33年之家 “是位于日本奈良的世界遗产东大寺旁边的一座住宅。这座房子是为一对老夫妇设计的，他们在住进第一座房子的33年后决定搬到新的房子。33年的房子是为一个收集记忆的收藏家设计的，他的记忆和未来同时存在于同一个空间。通过框定不同区域的视图，图像由居民的运动不断产生。每一个图像都被赋予了它自己的可能性空间，然后作为家庭的多个附加物重叠起来，更新家庭的记忆。
The House of 33 Years is a residence located next to the world heritage Todaiji Temple in Nara, Japan. The house was designed for an elderly couple who decided to move to a new house thirty three years after living in their first house. The House of 33 Years is a house for a collector who collects memories, whose memory and future exist simultaneously in the same space. By framing views across different areas, images are continuously produced by the inhabitants’ movement. Every image is given its own space of possibility, then overlaps as multiple additions to the home to update the family’s memories.
2012年，在施工过程中，房子的制作得到了青森当代艺术中心和仙台设计学院的部分支持。它的设计/制造过程已经成为英国拉夫堡大学适应性未来的一个学术研究课题。该房屋在2010年获得了SD审查奖。
In 2012, during the construction process, the fabrication of the house was partly supported by Aomori Contemporary Art Centre and Sendai School of Design . Its design/fabrication process has been an academic research subject of Adaptable Futures, Loughborough University, UK. The house has been awarded SD Review prize in 2010.
这座房子由多个木质结构的亭子和房间组成，这些亭子和房间矗立在大型钢架房屋之下。各个元素之间的关系决定了房屋整体的特征。
The house consists of multiple pavilions and rooms in wood structure that stand under the big steel-frame house. The relationship between the individual elements defines the character of the house as a whole.
它的建造过程同时在三个不同的地方进行：奈良、仙台和青森。
在奈良，覆盖整个住宅的外部钢制屋顶是在现场建造的。
然后，在接受了两个公共机构–仙台设计学院和青森当代艺术中心的邀请，参与他们的艺术家驻场计划后，两人决定通过一个单一的住宅项目将这两个机构联系起来，建立一种未知的体验，最终构成奈良的房子。
他们将被设计成单一住宅的《33年之家》拆成适合在两个项目中制作的部分，这样建筑就可以 “移动 “了。每件作品也被实现为一个独立的装置作品，在此基础上，根据机构的要求、空间的特点和所选择的展览方式，精心设计了额外的功能。
Its construction process has been pursued in three separate locations simultaneously; Nara, Sendai, and Aomori.
In Nara, the exterior steel roof to cover the whole residence has been constructed on-site.
Then, having accepted offers by two public institutions, Sendai School of Design and Aomori Contemporary Art Centre, to participate in their artist-in-residence programs, the duo decided to build an unknown experience by linking the two institutions through a single residential housing project, to eventually constitute the house in Nara.
They broke House of 33 Years, which had been designed as a single house, into parts suitable for making in the two programs, so that the architecture would “move,” so to speak. Each work was also realized as an individual installation piece on which additional features were elaborated, responding to demands from the institution, characteristics of the space, and the chosen method of exhibiting.
在仙台，与仙台设计学院的学生一起建造了鬼屋，一个坐在屋顶上的亭子。这个亭子是对Ghost House的致敬，Ghost House是散落在Philip Johnson的著名房子的大型房舍中的一个亭子，被赋予了相同的名字。在夏天，它坐在一个大学校园的院子里，学生们在里面种了一个农场。
In Sendai, Ghost House, a pavilion to sit on the roof, was built with the students of Sendai School of Design. The pavilion is an homage to Ghost House, one of the pavilions scattered on the large premises of the famous house of Philip Johnson and was given the same name. Over the summer it was sitting in the courtyard of a university campus and the students had grown a farm inside.
在青森，木结构的主要房间是与当地的木匠一起建造和开发的，使用青森现有的材料，作为一个装置作品Obscure Architecture（33年的房子，研究），然后成为青森当代艺术中心 “Kime to Kehai “展览的一部分。这个作品总是有一个新鲜的外观，取决于阳光的移动。在物理上，这个建筑作品仍然存在于相同的位置，而它所创造的自然现象则不停地流动着。
In Aomori, the main rooms in wood-structure was built and developed together with local carpenters, using materials available in Aomori, as an installation piece Obscure Architecture (House of 33 Years, Study), then to become a part of ‘Kime to Kehai’ exhibition at Aomori Contemporary Art Centre. This work always had a fresh look depending on the movement of the sunlight. Physically, this architectural work remained present in the same position, whereas the natural phenomena created by it kept flowing without stopping.
在每个城市的展览期结束后，这些元素被拆开，装在一辆4吨的卡车上，运到目的地奈良，在那里它们被重新组合，形成《33年之家》。
After the exhibition period in each city, those elements were disassembled and loaded on a 4-ton truck, and carried to the destination, Nara, where they were recomposed to form the House of 33 Years.
Architects: ASSISTANT
Area: 76 m²
Year: 2013
Photographs: Shinkenchiku Sha, Tadasu Yamamoto
Lead Architects: Megumi Matsubara & Hiroi Ariyama
Construction Company: Hojo Kohmuten
Structural Engineer: Mitsuda Structural Consultants
Total Floor Area:104 sqm
Site Area:189 sqm
City:Nara
Country:Japan