‘生活在大自然的怀抱中’。每个人都希望如此。我们,3dor concepts公司的建筑师们被告知有一个地点,它位于喀拉拉邦北部郁郁葱葱的西高止山脚下,完全处于大自然的怀抱。该地点也靠近著名的山地车站Wayanad。年轻的客户Binil Thomas想要一栋单层的四居室。他是一名管理专业人员,主要在印度大城市工作,要求在他童年与父母和兄弟姐妹生活的那片土地上有一个宁静的空间。他的父亲是一个成功的农民,他们已经在现场种植了不同种类的植物。

‘Live in the lap of nature’. Every human mind wishes for it. We, architects at 3dor concepts were shown a site literally in nature’s lap, in the foothills of lush western ghats in north Kerala. The site was also close to the popular hill station Wayanad. The young client Binil Thomas wanted a single-storeyed four-bed house. He is a management professional working mostly in big Indian cities and demands a peaceful space in the same piece of land where he spent his childhood living with his parents and siblings. His father was a successful farmer and they had already planted different kinds of plants already on-site.

因此,设计应该更加符合场地的要求。在这两方面,建筑应该尊重场地,而场地的氛围也应该在室内得到利用。由于我们坚持这种方法,我们保持了尽可能简单的形式,但又给出了一个独特的特征,我们称之为签名。建筑物的质地一般是深色的,与整个环境的色调相匹配。两个不对称的C字形相互映衬,参考一棵树作为焦点。这个焦点位于通往场地的走道与建筑的交汇处。

Hence the design should be more justified to the site. In both ways, the building should respect the site as much as the ambiance of the site should be exploited in the interiors. Since we stick to this approach, we kept the form as much as simple yet gave a unique feature, which we call a signature. The building texture is generally dark which matches the tonality of the entire setting. Two asymmetric c shapes mirror each other with reference to a tree as a focal point. This focal point is positioned where the walkway to the site meets the building.

整个住宅是围绕着一个开放的庭院和八英尺宽的休憩区规划的,三面环绕着房间,成为室内和室外的完美过渡。半私人空间的透明度保持在最高水平,而四间卧室的透明度适中,考虑到了隐私。

The entire residence is planned around an open courtyard and eight feet wide sit-out surrounding the rooms on three sides and acts as a perfect transition between indoors and outdoors. Transparency is kept at a maximum level for semi-private spaces whereas all four bedrooms are in moderate transparency considering privacy.

砖石、深色纹理的混凝土、灰色地砖和带木框的玻璃窗是调色板中的主要材料。碎石是在周围的采石场广泛存在的。

Rubble masonry, dark textured concrete, grey floor tile, and glass windows with wooden frames are the key materials in the palette. Rubble stones were widely available in quarries around.

室内设计也保持了最低限度,但诸如家具等基本元素的设计却很周到。天花板上的水泥石膏在室内被暴露出来。它与灰色纹理的瓷砖地板很匹配。客厅有三面玻璃墙,可以欣赏到空间周围郁郁葱葱的全景。 主入口对面的窗框上集成了一个圣十字形的灯。受立面设计启发的金属薄板凳是这里的主要亮点。在餐厅里,一张餐桌是用地板和天花板纹理对比的木头搭建的。一个艺术性的壁架和墙上的雕刻画是这里的两件艺术品。 卧室里的家具很简单,有一些小细节。

Interior design is also kept minimal yet essential elements such as furniture are thoughtfully designed. Ceiling cement plaster is exposed in interiors. It matches well with the grey textured tile flooring. Living rooms have three sides of the glass wall to appreciate the panoramic view of lush greenery around the space. A holy cross-shaped light is integrated into the window frame opposite the main entrance. A thin metal bench inspired by elevation design is the main attraction here. In the dining room, a dining table is built in wood contrasting floor and ceiling textures. An artistic wall rack and an engraved painting on the wall are the two art pieces here. bedrooms are simple with minor detailing in furniture.

Architects: 3dor Concepts
Area : 270 m²
Year : 2022
Photographs :Running Studios
Manufacturers : Hybec, Jaquar, Yale
Lead Architects : Ahmad Thaneem Abdul Majeed, Muhammed Jiyad, Muhammed Naseem
Structural Engineer : Deframez
Contractor : CV ASSOCIATES
Site Supervision : Rahul Venugopal
Detailed Drawings : Thejas V K
Landscape : Abid Noori
Carpenter : Vijeesh, Damodharan
City : Thamarassery
Country : India