这是一个陶器艺术家家庭的房子和工作室，位于大阪郊区的一个车站的交通圈沿线。场地呈狭长的旗形（一个长方形的场地，有一条杆状的窄路），正面有3米，深度为34米。南侧有一座大型公寓楼，北侧和东侧有闲置土地。在东部方向可以看到美丽的二条山山脉的远景。
This is a house and atelier for a pottery artist family, located along a traffic circle at a station in suburban Osaka. The site is narrow flag-shaped (a rectangular site with a pole-like narrow path), with 3m of frontage and a depth of 34m. There is a large apartment building on the south side, and idle lands on the north and east sides. A distant view of the beautiful mountain range of Mt. Nijo can be seen in the east direction.
在结合二条山的景色的同时，由于这栋建筑的建设，二条山的景色将被阻挡，通过安排高/低天花板，以及交通线上的大小区域，使空间与城镇形成连续性。由于预算有限，结构全部暴露在外。七层楼板通过位于敞开式天花板的钢梯传递地板刚度。支撑屋顶的连续角撑，处理南墙风压的平面外应力。室内是一个大的连续空间，工作室在一楼，住宅空间在二楼和三楼。
While incorporating the view of Mt. Nijo from the town, which will be blocked by the construction of this building, the spaces were made by arranging high/low ceilings, and large and small areas on the traffic lines to create continuity with the town. Due to a limited budget, the structure is all exposed. The seven-layered slabs transfer floor stiffness by the steel stairs located at the open ceiling. The continuous angle braces, which support the roof, handle the out-of-plane stress of wind pressure on the south wall. The interior is a large continuous space with the atelier on the first floor and residential spaces on the second and third floors.
这座50米长的长屋，连接着城镇和二条山，有两种风景。”兔子”，类似于对社区开放的喧嚣，和 “科”，具有开放的风、光和视线的流动，包括常规的陶器工作和家庭生活。该建筑被设计成一个与城镇有关系的小房子，在环境中也是如此。
This 50m longhouse, connecting the town to Mt. Nijo, has two sceneries: “hare”, which resembles the bustle of an approach that is open to the community, and “ke” with an open flow of wind, light, and line of vision, which consists of routine pottery work and family life. The building was designed to be a small house in relationship to the town, and in the environment.
Architects: Office for Environment Architecture
Area : 133 m²
Year : 2013
Photographs :Yuko Tada
City：OSAKA
Country：Japan