尽管有巨大的拆迁及其产生的碎片，建筑活动仍然是不可或缺的。建筑思维必须围绕可持续发展、回收材料和资源而发展。
该展馆是一个希望的容器。
In spite of colossal demolition and the debris it creates, building activity continues to remain indispensable. Architectural thinking must evolve around sustainability, recycling materials, and resources.
The pavilion is a container of hope.
它建立在双重叙事之上–一个是来自无情拆除的碎片，另一个是建筑的诗学–诚实地承认材料和制造建筑的方法，这些材料和方法往往隐藏在它的皮肤之下，不为人知。
It is built on dual narratives – one of the debris from ruthless demolition, and another of the poetics of construction – an honest admission of materials and methods of making buildings which often remain hidden under its skin, unknown.
该建筑作为一个大的空间在一个单一的屋顶下展开，接触到地面，灵感来自于高知的许多屋顶。
The building unfolds as a large space under a singular roof that touches the ground, inspired by the many roofs of Kochi.
这个临时性的结构是轻盈的，因为它没有任何混凝土基座，而且可以被拆除，以取回其所有的材料，这些材料可以被重新使用或在其他地方重新组装起来。
This temporary structure treads lightly, as it stands without any concrete footings, and may be dismantled to retrieve all of its material that may be reused or re-assembled again elsewhere.
正是通过这种材料和方法，我们想庆祝，并提出在建筑的表现中所面临的痛苦、风险和挑战，这是一个我们认为美丽的结果。
It is through this material and method, we want to celebrate, and bring forth the pain, risk, and challenges that are faced in the manifestation of architecture, an outcome we deem beautiful.
Architects: Samira Rathod Design Atelier
Area: 5000 ft²
Year: 2023
Photographs:Niveditaa Gupta, Sridhar Balasubramaniam
Lead Architects: Samira Rathod
Structural Design: Studio Struct
Main Contractor: Galaxy Tenso
Project Team: Fenil Soni, Neethu Lakshmi, Kiran Keluskar, Devduthan
Shutter Mechanics: Studio Motionworks
Materials: Construction debris from nearby sites, Waste granite from mines, Coir, Fishing nets, Geogrid, Brick bat, Cement, Wire mesh
City: Kochi
Country: India