短暂的建筑有无限的机会来创造有意识的干预，对社会和环境产生积极影响。不幸的是，在当代社会，短暂性建筑主要用于交易会，使这种建筑类型成为全球消费主义的负面症状。
Ephemeral architecture has infinite opportunities for the creation of conscious interventions that have a positive impact on society and the environment. Unfortunately, in contemporary society, ephemeral architecture is mainly used for trade fairs, leaving this architectural typology as a negative symptom of global consumerism.
在Interzzum 2020展会上设立的Wasteland展馆，是由以下问题产生的。建筑师如何为短期活动和贸易展设计可持续的短暂建筑？
The Wasteland Pavillion, set up at the Interzzum 2020 trade fair, is born from the following question: How can architects design sustainable ephemeral architecture for short-term events and trade shows?
该设计建议通过分析木材行业作为起点来回答这个问题。尽管是一个已经很好地适应了新的可持续发展趋势的经济部门，但木材的大规模生产是每年产生大量废物的行业之一。
The design proposes to answer this question by analyzing the wood industry as a starting point. Despite being an economic sector that has adapted well to the new sustainability trends, the mass production of wood is one of the industries that generates large amounts of waste annually.
荒地馆是一个实验性的建筑练习，它对通常被认为是废物的材料进行了循环利用。该设计设法证明，通过严格的设计，残留材料的普通内涵可以转化为可持续的短暂建筑的例子。
通过使用MDP RH板、树皮、锯末和塑料废料，一个邀请用户与剩余材料互动的创新设计被呈现出来。
The Wasteland Pavillion is an experimental architectural exercise that upcycles materials that are usually considered waste. The design manages to demonstrate that, through rigorous design, the ordinary connotation of residual materials can be transformed into sustainable examples of ephemeral architecture.
Through the use of, MDP RH panels, bark, sawdust, and plastic waste, an innovative design that invites the user to interact with residual materials is rendered.
这项工作旨在激励其他设计师在设计临时干预措施时更加注意选择构成材料，以防止短暂的建筑进一步污染我们的星球。
The exercise seeks to inspire other designers to be more aware in the choice of compositional materials while designing temporary interventions to prevent ephemeral architecture from contaminating our planet further.
Architects: Alsar Atelier, SCA
Area : 52 m²
Photograph：Diez Veinte Estudio
Manufacturers : Photoshop, Primadera
Country：Colombia