Sawo Rontgen占据了一个住宅区内现有房屋的前院，与医疗设施有着密切的联系。为了给SAWO咖啡的第二个家寻找一个独特的身份，我们把这个地方的Rontgen街名作为一个身份生成器，并对Rontgen的视觉质量进行玩味。
Sawo Rontgen occupies the front yard of an existing house in a residential area with a strong tie to medical facilities. Searching for a unique identity for the second home of Sawo Coffee, we took the location’s rontgen street name as an identity generator and play around with the visual quality of rontgen.
探索不同的透明模式，以实现龙根的特征，玻璃砖和酸性玻璃被用作主要材料。玻璃砖被布置成一个浮动的盒子，将前院有效地划分为咖啡馆的空间，形成一个假的边界。酸性玻璃被用作亭子的表皮，并覆盖了现有房屋的元素，在不做重大改变的情况下为现有房屋增加了一个额外层。这两种材料与结构和自然元素并列，形成了我们想要实现的广泛的视觉透明度。该结构使用了热浸镀锌处理的裸露H型钢。裸露的结构元素与玻璃砖和酸性玻璃的模糊透明度一起，意味着类似于龙根视觉的皮肤和骨骼质量。
Exploring different modes of transparency to achieve rontgen-like character, glass brick and acid glass were used as the main materials. The glass bricks arranged as a floating box demarcating the front yard effectively as a space for the cafe, forming a pseudo-boundary. Acid glass was used as the skin of the pavilion and covered elements from the existing house, adding an extra layer to the existing house without making significant changes. The two materials juxtaposed with both the structural and natural elements, resulting in a broad spectrum of visual transparency we wanted to achieve. The structure uses exposed H-beam steel in a hot-dip galvanized finish. The bare structural elements along with the blurred transparency of the glass brick and the acid glass meant to resemble the skin and bone quality of the rontgen visual.
玻璃亭子里有一个鲜明的白色咖啡吧，这是SAWO咖啡的标志，在顾客进入咖啡区之前为他们服务。隐藏在盒子里的是一个圆形的户外座位，从标志中得到启发。它强烈的形式唤起了一种平静的气氛，一个与建筑对话的非正式空间。亭子旁边有一个钢制楼梯，可以通向上层的收购室，作为室内座位区。
The glass pavilion contains a stark white coffee bar, a signature of Sawo Coffee, serving customers before they enter the cafe area. Hidden inside the box, is an outdoor seating of a circular shape, taking cues from the logo. Its strong form invokes a calming atmosphere, an informal space in dialogue with the architecture. Beside the pavilion a steel staircase is placed, giving access to the acquired room on the upper floor which serves as the indoor seating area.
玻璃砖以 “之 “字形方式排列，以确保更强的连接和更均匀的重量分布。后来，砖块被拉伸，在砖块之间形成了垂直的缝隙，使空气可以进出玻璃砖墙，并节省了百分之二十的材料用量。
The glass bricks are arranged in a zig-zag manner to ensure a stronger connection and more even weight distribution. Later the bricks were stretched, creating vertical gaps between the bricks, allowing airflow in and out the glass brick wall and saving the material usage by twenty percent.
实用的方法所产生的模式，然后成为一套规则，在整个空间中得到贯彻。这种反响可以在室外的圆形座位和室内座位的瓷砖地板上找到。环境图形设计系统通过插入与建筑模式相协调的图形设计元素，遵循上述规则。
The pattern that was a result of a pragmatic approach then becomes a set of rules that are carried out throughout the space. The repercussion could be found in the circular outdoor seating and the tiles flooring on the indoor seating. The environmental graphic design system applied following said rules by inserting the graphic design elements which form is in harmony with the architectural pattern.
Architects: Dhanie & Sal
Area : 117 m²
Year : 2021
Photographs :KIE, Salman Rimaldhi
Manufacturers : Toto, Bardi, Dekkson Lock, Himalaya Abadi, Rafes, Santai Furniture, Tegel Panjen, Valentino Gress
Contractor : Lion Earth Construction
Lighting Design : ErreLUCE
Principle Architects : Salman Rimaldhi, Dhanie Syawalia
Project Architect : Ferdio Ariatama
Identity & Environmental Graphic Design : Nusae
Artwork : Toni Al
City : Bandung
Country : Indonesia