Baan Akard Yen是一个两层楼的住宅项目，位于泰国曼谷的Yen Akard街（Yen = Cool，Akard = Air）。这个项目的名字是由业主取的，是对地址名称的一种发挥，也是希望房子能像它的名字一样充满舒适和凉爽的风。Baan Akard Yen这个项目大约有1600平方米，经历了两个设计过程。最初，该物业仅有约400平方米的土地，其概念是通过框架式的视野，在不同的空间之间进行视觉互动，从而使人们知道对方在房子里的位置，这就是窥视主义。
Baan Akard Yen is a two stories residential project located on Yen Akard street (Yen = Cool, Akard = Air), Bangkok, Thailand. The name of this project is given by the owner as a play on the name of the address as well as a wish for the house to be filled with comfort and cool breezes as its namesake. The project, Baan Akard Yen is around 1,600 square meters and went through two design processes. Initially, the property was located on only around 400 square meters of land, with a concept of voyeurism as a visual interaction between different spaces through framed views so that one will know where the other is within the house.
由于面积的限制，与业主希望的空间要求相比，Baan Akard Yen的第一个设计侧重于循环和开口，以帮助导航和连接每个复杂的内部组织功能和空间。然而，就在施工开始前，隔壁的一块新地块被征用，需要对设计进行全面修改。保持每个空间原有的视觉互动，新的设计将接受挑战，增加外部和内部之间的关系。
Due to the constraint of the area in comparison to the spatial requirements the owner wished to have, the first design for Baan Akard Yen focused on circulations and openings to help navigate and join each of the complex internal organization of functions and spaces. However, just before the construction started, a new plot of land right next door was acquired, requiring the design to be overhauled. Keeping the original visual interaction of each space, the new design will take on the challenge of adding the relationship between the exterior and the interior.
由于拥有更大的土地，原来复杂的空间组织可以展开，允许更简化和直接的规划。内部有五个不同设计的庭院，鼓励用户在整个项目中体验不同的景观，同时也让房子变得轻盈舒适，不会过于膨胀。七面混凝土墙成为主要的视觉结构，并在项目中定义了不同的区域，但允许每个区域通过位于这些主要结构中的特定开口连接起来。由于房子的布局比原来的设计更加分散，庭院作为不同区域之间的视觉联系，允许居住者在视觉上进入房子的不同部分，因此，业主将始终与彼此相连。
Due to having a larger land, the original complexity of spatial organization can be unfolded, allowing for more simplified and straightforward planning. Five different designed courtyards within encourages the users to experience different landscapes throughout the project as well as allowing the house to be light and comfortable and not too expansive. Seven cast concrete walls become the main visual structure and define separate different zones within the project yet allowing for each to be linked through specific openings located within these main structures. Because the layout of the house spreads out more than the original design, the courtyard functions as a visual linkage between different areas, permitting the habitants to visually access different parts of the house, and thus, the owners will be always be connected to each other.
这个项目的标志之一是这个建筑的主要 “终端 “或主厅，作为项目的中心，它也是最难建造的之一。中央终端设置了4个14米高的混凝土墙和混凝土天花板，是一个指挥中心，也是人们进入住宅后看到的第一个东西。为了照亮这个空间，并在视觉上提升天花板，两个带有天窗的弧形混凝土天花板被安置在走廊的两端，允许光流穿透建筑的最中央部分。混凝土的不完美性质使光线能够接触到表面，并在一天中的不同时段创造出微型的阴影和光线的游戏。
One of the signatures of this project is the main “terminal” or the main hall of this building, acting as the center of the project, it was also one of the most difficult to construct. Setting with four, fourteen meters tall, cast concrete walls and cast concrete ceiling, the central terminal is a commanding centerpiece and the first thing one sees as one enters the residence. To lighten up this space, and visually lift the ceiling, two curved concrete ceilings with skylights were located at each end of the corridor, permitting for a stream of light to penetrate the central-most part of the building. The imperfect nature of the concrete allows the light to touch the surfaces and creating a play of miniature shadows and light during different times of the day.
Architects: Studio Krubka
Area: 1600 m²
Year: 2020
Photographs: Beersingnoi, baanlaesuan
Manufacturers: AutoDesk, Chaos Group, Trimble Navigation
Contractor: MKS Engineering
Landscape: Anupap Pongnametta
Design Team:Studio Krubka
Clients:Unnop Chanpaibool, Suchera Nimitraporn
Engineering:Sangchai Rakpanichmanee
City:Bangkok
Country:Thailand