卡罗维诺是布林迪西省的一个小镇,位于普利亚南部地区。这座房子是由它所沉浸的自然元素产生的。首先,由现有的低矮的石灰石块墙组成,将岩溶部分的地形与别墅所处的自然平台隔开。橄榄树是整个阿普利亚农业景观中几乎一直存在的,也是一种宝贵的资源,它提供了第二个元素:由时间和风形成的抽象雕塑。

Carovigno is a small town in the province of Brindisi, in the southern region of Puglia. The house is generated from the natural elements in which it is immersed. The first consists of a low existing limestone blocks wall delimiting the karst part of the terrain from the natural podium on which the villa stands. The olive trees, an almost constant presence throughout the Apulian agricultural landscape as well as an invaluable resource, give the second element: abstract sculptures shaped by time and wind.

该项目是在一块从东到西延伸的土地上开发的,完全由中等大小的橄榄树组成。房子是通过一条碎石车道到达的,这条车道只有在尽头才会显示出人性化的自然。施工时尽可能地保留了现有的橄榄树的完整性,其中只有三棵被重新安置在土地上。

The project is developed on a land extended from east to west, completely populated by medium-sized olive trees. The house is reached through a gravel driveway that moves to reveal humanized nature only at the end. The construction takes place while preserving as much as possible the integrity of the existing olive trees, only three of which have been relocated within the land.

一棵有几百年历史的橄榄树,被随意地放置在自然平台的中间,是建筑的真正中心点,它的存在决定了它的占地面积。建筑的组成明确地宣布了功能的层次和它们在空间中的相互关系:一个立方体包含了别墅的生活区,并与睡眠区的一个低矮的长方体相交。这两个体量略微旋转,以拥抱有百年历史的橄榄树,它是一个开放的露台的中心,是主要的关系空间,也是户外生活的核心。

A centuries-old olive tree, casually placed in the middle of the natural podium, is the real central point of the building, whose presence determines its footprint. The composition of the building explicitly announces the hierarchy of functions and their reciprocal relationship in space: a cube contains the living area of the villa and intersects a low oblong prism of the sleeping area. The two volumes are slightly rotated to embrace the centuries-old olive tree, the center of an open terrace and the main relational space as well as the heart of the outdoor life.

房屋内部和外部之间的空间表现在一个自然光调解装置系统中。一个垂直的天窗允许冬天的光线,在地平线的低处,渗透到房子里面,打断了厨房和用餐区之间的阁楼。不同几何形状的开口框住了农村景观,使其总是有独特的一面,主浴室的垂直转轴开口俯瞰着一个私人庭院,这是一个业主可以按照自然的节奏生活的地方。房间板条末端的开放式房间是一扇通往天空的窗户。

The margin between the inside and the outside of the house is expressed in a system of natural light mediation devices. A vertical skylight that allows the winter light, lower on the horizon, to penetrate inside the house, interrupts the attic between the kitchen and the dining area. The different geometry of the openings frames the rural landscape giving it always distinct aspects, the vertical pivot opening of the master bathroom overlooks a private patio, a place where the owners can live following the rhythm of nature. The open room at the end of the room slat is a window to the sky.

这座房子的特点是由白色石灰覆盖的纯粹的几何形状,在橄榄树林的扭曲和绝对景观中显得格外突出。Apricena石,一种在Gargano山坡上提取的石灰石材料,色调有米色、象牙色和粉红色,被用于房子的不同部分,并在其表面的变体中有所下降。

The house is characterized by a rigid geometry of pure forms covered with white lime and stands out against the twisted and absolute landscape of the olive grove. The Apricena stone, a limestone material extracted on the slopes of the Gargano with shades ranging from beige, ivory, and pink, was used in different parts of the house and declined in its surface variants.

它流向翻滚的瓷砖地板,用抛光的石板环绕窗户,用灌木锤击的石板标记通道门槛,并被用作内部的帕拉迪奥式覆层。家具没有遵循单一的风格路线,而是属于遥远的 “世界”,但令人惊讶的是,它们能够和谐地对话,描述了业主的世界性的灵魂。

It runs to the tumbled tiled floor, surrounds the windows with polished slabs, marks the access thresholds with bush-hammered slabs, and is used as an internal Palladian cladding. The furnishings do not follow a single stylistic line but belong to distant “worlds” which, surprisingly, manage to dialogue in harmony, describing the cosmopolitan soul of the owners.

Architects: Noname Studio
Area: 170 m²
Year: 2021
Photographs: Francesca Iovene
Project Leader:Andrea Perego, Francesco de Felice
City:Carovigno
Country:Italy