Valiahdi商业综合体位于卡拉季最繁忙的地区之一的中心，位于一条车辆-行人大道上。考虑到该地区大量的行人，设计团队必须创造一个多维度的外墙，尊重不同角度的观察者，并在建筑和城市之间创造一种亲密的联系。
At the heart of one of the busiest zones of Karaj, Valiahdi Commercial Complex is located in a vehicular-pedestrian boulevard. Taking into account the high volume of pedestrians in the area, it was important for the design team to create a multidimensional facade which respects the observer from various angles and creates an intimate connection between the building and the city.
受现有街道网络和城市背景的启发，我们创建了一个几何网格，后来又进行了修改，以优化视角。这个几何体在顶部和底部逐渐从负数转变为正数，在这些部分形成两个主要的空隙。这些空隙形成了主入口和顶部两层的阳台。新的几何形状被进一步发展，创造了一个重复的模块，定义了外立面和内部空间。这些模块还充当隔膜，控制南面的阳光照射。
Inspired by the existing street network and urban context, a geometrical grid was created which was later modified to optimize the viewing angles. This geometry gradually transforms from negative to positive volumes at the top and bottom, creating two major voids at these sections. These voids then form the main entrance and the balconies on the top two floors. The new geometry was further developed to create a repetitive module defining both the exterior façade and the interior spaces. These modules also act as diaphragms, controlling south sunlight exposure.
外墙的多维性也在建筑、城市和观察者之间创造了一种动态的视觉联系，因此观察者的感知在朝向或反对建筑的过程中会发生变化。这种感觉也受到阳光变化的影响，导致白天立面上出现动态的光影模式。
Multidimensionality on the façade also creates a dynamic visual connection between the building, the city, and the observer, so that the perception of the observer varies while moving toward or against the building. This perception is also affected by the sunlight variations, resulting in a dynamic light and shadow pattern on the façade during the day.
受波斯传统建筑中的奥罗西的启发，彩色玻璃被用来进一步发展光和影的动态存在的理念，并提高室内气氛的质量。此外，这种技术有助于控制南侧过度的阳光照射所产生的热量，因为它可以捕捉大部分的热量。两个玻璃层的内侧使用了Vitray染色剂，使该系统对外部影响具有高度的耐久性。
Inspired by Orosi from the traditional Persian architecture, stained glass was used to further develop the idea of the dynamic presence of light and shadow and to enhance the quality of the interior atmosphere. Moreover, this technique helped to control the heat generated by the excessive sun exposure on the south side by catching most of the generated heat. Vitray stains were used on the inner side of the two glazing layers making the system highly durable against external influences.
传统波斯建筑中的两种象征性颜色是砖和绿松石。卡尚的古集市就是一个很好的例子，在那里，砖的下部（代表大地）逐渐转变为穹顶的绿松石（代表天空）。在这个项目中，两种颜色之间的转变是基于外墙的波动而确定的。砖的颜色在凹进去的部分比较集中，而绿松石的颜色则在凸出来的部分比较集中。
The two symbolic colours in the Traditional Persian Architecture are brick and turquoise. The ancient bazaar in Kashan is a great example where there is a gradual shift from brick in lower parts (representing earth) to turquoise up at the dome (representing sky). In this project the shift between the two colours was established based on the fluctuations on the façade. There is a more concentration of the brick colour at the concave sections whereas a more concentration of the turquoise colour at the convex sections.
在室内表面的某些部分，透明和半透明的玻璃被用于与立面玻璃平行。这使得大部分的中间空间在白天都有自然光。
In some parts of the interior surfaces transparent and semi-transparent glasses were used parallel to the façade glazing. This allows most of the mid-spaces to have natural lighting during daytime.
Architects: Hooba Design
Area : 5500 m²
Photographs :Parham Taghioff, Pooyeh Nouryan, Babak Toosipour, Abbas Havashemi, Deed Studio
Furniture : Harmony Company
Architect In Charge : Hooman Balazadeh
Design Team : Meisam Ehsanian, Mohsen Tahmasebi, Parima Jahangard
Managers : Niusha Mirzayi, Bahram Afsari
Presentation : Hooman Faali, Elham Seyfi azad, Amir Mohebi sefat Atousa Shiran, Pooyeh Nouryan
Structures : Mr. Alayi
Electrical And Mechanical : Mr. Negahban
Executive Director : Mohsen Tahmasebi
Resident Supervisor : Danial Shamloo
3 D Illustration : Mona Razavi
Executive And Advisor Of Glass Façade : Arisatec Company – Vahid Shahroozi
City : Karaj
Country : Iran