刚刚获得首届科西嘉建筑奖的阿梅利亚-塔维拉（Amelia Tavella）（因其学校A Strega），在她的家乡阿雅克肖的圣泰瑞莎（Casa Santa Teresa）岛上完成了建筑工程。这里有对海边房子的原始记忆，有对被太阳照耀的日子的记忆，有缓慢或跳舞的夜晚，有向最终打瞌睡的人张开双臂的清晨–美是一种庆祝。室内和室外从来没有被捆绑过，而是根据光线的强弱来平衡，光线通过条纹百叶窗的筛子，旋转门邀请或保护在巨大的客厅里，有秘密的凹槽通往上面的房间，而植物和鲜花则护送着游泳。这座被天空包围的白色建筑悬在几米外展开的地中海上，可以赤脚踩在热板上到达：提供和承诺。”这是一座50年代的房子，必须在不留下过去的遗迹的情况下进行重建：它的灵魂，它的精神。

Amelia Tavella, just distinguished by the first Corsican Architecture Awards (for her School A Strega), completes the construction of the Casa Santa Teresa on her native island, on the Route des Sanguinaires in Ajaccio. There would be the primitive memory of a house by the sea, memory of the days blushed by the sun, slow or dancing evenings, clear dawn which opens their arms to the one who finally dozes off – beauty is a celebration. Interior and exterior are never untied, but balanced according to the strength or the softness of the light passed through the sieve of the striped shutters, pivoting doors which invite or protect in the vast living room with secret alcoves leading to the upper rooms, while the plants and flowers escort the swim. The white building surrounded by sky is built overhanging the Mediterranean which unfolds a few meters away and which can be reached barefoot on the hot slab: the offering and the promise. “It is a house from the 1950s that had to be rebuilt without leaving behind vestiges of the past: its soul, its spirit.

我相信墙壁的记忆，相信它在一个空间里留下的痕迹。这就是你不得不在这里找到的乐趣的故事。沐浴的乐趣，入侵的自然，靠近海滩，岩石，地中海。这所房子就像从城市中提取出来的一样，城市正在褪色，而美丽、寂静则是它的优势。枢轴门，凹槽，没有隔断阻止了风景。我希望美是流动的，是对地平线和想象力的一种邀请。栏杆是用绳子做的，条纹百叶窗的灵感来自百叶窗，框架门让光线流通，同时在光线强烈时过滤它。不同的层次，在大客厅里，它的壁炉和上面的房间由木楼梯连接，在下降的石板路外，都是通往海滩的台阶，这是个祭品，一个战利品，就在Sanguinaires路后面。平滑的白色外墙从不遮挡天空，植物和花朵仍然是游泳池和露台的守护者。这是一个典型的度假屋，一个萦绕在我记忆中的快乐的童年夜晚，当夜晚拥抱着白天，美丽是一种庆祝。”

I believe in the memory of walls, in the way it leaves its mark on a space. This is the story of the fun you had to find here. Pleasure of baths, invasive nature, close proximity to the beach, rocks, the Mediterranean Sea. The house is as if extracted from the city, which is fading in favor of beauty, of silence. Pivoting doors, alcoves, no partition prevents the view. I wanted beauty to flow, to be an invitation to the horizon, to the imagination. The railings are made of rope, the striped shutters inspired by the shutters and the frame doors let the light circulate while filtering it when it is intense. The different levels, inside the large living room, its fireplace and the upper rooms connected by a wooden staircase, outside the slab path which descends, are all steps to access the beach which is an offering , a trophy, just behind the Sanguinaires road. The smooth white facade never hits the sky, the plants, the flowers remain the guardians of the swimming pool and its terrace. It is the quintessential vacation home, the one that haunts my memory of happy childhood evenings, when the night embraces the day and beauty is a celebration. ”

圣特雷莎别墅表达了阿梅利亚-塔维拉的建筑姿态：”当我建造的时候，我并没有失败。没有背叛。我以包容的方式进行。大自然侵入了我的项目。她既不是一个障碍，也不是一个阻碍，她是我的主人，我庆祝她。我适应树木，适应光线，适应救济。这是我平衡现代姿态、建筑和悬崖、沟壑的传统的方式。自然界有一些祖传的东西。我经常被它感动。我有这么多的热情去创造，从已经写好的历史中发明。每一次，这是一场赌博：在原有的空间里铭刻建筑，而不冲击任何东西，移动或虐待它。这是一个延伸，而不是一个截肢”。

Villa Santa Teresa expresses the architectural gesture of Amelia Tavella : ” When I build, I don’t defeat. There is no betrayal. I proceed by inclusion. Nature invades my projects. She is neither an obstacle nor a hindrance, she is my host whom I celebrate. I adapt to the trees, to the light, to the relief. It’s my way of balancing a modern gesture, architecture, with the tradition of a cliff, a ravine. There is something ancestral with nature. I am moved by it, often. I have so much passion for creating, inventing from an already written history. Each time, it’s a gamble : inscribe the building in the original space without shocking anything, moving or mistreating it. It’s an extension, not an amputation ”

Architects: Amelia Tavella Architectes
Area : 400 m²
Year : 2020
Photographs :Thibaut Dini
Manufacturers : JUNG, Terreal, Saint-Gobain, DESIGN PARQUET, Marius Aurenti, Nemetschek
Lead Architect : Amelia Tavella
City : Ajaccio
Country : France