在Garbatella的中心，STUDIOTAMAT改造了一个历史悠久的街区面包店，废弃多年，邮编.在首都时尚的新Tre de tutto，其名称与罗马传统的联系相呼应，其三个慷慨的全高定制设计的拱形窗户，俯瞰着一个充满细节和模塑的广场，由适度的材料制成，典型的罗马巴洛克风格 – 这种风格美化了该地区在20世纪20年代建造的典型社会住房。在餐厅旁边的拱门下，Nanni Moretti在他的电影 “Caro Diario”（《亲爱的日记》）中骑着Vespa飞驰而过。在入口处，另一个向社区致敬的地方：”Garbatella是多么的美丽！”一个霓虹灯标志，邀请游客和当地人进入。
In the heart of Garbatella, STUDIOTAMAT transforms a historic neighbourhood bakery abandoned for years, postcode. in the capital’s trendy new Tre de tutto, whose name echoes the connection with the Roman tradition, with its three generous full-height custom designed arched windows, overlooks a square full of details and moldings made of modest materials, typical of the Roman Baroque — the style that embellishes the social housing typical of the area built in the 1920s. Here, under the arch adjacent to the restaurant, Nanni Moretti zipped through on a Vespa in his movie “Caro Diario” (“Dear Diary”). At the entrance, another tribute to the neighbourhood: “How beautiful Garbatella is!” reads a neon sign, inviting visitors and locals to enter.
为了适应地面的自然坡度，Tre de tutto分上下两层，底层为三角形布局，中间有一根十字形的大柱子分隔空间。这里是早餐和开胃酒的专用区域，还有一个专门用于黑胶唱片的休息区，这个房间由一个仅用两块大板覆盖的宏观柜台所主导。
Arranged on two levels to accommodate the natural inclination of the ground, Tre de tutto has a ground floor with a triangular layout, and a large central cruciform pillar that divides the spaces. Reserved for breakfasts and aperitifs, with a lounge area dedicated to vinyl records, this room is dominated by a macro-counter covered with only two large slabs.
墙面上的1.50米高的大板，没有经过任何处理，而是有一层透明的保护层，除此之外，墙面保持着原始状态，以展示时间的流逝，有孔洞和旧系统的痕迹，还有装修前的文字和图纸。地面被浇筑的混凝土取代，表面用透明的树脂处理，以达到低调和微创的效果。
The walls, above a 1.50 m high majolica cladding, have not been treated, but have a transparent protective layer, and have been otherwise left in their original state, to exhibit the passage of time, featuring holes and traces of old systems, with writings and drawings prior to the renovation. The floor has been replaced by poured concrete finished in transparent resin, for a discreet and minimally invasive result.
与色彩顾问Sabina Guidotti共同研究的动态调色板与原有的中性色调形成对比。墙面采用深蓝色的马霍洛尼卡材料，对比鲜明的砖色接缝，与柜台上的橙色梅花和蓝色脉络相融合，而黄色和肉粉色的回收铁椅与覆盖着航海技术织物的长椅的皮革色相得益彰，桌子也是回收铁制的，配有彩色的木质桌面，上面还卷有软装饰。
The preexisting neutral shades are contrasted by a dynamic palette of colours, studied together with the Color Consultant Sabina Guidotti. The wall cladding in deep blue majolica with contrasting brick-colored joints, fuses with the orange plum and bluette veins of the counter, while the recycled iron chairs in yellow and flesh-pink complement the leather colour of the benches covered with a nautical technical fabric and with the tables, also in recycled iron, equipped with coloured wood tops, rolled ad-hoc with soft decorations.
在下层，有两个餐厅，餐厅的厨房，服务和仓库，浅蓝色的墙壁与Texturae的网格墙纸交替出现。与上层的连接由一个带有舷窗的鲑鱼色楼梯-隧道完成。另一方面，一个独立的入口，可以直接从街道进入餐厅，这要归功于一个明黄色的坡道，高度几何化的铁质结构，垫有微孔金属板。
On the lower floor, which houses two dining rooms, the restaurant’s kitchen, services and the warehouses, light blue walls alternate with walls covered with Grid wallpaper by Texturae. The connection with the upper level is completed by a salmon-colored staircase-tunnel with portholes. An independent entrance, on the other hand, allows access to the restaurant directly from the street, thanks to a single bright yellow ramp, with a highly geometric iron structure, padded with micro-perforated sheet metal panels.
由STUDIOTAMAT设计的粗犷的内饰和温馨的氛围，使Tre de tutto成为精致餐厅和当地酒吧之间的原创混合体，巧妙地将流行精神和精致的细节融合在一起。
Rough interiors and welcoming atmospheres designed by STUDIOTAMAT, make Tre de tutto an original hybrid between a refined restaurant and a local bar, which cleverly mixes popular spirit and refined details.
建筑师：STUDIOTAMAT
面积：120 m²
年份：2021年
摄影作品：Seven H. Zhang
厂家：Iris Ceramica, Texturae
客户：Tre de tutto (Mirko Tommasi, Daniele Notte)
色彩咨询：Sabina Guidotti
城市：罗马
国家：意大利
Architects: STUDIOTAMAT
Area: 120 m²
Year: 2021
Photographs: Seven H. Zhang
Manufacturers: Iris Ceramica, Texturae
Client:Tre de tutto (Mirko Tommasi, Daniele Notte)
Color Consulting:Sabina Guidotti
City:Roma
Country:Italy