Liezele是安特卫普以南30分钟车程的一个小村庄，是一个肥沃的地区，这里的小农庄传统上种植芦笋，绿色的田野，小溪，排列着一排排柳树或杨树，定义了这个美丽的弗拉芒乡村景观的结构和情绪。
Liezele, a small hamlet 30 minutes south of Antwerp, is a fertile area where small agricultural farmsteads are traditionally growing asparagus, were green fields, small streams, aligned with rows of willow- or poplar trees are defining the structure and mood of this beautiful rural Flemish landscape.
“Valcke Vleug”，这条小溪/小河将VV酒庄分割开来，并给VV酒庄起了个名字，是 “猎鹰的飞翔”，在旧时该地区典型的鸟类，说明了丰富的自然美，说明了这个地方的特色。在这个特定的地点，靠近主人的房子，正是这个特点开始了一个一生中只有一次的项目”：一个享乐主义的庄园，允许种植4.2公顷的凉爽气候的葡萄酒，在大自然中享受骑马，与家人和朋友享受生活和文化的各个方面。
“Valcke Vleug”, the small stream/brook dividing and giving the name to the VV winery, is “the flight of the Falcons” in old days typical birds in the area, an illustration of the rich natural beauty, an illustration of the character of the place. It’s this character on this specific location, close to the owners’ house, that starts the building of a once in a lifetime project’: a hedonistic estate that allows to grow 4,2 hectares of cool climate wines, to enjoy horse-riding in nature, and enjoy life and culture in all its aspects with family and friends.
由Vincent Van Duysen设计的建筑是嵌入佛兰芒农庄的同一传统，在形式上具有原型性，在环境上具有坚固的功能性，同样的建筑元素是该地被拆除的芦笋农场的一部分，但在几个世纪前也是农村遗产的一个组成部分。水平的大谷仓，是传统农场建筑的典型特征，现在与一个小而垂直的现代农舍结合在一起，它们共同创造了一个新的层次结构，与开阔景观中强烈的水平线进行对话。
The architecture by Vincent Van Duysen is embedded in the same tradition of Flemish Farmsteads, archetypical in its form and sturdy functional in its setting, the same building elements were part of the demolished asparagus farm on the site, but also have been an integral part of the rural heritage for centuries before. The horizontal grand barn, typical for the traditional farm buildings is now combined with a small but vertical modern farmhouse and together they create a new hierarchy which dialogues with the strong horizontal lines in the open landscape.
谷仓和塔楼是这个地方的主角，与4个巨大的混凝土体量一起，定义了中央庭院，酒厂的中心，Valcke Vleug庄园的所有活动都在这里进行。一个露天的空旷广场，赋予了农场的层次感和组织性，一个在收获期间收集葡萄或将品酒功能与自然环境联系起来的地方，这个项目的核心是允许举办活动或当农民在辛苦工作一天后，在长木凳上休息时享受日落的安静时刻。
The barn and the tower are the protagonists of the place and are defining, together with 4 massive concrete volumes, the central court, the heart of the winery, where all activity of Valcke Vleug Estate finds a place. An open-air empty square that gives hierarchy and organizes the farm, a place to gather the grapes during harvest or linking the wine tasting functions with the natural surroundings, the core of the project that allows for events or for quiet moments when the farmer, after a hard day at work, enjoys sunset when resting on the long wooden bench.
由Daniel De Belder设计的长椅是将宏大的建筑体量嵌入到人的尺度中的一部分，即使长椅有时长达8米，也会让人觉得比例协调，并在整个建筑项目中创造出 “时刻”，在这里，享乐主义而又清醒的体验正在被接管。似乎De Belder的巨大木质元素与Van Duysen的建筑体量一起，最大限度地提高了游客对景观的体验，将建筑的位置与Valcke Vleug溪流联系在一起，并将古老的宏伟橡树与房子紧密联系在一起，组织了对最佳日落景观的定位，等等。……但事实上，这是另一种方式，该项目嵌入了自然之美，并通过增加50多棵新种植的杨树、柳树、樱桃树和榛树，证明了新农场与自然环境长期融合的意图。
The benches, designed by Daniel De Belder, are part of embedding the grand architectural volumes to the human scale, even if the benches are sometimes 8 meters long, they feel in proportion and are creating ‘moments’ in the overall architectural project where the hedonistic, yet the sober experience is taking over. It seems that the massive wooden elements of De Belder work together with the architectural volumes of Van Duysen to maximize the experience of the visitor towards the landscape, to link the building’s position to the Valcke Vleug stream, and to relate the old magnificent oak close to the house, to organize the orientation towards the best sunset views, etc. … but as a matter of fact, it is the other way around, the project embeds to the natural beauty and by adding more than 50 newly planted poplar, willow, cherry and hazel trees it gives proof of the intention of the long-term integration of the new farm in its natural setting.
风土的颜色，Valcke Vleug的土壤已经激发了选择的熔岩石软雕塑的访问道路和中央法院。这是一个重要的方面，酒庄的土壤和农场的功能软塑之间的边界是无形的，颜色的基调延续到混凝土基础，地板和墙壁。似乎建筑体量是其土壤自然特性的一部分（对于酿酒师们所说的 “风土 “是如此重要），它让土壤与建筑之间、室内与室外空间之间得以延续，上面只有金属包覆的黑色木质屋顶结构。
The color of the terroir, the soil of Valcke Vleug has inspired the selection of the lava stone soft scaping of the access roads and central court. This is an important aspect, the border between winery soil and functional soft scaping of the farm is invisible and the color tone continues into the concrete foundation, floors, and walls. It seems that the architectural volume is part of its natural character of the soil (so important for the ‘terroir’ winemakers are referring to), it allows a continuation between the soil and the architectural, between the indoor and outdoor spaces, with only the metal-clad black wooden roof structure above.
谷仓的百叶窗和农舍的覆面也采用了同样的欧洲可持续发展的黑色木材。黑色指的是 “佛兰芒谷仓 “传统上用煤焦油涂抹的颜色，以保护木质结构的长久性。这种传统的色彩与周围绿意盎然的环境形成了鲜明的对比，并赋予项目鲜明、前卫的现代特征。
The same black-colored wood of sustainable European Larch is used for the shutters of the barn and the cladding of the farmhouse. The black color refers to the “Flemish Barns” traditionally painted in coal tar to protect wooden structures for a long time. A tradition of color that adds contrast to the green lush surroundings and giving the projects its sharp, edgy contemporary character.
农舍及其私人生活被保护在中央庭院的混凝土墙后。屋顶的露台可以看到远处的环境，俯瞰农庄的活动和酒厂。这种体验在所有的房间里都是私人生活的一部分，窗台给人以光亮和视野，在起居室层面也是如此，底层被柔和地抬高，仅高于1米，以强调主人的体验，17.000棵葡萄树所创造的强烈的水平景观的远距离视角。这是一种将人工农田的几何形状与建筑体量形式的美感联系在一起的体验，并融入其内部的锐利线条。
The farmhouse and its private life are protected behind the concrete walls at the central court. The rooftop terrace gives a view of the far surroundings, overviews the farmstead activity and the winery beyond. This experience is in all rooms part of the private life, window bays give light and view, also at living room level where the ground floor is softly raised, just above 1 meter, to emphasize the experience of the owner, a long-distance perspective on the strong horizontal landscape created by the 17.000 vines. This is an experience that relates the manmade farmland geometry with the beauty of the architectural form of volumes and into the sharp lines of its interiors.
室内空间是建筑语言的延续，粗糙的混凝土地面既实用又温暖清醒，开放式结构的黑色木质屋顶结构似乎与黑色木质墙面包层、家具和宏大的露天火炉融为一体，所有元素都创造了这样的空间：在开放的庇护所里，品酒感觉受到了保护，或者木质或不锈钢酒桶正在等待下一代Valcke Vleug葡萄酒的到来。
The interior spaces are a continuity of the architectural language, the rough concrete floors are functional and yet warm sober at the same time, the open structural black wooden roof structures seem to merge into black wooden wall cladding, furniture, and grand open fires, all elements creating spaces where wine tasting feels protected in an open shelter or where the wooden or stainless steel wine barrels are waiting for the next generation of Valcke Vleug wines to come.
建筑师：Vincent Van Duysen Architects
面积：1500平方米
年份：2020年
摄影：Koen Van Damme, Piet Albert Goethals
城市 : Liezele
国家：比利时
Architects: Vincent Van Duysen Architects
Area: 1500 m²
Year: 2020
Photographs: Koen Van Damme, Piet Albert Goethals
City:Liezele
Country:Belgium