner who was unable to guarantee its maintenance. In 2016, due to the poor condition of the building and the lack of services and facilities, it was necessary to reformulate the space to carry out cultural activities related to the performing arts, especially dance, music and poetry. This intervention was part of a programme to recover existing buildings promoted by Gironella Council. Intervention criteria The project consists of reading all the historical layers and moments that have settled in Santa Eulàlia with the clear aim of highlighting the virtues of each intervention and understanding them as a sequence of layers. The planned new use requires the insertion of adapted services and an update of the facilities to comply with regulations for public space. Likewise, the deterioration of facings and floors had caused problems of leaks and damp that required urgent renovation.

1. 恢复中央空间 首先,恢复中央过道的空间,扩大可用空间。在中央部分铺设了桦木地板,用于舞蹈和戏剧排练,并保证良好的保温效果。为了避免水平差异,根据石墙的几何形状,在其四周连续铺设了自流平砂浆地板。

1. Recovering the central space First, the space of the central aisle was recovered to extend the useful space available. A birch wood floor was laid in the central part for dance and theatre rehearsals and to guarantee good insulation. To avoid differences in level, a continuous self-levelling mortar floor was laid all the way around it, adapting to the geometries of the stone walls.

2. 插入服务设施 其次,在其中一个礼拜堂中插入服务核心,以保证无障碍性。服务室采用松木胶合板箱的形式,用松木条面遮挡门洞。由于其惯性,地暖系统在偶尔使用时效果不佳,于是被更新空气系统所取代,该系统设计为通过格栅驱动热空气,划定中心区域的木地板。

2. Insertion of services Secondly, a service nucleus was inserted into one of the chapels to guarantee accessibility. The restroom takes the form of a pine plywood box with a pine-batten facing to conceal the doorway. Due to its inertia, the underfloor heating system was not effective for occasional use and was replaced by an air renewal system designed to drive hot air through a grating that delimits the wooden floor in the central area.

3. 城市景观的融入 第三,干预措施解决了外围的问题。外立面的半透明面被透明玻璃所取代,扩大了视野,提供了全天的自然光,将街道作为第二立面纳入其中,并从外部提供了教堂的景观。竖向结构得到加强,并增加了更小的玻璃板,以产生节奏和调制,在破损的情况下更容易更换。这个面孔由内部的织物幕布完成,它的作用是管理照明,并根据发生的事件改善声学和隔热性能。这个门面的通透性突出了圣欧拉利亚作为城市景观延伸的公共性质。

3. Incorporation of the urban landscape Thirdly, the intervention addressed the outer perimeter. The translucent facing of the façades was replaced by transparent glass that expands the field of vision, provides natural light all day, incorporates the street as a second façade and offers views of the church from the outside. Vertical structures are reinforced and added to generate a rhythm and modulation of smaller glass panes that are easier to replace in case of breakage. This facing is completed by a fabric curtain on the inside that serves to manage lighting and improve acoustics and insulation depending on the events taking place. The permeability of this facing highlights the public nature of Santa Eulàlia as an extension of the urban landscape.

建筑师:Carles Enrich Studio
面积:210平方米
年份:2020年
摄影:Adrià Goula
厂商:AutoDesk, Adobe, Roca, Samsung
国家:西班牙
Architects: Carles Enrich Studio
Area: 210 m²
Year: 2020
Photographs: Adrià Goula
Manufacturers: AutoDesk, Adobe, Roca, Samsung
Country:Spain