一个艺术家和他的家人休息的房子,一个天井的房子,有一个正方形的平面,一个自然环境中的规则物体,在一个有轻微坡度的地形上,靠近长山,里面有神圣的Iguaque泻湖。这个位置产生了房子的主要视觉方向的想法。火山锥体,也就是泻湖所在的地方。

A house of rest for an artist and his family, a patio house, with a square plan, a regular object in a natural environment, on a terrain with a slight slope, near the long mountain in which is embedded the sacred lagoon of Iguaque. This location generates the idea of the main visual orientation of the house: The volcanic cone where the lagoon is.

市政府以一种主观的方式要求该地区的新建筑必须使用 “殖民主义风格”;这意味着白墙、木制家具、屋顶覆盖粘土瓦和60厘米的屋檐。矛盾的是,这些规定没有提到院子。

The municipality demands in a subjective way that for the new constructions in the region the “colonial style” must be used; and that implies white walls, carpentries in wood, roofs covered in clay tiles, and eaves of 60cm. Paradoxically the regulations do not mention the courtyards.

虽然房子的外观保持了该地区房屋厚实的白墙的硬度,但内部与两个天井(视觉上指向泻湖)周围有组织的空间的流动性形成对比,这些空间忠实于安达卢西亚建筑文化继承的各个方面,如水、橙树、圆石。

While the exterior of the house maintains the hardness of the thick white walls of the houses of the region, the interior contrasts with the fluidity of the organized spaces around the two patios (that are visually directed to the lagoon), which are faithful to aspects of the Andalusian architectural culture inherited, such as water, orange trees, round stones.

如果餐厅,房子的中心空间,是一个透明的空间,它产生一个无限的不受控制的方向性流动,有必要用后院的一堵墙来切断这种方向性。 当让餐厅在面对伊瓜克的天井上开放,而对另一个天井关闭时,在房子里建立了一个前面和一个后面,这也定义了社会和私人区域。

If the dining room, central space of the house, is a transparent space, it produces an unlimited uncontrolled directional flow, it is necessary that this directionality is cut by a wall on the back courtyard. When leaving the dining room open on the patio facing Iguaque, and closed towards the other, a front and a back is built in the house, which also defines the social and private area.

Architects: Guillermo Fischer
Area: 380 m²
Year: 2009
Photographs: Guillermo Fischer
Country:Colombia