这是我们为一家音乐公司设计的办公室，它占据了位于涉谷五路交界处的一整层楼，这里是横穿涉谷站的斜街Miyamasuzaka和246号公路的交汇处。
This is an office we designed for a music label, occupying an entire floor of a building located at a five-road junction in Shibuya where Miyamasuzaka, a sloping street traversing Shibuya station, and Route 246 intersect.
办公空间的四面都有窗户，当站在北面的窗户附近时，人们感觉就像漂浮在246号公路之上。为了充分利用这些窗户空间，我们做了一个中央核心规划，并在核心内设置了会议室、储藏室和咖啡馆。
The office space has windows all around the four sides, and one feels as if floating above Route 246 when standing near windows on the north side. In order to make best use of these window spaces, we made a central core plan and located a meeting room, storage and cafe inside the core.
具有不同功能和特点的房间，即办公室、休息室和艺术家的房间，以这样的方式分布在核心区周围，每个房间都与核心区的一个房间的相关功能相连接，同时也面对着最理想的窗户条件来使用它。例如，储藏室和会议空间前面的空间成为一个免费的地址办公室；位于核心区的咖啡馆前面充满光线的东南窗空间成为一个接待休息室；东北窗和接待柜台之间的空间，人们体验到漂浮在城市上空的壮观感觉，容纳了一个连接导演室、董事会和贵宾室以及艺术家房间的空间序列。
Rooms with different functions and characteristics, namely an office, lounge, and artists room are located around the core in such a way that each room is connected to a related function of a room in the core and also facing the most ideal window condition for its use. For example, the space in front of the storage and the meeting space becomes a free address office; the light-filled southeast window space in front of the cafe located in the core becomes a reception lounge; and the space between the northeast windows and the reception counter, where one experiences a spectacular feeling of floating above the city, accommodates a spatial sequence connecting the director’s room, boardroom and VIP room, and artists room.
这些空间松散地相互连接，并在中央核心区周围形成一个连续的开放空间，在这里人们可以感受到光线和城市的活力。这个连续空间的楼层在行政室和艺术家室最高，逐渐下降到南侧的入口空间和办公室的最低点。沿着整个周边的所有窗户下面的空间都安装了空调，窗户上面的空间根据每个空间的楼层高度以不同的方式使用。例如，在行政室，空调的顶部几乎与地面持平，创造出一种完全开放的印象，让人感觉像是飞向天空；在地面最低的入口空间，空调的顶部高于地面，被用作台面；而在中间楼层的空间，它被用作座位区。
These spaces loosely connect with each other and form a continuous open space around the central core, where one feels the light and city vibrancy everywhere. The floor level of this continuous space is highest at the executive room and artists room, which gradually descends to the lowest point at the entrance space and office on the south side. Air conditioners are installed in the space under all windows along the entire perimeter, and the above-window space is used in different ways according to the floor level of each space. For example, the top of the air conditioner is almost level with the floor at the executive room, creating an impression of complete openness where one feels like flying out to the sky; at the entrance space where the floor is lowest, the top of the air conditioner rises above the floor and is used as a countertop; and in the spaces at the intermediate floor level, it is used as seating area.
Architects: Schemata Architects
Area: 558 m²
Year: 2018
Photographs: Kenta Hasegawa
Project Management: KONICA MINOLTA JAPAN.INC. (PM)
Construction: TANK
Architect In Charge:Jo Nagasaka
Architecture Team:Shota Miyashita
Furniture Team:Ou Ueno, Seiju Udodaira
City:Shibuya
Country:Japan