别墅的设计希望从这些特点的场地开始，确定与该地的关系，与之进入共生状态。主要目的不是设计一个 “以古人的方式 “的房子，而是以古人的精神，利用新技术的优势，同时尊重比例、颜色和材料的使用，与周围的景观创造一个亲密和持久的关系。

The design of the villa wants to start from these characteristics site to define that relationship with the place with which to enter into symbiosis. The main purpose was not to design a house “in the manner of the ancients”, but with the spirit of the ancients, taking advantage of new technologies while respecting the proportions, colors, and use of materials that create an intimate and lasting relationship with the surrounding landscape.

平面 – 体积插入。别墅沿着拉长的地块纵向发展，在通道的东北面保持主要通道的位置。建筑物与游泳池的距离是确定的，以便在一年中的不同时期不出现影响游泳池的阴影区，从而允许连续使用。基本的想法是创造一个房子，寻求与景观和远处的大海的连续关系。

Plano – volumetric insertion. The villa develops longitudinally along the elongated lot, maintaining the main accesses on the northeast front of the access road. The distance of the building from the swimming pool is defined in order not to have no shadow areas that affect it during the various periods of the year and therefore to allow continuous use. The basic idea was to create a house, seeking a continuous relationship with the landscape and the sea in the distance.

几何图形和视角。房子的形状是与场地持续对话的结果，事实上，楼梯的体量被安排在建筑的中心位置，成为透视线向景观汇聚的支点，同时也定义了房子的内部周长。

Geometries and perspectives. The shape of the house is the result of this continuous dialogue with the site, in fact, the volume of the staircase arranged centrally to the building, becomes the fulcrum on which the perspective lines towards the landscape converge, defining at the same time the internal perimeters of the house.

体积在东北面被挖掘出来，成为房子的主入口，而在西北面，一个较小的体量被挖掘出来，定义了次要入口。体积向南延伸到厨房空间上方，创造了一个遮阳区，而西南面的庭院定义了室外花园的周边。

The volume is excavated on the north-east front, becoming the main entrance of the house, while on the north-west side, a smaller excavation of the volume defines the secondary entrance. The volume extends itself to the south over the kitchen space, creating a shaded area, while the southwest courtyard defines the perimeter of the outdoor garden.

内部布局。房子主要是在三层开发，包括坎特纳层。室内设计的目的是考虑到太阳的照射和最大的能源需求，客户在一年中的不同时期的使用，以及与外部空间的关系。

Internal layout. The house is mainly developed on three levels including the cantina floor. The interior design has been thought with the purpose of the solar exposures and the maximum energy needs, the use that customers will make of them during the various periods of the year, and the relationship with the external space.

Raumplan。我们想利用场地的特殊性，如山丘的甜美坡度，使其成为房屋内生活体验的一部分。 在这里，”Raumplan “的想法是作为内部环境，根据土地的自然坡度轴线放置在不同的报价上，在内部和外部空间之间产生一种连续的关系。

Raumplan. We wanted to take advantage of site peculiarities like the sweet slope of the hill, making it part of an experience to be lived inside the house. Here the idea of ​​the “raumplan” is intended as internal environments placed on different quotes, according to the ‘land’s natural slope axis, generating a continuous relationship between interior and the external spaces.

院子。位于下游主立面的东北院子成为客厅、书房和中央楼梯之间的关系空间；这里将在可渗透的表面上种植观赏树。在另一部分，西南院子是房子角落的一部分，靠近客厅和厨房，这个空间被认为是一个庇护所，一个可以插入观赏植物和创造阴影区的表面。

Courtyards. The northeast courtyard located on the main downstream façade becomes the space of relationship between the living room, the study, and the central staircase; here an ornamental tree will be planted on a permeable surface. In the other part, the southwest courtyard is part of the corner of the house, close to the living room and kitchen, this space is thought of as a place of shelter, a surface where you can insert ornamental plants and create shaded areas.

Architects: Beatrice Comelli Architetto, Carlo Gaspari Architetti
Area : 175 m²
Year : 2021
Photographs :Iacopo Pasqui
Manufacturers : Davide Groppi, Listone Giordano, BUCCIONE, CECCARELLI PAVIMENTI , DE NINIS SERRAMENTI, DIRELEGNO, Fornace Brioni, Matteo Brioni
Lead Architects : CARLO GASPARI ARCHITETTO
LIGHTING DESIGNER : DANIELE SPREGA SPAZIOESPERIENZE
City : Montesilvano
Country : Italy