Muzeum Susch是一个重要的新空间和当代艺术实验方法的家园,于2019年1月2日在Susch向公众开放,这是一个位于瑞士阿尔卑斯山Engadin山谷中通往圣地亚哥-德孔波斯特拉的古老朝圣路线上的偏远小镇。

Muzeum Susch, a major new space and home for experimental approaches to contemporary art, opened to the public on 2nd January 2019 in Susch, a remote town on the ancient pilgrim route to Santiago de Compostela in the Engadin valley of the Swiss Alps.

博物馆由三座建筑组成;Bieraria(啤酒厂)和Bieraria Veglia(老啤酒厂),它们与隧道相互连接,将容纳展览空间、基金会总部和一家餐厅;Chasa della Santa将容纳博物馆和基金会的客人。我们面临的挑战是如何将这些结构在视觉上和功能上统一起来。

The museum comprises three buildings; the Bieraria (brewery) and Bieraria Veglia (old brewery) which, interconnected with the tunnel, will host the exhibition space, foundation headquarters, and a restaurant; and Chasa della Santa which will house guests of the museum and the foundation. The challenge has been to unite these structures visually as well as functionally.

为了连接修道院的经济建筑(Bieraria Veglia)和后来增加的主建筑(Bieraria),一条地下通道将引导游客从街道下面进入对面的Bieraria。在博物馆内,首先接触到的是天然的山岩洞,历史上曾用于冷却和储存啤酒,在新旧之间的游戏性动态中与建筑的历史互动。这个空间最终将形成一个独特的画廊,供特定地点的艺术家使用。

To connect the economic building of the monastery complex (Bieraria Veglia) with the later added main building (Bieraria), an underground passageway will lead visitors underneath the street into the Bieraria opposite. One of the first encounters inside the museum is with the natural mountain rock grotto, historically used for the cooling and storage of beer, interacting with the building’s history in a playful dynamic between old and new. This space will eventually form a unique gallery for site-specific artist commissions.

酿酒厂大楼内的额外楼层空间几乎增加了两倍,现在将包括总共1500平方米的展览空间。酿酒厂原来的中央冷却塔已经向地下延伸了4米,总高度达到17米。

Additional floor space almost tripled inside the brewery building which will comprise now of 1,500 square meters of exhibition space in total. The original central cooling tower of the brewery has been extended by four meters into the ground to a total of 17 meters in height.

作为项目的一部分,建筑师们为博物馆结构周围的景观设计制定了一个方案,旨在恢复和巩固现场的历史财产线。标记这些线的石墙是对建筑和修道院历史的可读性的补充,界定了新博物馆建筑群的外部边界。景观设计师Günther Vogt的一项特别干预措施提到了一个建在石头上的图书馆的想法。由于合奏的框架是感知和理解历史的重要元素,它由额外的、部分较低的墙壁来补充,来自河流的不同颜色、结构和大小的石头被分类放入深色的天然石墙中,就像一本关于该地和该地区自然历史的百科全书,像一个景观图书馆。这个概念结合了两个元素:一个用于沉思的避难所和对自然历史的阐述。

As part of the project, the architects developed a proposal for the landscaping around the structures of the museum that seeks to restore and consolidate the historic property lines on site. The stone walls marking these lines are supplementing the architecture and the legibility of the monastic history, defining the exterior boundaries of the new museum complex. A special intervention by landscape architect Günther Vogt references the idea of a library built into stones. Since the framework of the ensemble is an important element in the perception and the historical understanding of the place, it is supplemented by additional, partly lower walls, where stones from the river with different colours, structures, and sizes, are sorted into the dark, natural stone wall like an encyclopedia of the natural history of the site and the region, like a Landscape Library. The concept combines both elements: a sanctuary for contemplation and the exposition of natural history.

Architects: LUVO ARCHITEKTEN, Schmidlin Architekten
Area: 2300 m²
Year: 2018
Photographs: Conradin Frei
Lead Architects: Chasper Schmidlin. Lukas Voellmy
HVAC consultants: Kalberer Partner
electrical engineering: Capaul Engineering
Client:Grazyna Kulczyk, Art Station Foundation
Civil Engineering Services:Jon Andrea Könz s.c.r.l. Dipl. Ing. ETH SIA
Light Engineers:Charles Keller
Sanitary Engineers:Jürg Bulach
Geologist:Andreas Handke
City:Zernez
Country:Switzerland