已建和未建的中间性。
“在错误行为和正确行为的观念之外，有一个领域。我将在那里与你见面。” 鲁米。
我们的这个领域在哪里？你如何设想这个领域？你如何创造一个 “介于两者之间 “的空间？印度神话中关于Hiranyakashipu的故事以一种隐喻的方式谈到了这种介于两者之间的概念。这个故事是关于一个无法通过完整或绝对的形式（人/兽、魔鬼/神、白天/黑夜、室内/室外、地球/天空等）被杀死的恶魔。这种背景在人们的头脑中产生了一个基本问题–如果不是绝对的，是否有一种 “介于两者之间 “的东西，一种浸透了两者的东西–更重要的是，这种东西本身就可以被视为一种形式？

In-Betweenness of the Built and the Unbuilt.
“Out beyond ideas of wrongdoing and right-doing, there is a field. I’ll meet you there.” Rumi.
Where is this field of ours? How do you envisage this field? How do you create an “in-between” space? The Indian mythological story about Hiranyakashipu talks about this in-between concept in a metaphorical way. The story is about a demon who could not be killed via a complete or absolute form (man/beast, devil/god, day/night, indoors / outdoors, earth/sky and so on). This context creates a fundamental question in one’s head – if not absolute, is there something that lies ‘in-between’, something which imbibes a bit of both – and more importantly, something that can be considered a form in itself?

双湾别墅正是这一概念的体现。既不是内部，也不是外部，既不是固体，也不是空洞，既不是公共的，也不是私人的，既不是完整的，也不是不完整的–而是介于两者之间的一个门槛。介于两者之间的空间是这个房子的核心元素–整个规划都围绕着这一点。为了赋予这个元素，走廊被赋予了一个身份–一个比生命更重要的规模。当你进入走廊时，你会注意到双重高度的空间，它定义了这个地方的语言和美学。走廊被有意地束缚在某种几何形状中，使你能够进入两侧的两个海湾–但仍保持其自身的特点。

The Two Bay House is the manifestation of this very concept. Neither inside, nor outside, neither solid, nor void, neither public nor private, neither complete nor incomplete – rather a threshold between these. The in-between space is the central element of this house – and the entire planning revolves – around this. To empower this element, the corridor is given an identity – a larger-than-life scale. As you enter the corridor, you notice the double-height space that defines the language and aesthetic of this place. The corridor is intentionally bound in a certain geometry that lets you access the two bays on either side – but still maintains its own character.

屋顶上的三个穿孔创造了光和影的游戏–入口处实际上是一个经过计算的位置，当人们通过纪念碑式的门槛进入时，创造了一个自然的聚光灯。沿着走廊两侧的水渠在季风期间由雨水补充–这也是自然与建筑之间的一种有意的衔接。这些水渠是走廊和其他空间之间的缓冲区–左边海湾的客厅、餐厅和厨房；右边海湾的房间和游泳池。通往这些海湾的通道就像这些水渠上的桥。在喜庆的日子里，用户通过在水面上放置油灯和鲜花来个性化这个空间。这个空间–走廊–是这个建筑的灵魂。

The three punctures on the roof create the play of light and shadow – the entry point is actually a calculated placement to create a natural spotlight as one enters through the monumental threshold. The water channels on either side along the corridor are replenished by rains, during monsoons – again an intentional in-betweenness of the natural and the built. These water channels are the buffers between the corridor and the other spaces – living, dining, and kitchen in the left bay; and rooms and swimming pool in the right bay. The access to these bays is like a bridge over these water channels. During festivities, the user personalizes this space by placing oil lamps and flowers on the water surface. This space – the corridor – is the building’s soul.

当我们沿着这个地方移动时，旅程就展开了。有院子打开，卧室通向附属的花园（后院），客厅/餐厅/厨房作为一个单一的连续空间出现，其支撑元素使其高效而又完全巩固，便于使用。客厅的大开口就像一个大屏幕，通向露天剧场。这个延伸的基座级露台再次成为公共和私人空间之间的过渡–从字面上看，它为广阔的绿色草坪和其上未建成的部分搭建了一个舞台。

As we move along the place, the journey unfolds. There are courtyards that open up, the bedrooms lead to the attached garden (backyard), and the living/dining/kitchen come across as a single continuous space with supporting elements that make it efficient yet completely consolidated and accessible. The large openings of the living act like a large screen, leading to the amphitheater. This extended plinth-level terrace is again the transition between the public and the private spaces – literally setting a stage for the expansive green lawns and the unbuilt thereon.

沿着车道的景观是一个天然的屏障，因此，在人们到达有利位置之前，这个巨大的绿色空间是一个神秘的地方。根据设计，建筑占地面积只占整个地块的5%左右。这座房子是我们正在寻找的领域。

The landscape along the driveway is a natural barrier, and thus, keeps this enormous green space a mystery till one reaches the vantage point. By design, the built footprint is only about 5% of the entire land parcel. This house is the field we were looking for.

Architects: MISA ARCHITECTS
Area: 180000 ft²
Year: 2020
Photographs: Inclined Studio
Manufacturers: Daikin, Saint-Gobain, Asian Paints, Caesar, Indian Natural Stone, Jaguar, TURAKHIA VENEER, cera
Lead Architects: Kranti Desai, Anand Jasani, Vipul Jiyani, Tarun Patel
Overall Design And Client Coordination:Kranti Desai
Site Supervision And Execution:Anand Jasani
Architects:MISA Architects
City:Chekhla
Country:India