“错位和路房”–重建一个建在京都市中心的半防火区的联排别墅。这是一个被两边的四层楼房夹在中间的区域，只有北侧的小巷残留着联排别墅的景观。京都有许多小巷作为生活的延伸，尽管是杂七杂八的，但往往有一个小社区。通过对这个小巷空间的三维绘制，我想到了一个能诱发家庭交流的空间构成。
“Misalignment and road room” – Reconstruction of a townhouse built in a semi-fireproof area in central Kyoto. It is an area that is sandwiched between four-story buildings on both sides and has only the remnants of a townhouse landscape with alleys remaining on the north side. Kyoto has many alleys as an extension of life, albeit miscellaneous, and often has a small community. By drawing in this alley space three-dimensionally, I thought of a space composition that would induce family communication.
入口有意设置在小巷的后面，垂直的小巷空间（道路室）与三层楼的中庭被放置在建筑的中心，庭院被放置在一个稍微偏移的位置，使道路室具有多样性。通过这个偏移的道路房间和庭院，其他房间被斜向连接，你可以感受到彼此的标志。此外，路房是由砂浆、黑皮铁、镀锌、木头、格栅等不连贯的部件组成的，虽然有一定的规则，但给人一种变化的感觉。
The entrance was intentionally set in the back of the alley, the vertical alley space (road room) with a three-story atrium was placed in the center of the building, and the courtyard was placed at a slightly offset position to give diversity to the road room. Through this offset road room and the courtyard, the other rooms are connected diagonally, and you can feel the signs of each other. In addition, the road room is made of disjointed components such as mortar, black-skinned iron, zinc-plated, wood, and grating, although it has certain rules, giving a change to the place.
在建造方面，用钢结构来创造一个开放的空间，必要的钢架、甲板板、PB等都是精心建造的，并在基础材料上进行加工，这就结合了木结构的精致和成本。我把它做成了一个 “建好就走 “的钢结构房屋。我们相信，这将是取代木制半防御性房屋第三层的一个新选择。另外，在《景观法》半自动确定的立面上，我们敢于多取一点拉，多移一点，强调不均匀的立体效果，减少对两边四层楼房的不适应，连接街景。我正试图做这样的事情。
In terms of construction, a steel structure is used to create an open space, and the necessary steel frames, deck plates, PBs, etc. are carefully constructed and finished with a base material, which combines the delicacy and cost of a wooden structure. I made it a “build and leave” steel house. We believe that this will be a new option to replace the third floor of a wooden semi-defensive house. In addition, on the elevation that is semi-automatically determined by the Landscape Act, we dare to take a little more pull and shift it to emphasize the uneven three-dimensional effect, reduce the discomfort with the four-story buildings on both sides, and connect the street scenery. I’m trying to do something like that.
这个町家有一个半格子结构，通过包括缝隙和小巷空间，把房间、正房、路房和外房都包括在内。通过这种方式，它鼓励家庭漂流，允许他们自由生活，而不指定他们的行踪。可以说，埃舍尔风景如画的中庭在视觉上诱发了一种转变。
This machiya has a semi-lattice structure in which the room, main room, road room, and outer room are included by including the gap and the alley space. By doing so, it encourages families to drift and allows them to live freely without specifying their whereabouts. It can be said that Escher’s picturesque atrium in atrium is visually inducing a shift.
Architects: OHArchitecture
Area : 150 m²
Year : 2021
Photographs :Atsushi Shiotani
Manufacturers : IOC, NICHIHA, KAMO CRAFT, YOSHINO
Lead Architect : Yuki Yoshita
Lighting Design : H13
Landscape Architects : Greenspace Osaka
Contractor : Tansei
City : Kyoto
Country : Japan