表面画廊的修复项目谈到了 “综合”，通过葡萄牙的建筑遗产和米纳斯吉拉斯州城市的本土建筑的过程来雕刻空隙。
The restoration project of Surface Gallery talks about “syntheses”, sculpting voids through processes of the constructive heritage of Portugal, and by the vernacular architecture of the cities of Minas Gerais.
自然元素的使用是这个项目的出发点，以细微差别和工艺流程的建筑为工作对象。
The use of natural elements were the starting point to the project to work with an architecture of nuances and craft processes.
我们使用了1549年引进的巴西殖民地时期的 “cantaria “技术。手工雕刻原石块的工艺，以便在项目中建造台阶和工作台。
The “cantaria” technique, introduced in 1549 in Colonial Brazil was used. The craft of manually carving blocks of raw rocks in order to build the step and workbench incorporated into the project.
平整的人行道处理无障碍问题依靠 “mestres calceteiros “的手工作业，他们用天然玄武岩石块进行葡萄牙人行道技术，强调这种类型的路面的历史价值。
The leveled sidewalk to deal with accessibility issues counted on the manual work of “mestres calceteiros” who carried out the Portuguese technique of sidewalks with natural basalt stones emphasizing the historical value of this type of pavement.
墙壁的颜料是由Passalacqua专门为这个项目开发的土、水和天然颜料的混合技术制成。
The pigmentation of the walls was made with a technique of mixing earth, water and natural pigments developed by Passalacqua specifically to this project.
我们相信，建筑在材料舒适度方面超越了简单的答案，最重要的是，当它不成为一种个人活动时，它就完成了更大的任务。
We believe that Architecture surpasses the simple answer in terms of material comfort and above all it fulfills its greater task when it does not become an individual activity.
Architects: MNMA studio
Area: 1291 ft²
Year: 2018
Photographs: Naira Mattia
City：Sao Paulo
Country：Brazil