名为Tanatap的环形花园咖啡馆是一个小型的多层次绿地原型，其动态平台可以上升和下降，以创造一个可行走的屋顶景观。该结构将被连接起来，形成一系列漂浮的圆形剧场，围绕着绿色空间和中间的热带户外活动。
Ring Garden Café called Tanatap is a small prototype of a multi-leveled greenspace with dynamic platforms that rise and fall to create a walkable roofscape. The structure will be connected to create a series of floating amphitheaters surrounding green spaces and tropical outdoor activities in the middle.
从这个问题开始，如果功能空间和建筑本身的定义只是作为一个开放花园的外壳，那会怎样？设计是为了展示一个消失的室内空间，隐藏在一个简单的多层次的花园里。被创造的空间成为一个连续的空间，而不是一个最初的空间。我们项目的核心是游戏性的团聚的想法。我们希望这是一个令人耳目一新、充满活力的新公民空间，它是可持续的–在雅加达这样的发展中国家城市，政府管理的公共空间是不可靠的。
Started with the question, what if functional spaces and the very definition of the building only acted as an envelope of an open garden. The design was to demonstrate a disappearing indoor space, hidden within a simple multi-leveled garden. Spaces that were created became a sequential space and were not an initial space. At the heart of our project is the idea of playful togetherness. We want this to be a refreshing and dynamic new civic space that is sustainable – businesswise in developing country cities like Jakarta, where government-run public space is unreliable.
建筑师们制定了三种策略，以在自然界中创造一个功能性综合咖啡馆空间。第一个方法是连接所有现有的树木作为游客的流通手段。其次，将所有的结构串起来，在主入口处创造一个地下的亲密尺度体验。其次，是在规模、颜色、自然的密度和隐藏在大堂/酒吧区两翼的隐蔽门中的自然阳光穿透量方面创造一种对比体验。这种对现有景观的动态干预，确保了新的景观干预在美学上与花园整体的和谐表现。
The architects developed three strategies to create a functional integrated cafe space within nature. The first approach is to connect all the existing trees as means of circulation for the visitor. Secondly, stringing all the structures to create an underground intimate scale experience in the main entrance. Next, is to create a contrast experience in scale, color, the density of nature, and the amount of natural sunlight penetration hidden in conceal doors in both wings in the lobby/bar area. This dynamic intervention into the existing landscape ensures that the new landscape intervention performs aesthetically in harmony with the garden as a whole.
它被设计成实验性的程序，以观察和学习一旦建筑师重组空间的层次结构，用户将如何表现。RAD+ar利用这个项目来学习更多关于游客在定义他们不了解的空间时的行为，这就是为什么这个咖啡馆里的大部分家具是没有定义的，与景观的硬景观和特征相融合，因此作为一个实验，研究游客/用户在使用这些家具时如何定义自己的舒适含义。它被看作是一个社会实验，研究人们如何在开放空间/花园中不断重新定义他们的第三空间感，并不断改变它以跟上一天中不同时间的人群。
It was designed as experimental programming to see and learn how users will behave once the architect restructures the hierarchy of space. RAD+ar uses this project to learn more about visitor behavior in defining spaces they don’t understand, that is why most of the furniture in this café is undefined, blended with the hardscape and feature of the landscape, therefore acting as an experiment of how visitor/user defines their own meaning of comfort in using this furniture. It was seen as a social experiment on how people keep redefining their sense of third space, in open space/garden and keep changing it to keep up with the crowds at different times of the day.
它被设计成实验性的程序，以观察和学习一旦建筑师重组了空间的层次结构，用户将如何表现。RAD+ar利用这个项目来学习更多关于游客在定义他们不了解的空间时的行为，这就是为什么这个咖啡馆里的大部分家具都是未定义的，与景观的硬景和特征相融合，因此作为一个实验，研究游客/用户在使用这些家具时如何定义他们自己的舒适意义。它被看作是一个社会实验，即人们如何在开放空间/花园中不断重新定义他们的第三空间感，并不断改变它以适应一天中不同时间的人群。
It was designed as experimental programming to see and learn how users will behave once the architect restructures the hierarchy of space. RAD+ar uses this project to learn more about visitor behavior in defining spaces they don’t understand, that is why most of the furniture in this café is undefined, blended with the hardscape and feature of the landscape, therefore acting as an experiment of how visitor/user defines their own meaning of comfort in using this furniture. It was seen as a social experiment on how people keep redefining their sense of third space, in open space/garden and keep changing it to keep up with the crowds at different times of the day.
在上层，整个环形花园可以被看作是城市和景观之间的一个过渡空间。从更远的地方看雕塑，它将城市的天际线般的形象刺向地平线，但当进入广场时，颜色和光线，以一种感性的方式邀请游客进入环园的自然景观。
In the upper level, the whole ring garden can be seen as a transitional space between the city and the landscape. Looking at the sculpture from further away, it punctures a skyline-like image of a city onto the horizon, but when entering the square, the color and light, invite the visitors in a sensual way into the natural landscape of the Ring Garden.
玻璃砖被选为围护结构的主要材料，因为它模糊了是否被认为是建筑/花园的定义，既缓冲了内部顾客的隐私，又从内部提供了大量的自然光。墙体的结构被整合在玻璃砖中，以确保其轻盈性，给人一种非常沉重的材料漂浮在花园上方的感觉，并随着里面的体验慢慢散开。
Glass block is chosen as the main materials for the envelope, as it is blurring the definition of whether or not this is considered a building / a garden metaphorically, buffering privacy of customer inside, while offering plenty of natural light from inside. The structure of the walls is integrated within the glass block to ensure its lightness, giving a sensation of very heavy materials were floating above the garden and slowly scattered along with the experience within.
RAD+ar将covid-19大流行事件视为一个小的机会之窗，以促进更多的可持续发展手段的户外热带商业空间，希望可以激励许多其他人效仿。这是一个坚定不移的乐观主义姿态，即如何使资本主义的可持续性在像印度尼西亚这样的发展中国家发挥作用。
RAD+ar saw the covid-19 pandemic event as a small window of opportunity to promote more sustainable means of outdoor tropical commercial spaces that hopefully can inspire many others to follow. It is a gesture of unwavering optimism on how to make capitalism- sustainability works in developing-country-minded like Indonesia.
Architects: RAD+ar (Research Artistic Design + architecture)
Area: 750 m²
Year: 2021
Photographs: KIE, Mario Wibowo
Manufacturers: Toto, Conwood, Mulia
Lead Architect: Antonius Richard Rusli
Design Team:Felda Zakri, Partogi Pandiangan, Leviandri, Alifi Muhammad Arief
Architects:RAD+ar (Research Artistic Design + architecture)
City:Jakarta
Country:Indonesia