柏林最古老的电影院之一再次闪耀。Batek Architekten凭借其对现有空间的敏感度，通过一系列精确的干预措施，为通道电影院的门厅和两个小礼堂带来了新的诱惑力。这使得这座位于新克尔恩（Neukölln）的百年老建筑的历史光环以新的方式展开，同时满足了参观当代电影院的功能和审美要求。
One of Berlin’s oldest cinemas shines again. With their signature sensitivity towards existing spaces, Batek Architekten has brought new allure to the foyer and two smaller auditoriums of the Passage cinema through a series of precise interventions. This has allowed the historic aura of the hundred-year-old building in Neukölln to unfold in new ways yet simultaneously fulfill the functional and aesthetic requirements for a visit to a contemporary cinema.
最初的新古典主义风格的 “Rixdorfer Gesellschaftshaus”（Rixdorf协会之家）建筑建于1908年。两年后，”Excelsior Lichtspielhaus “电影院在一楼开张，这个空间原本是用来做剧院礼堂的。在1968年关闭后，电影院被用作家具储存空间，等等。20世纪80年代末，Yorck Kinogruppe（Yorck影院集团）接管了这座建筑，现在它正处于保护令之下。他们将大型主礼堂恢复到以前的历史光辉，并将其称为 “通道Kino”。
The original neoclassical-style ‘Rixdorfer Gesellschaftshaus’ (Rixdorf Society House) building was erected in 1908. Two years later, the ‘Excelsior Lichtspielhaus’ cinema opened on the first floor in a space originally intended to be a theatre auditorium. After its closure in 1968, the cinema was used as a furniture storage space, amongst other things. At the end of the 1980s, the Yorck Kinogruppe (Yorck Cinema Group) took over the building, which was now under a preservation order. They restored the large main auditorium to its former historical glory and called it the ‘Passage Kino’.
Batek Architekten还为同一客户设计了Kino Delphi Lux电影院的内部装修。但是，对于Delphi Lux，建筑师有一个新建的空间可供发挥，而对于Passage电影院的任务–与Blauer Stern一样，是另一个古老的电影院。
Batek Architekten also designed the interiors of the Kino Delphi Lux cinema for the same client. But whereas with the Delphi Lux the architects had a newly-built space to play with, the task with the Passage cinema – as with the Blauer Stern, another old
建筑群的美学是由外墙的大型拱形窗户的形状决定的。Batek Architekten在设计门厅的新酒吧时，就采用了这种主要的重复形式。自然色调的配色方案遵循了门厅中原有的保存下来的油毡地板的土色红褐色。这种色调与拱形门厅吧台出人意料地增加了开心果绿色的外衣，并在其左侧的其他橱柜装置上采用了淡色的天然软木覆盖物来平衡，这些橱柜装置隐藏了饮料储存和工作人员的空间。软木覆盖层允许在大平门上悬挂海报和通知。
The aesthetic of the building complex is defined by the shape of the large arched windows of the façade. Batek Architekten picked up on this dominant repeating form in the design of their new bar for the foyer. The natural tones of the color scheme follow the earthy reddish-brown color of the original preserved linoleum flooring in the foyer. This color palette is complemented with the surprising addition of a pistachio-green coat for the arched foyer bar, balanced by a pale natural cork covering on the other cupboard fixtures to its left, which conceal the drinks storage and staff room spaces. The cork covering allows for the hanging of posters and notices on the large flat doors.
为了节约资源，以前酒吧的部分原始科腾钢包层被升级改造并重新安装为镶板、镶边和配件元素。原来的黄铜灯具和美妙的历史性石膏模子也得到了恢复，并仍然是新的整体概念的重要组成部分。
In a resource-conservative approach, part of the original Corten steel cladding of the previous bar has been upcycled and reinstalled as paneling, edging, and fitting elements. The original brass light fittings and wonderful historic plaster moldings were also restored and remain an important part of the new overall concept.
电影院的两个小礼堂安装了新的讲台，以保证最佳的视野。尽管这里的美学干预更为根本，但它们仍然忠实于经典电影院的魅力。一个放映室的墙壁上覆盖着奢华的深普鲁士蓝织物褶皱，与黄色软垫座椅的温暖光芒形成对比。另一个放映室是对经典电影院内部的诠释，从铁锈色到深红色的一系列红色覆盖了墙壁和座位，沿侧墙每隔一段距离就有一条长长的垂直光带。
New podiums were installed in the cinema’s two smaller auditoriums to allow for optimal visibility. Although the aesthetic interventions here were more fundamental, they still remain true to the charm of the classic cinema experience. The walls of one screening room are clad in sumptuous folds of dark Prussian blue fabric which contrasts with the warm glow of the yellow-upholstered seating rows. The other screening room is an interpretation of the classic cinema interior with a range of reds from rust to crimson covering walls and seating alike with long vertical strips of light at regular intervals along the side walls.
正如这座新古典主义建筑的底层作为柏林新克尔恩的卡尔-马克思大街和理查德大街之间的连接通道一样，Batek Architekten在柏林最古老的电影院之一的魅力和此时此刻的电影体验之间建立了联系，他们深思熟虑的干预措施。
Just as the ground floor of this neoclassical building functions as a connecting passageway between Karl-Marx-Strasse and Richardstrasse in Berlin’s Neukölln, from which the cinema gets its name, Batek Architekten has created a connection between the glamour of one of Berlin’s oldest cinemas and the cinema experience of the here and now with their thought-out and sophisticated interventions.
Architects: Batek Architekten
Area : 325 m²
Year : 2021
Photographs :Marcus Wend
Team Members : Anke Müller, Patrick Batek
City : Berlin, Germany
Country : Germany