CH屋位于科尔多瓦的西北部地区。该项目从一个不规则的转角地块上的单户住宅项目开始，该地块有一堵相邻的隔墙，并暴露在主要街道上。
我们的目标是为用户创造一个私密的环境，同时允许通过一个暴露的、高贵的和有吸引力的建筑向邻里开放，通过我们的文化特点的材料游戏：砖。这种陶瓷材料的轻质和耐受性允许在私人和公共之间产生这种双重规定。

CH House is located in the north-west area of Córdoba. The project starts with a single-family housing program on an irregular corner plot with a single adjoining dividing wall and exposed on the main street.
The objective was to generate an intimate environment, of privacy for its users, that allows at the same time to open to the neighborhood through an exposed, noble and attractive building, given by the game of a material characteristic of our culture: the brick. The qualities of lightness and resistance of this ceramic material allowed to generate this double provision between the private and the public.

这个由特殊工作产生的皮肤，气派而温暖，与周围环境融合，产生盲区，通过屏蔽来保护自己免受气候和渗透因素的影响，强调露台与周围环境的视觉联系：西边的圣马丁城市自然保护区和东北边的城市景观，保护用户的隐私。
该项目的理念是在不同的尺度上与环境产生持续的对话：与邻居和城市的对话。

This skin generated by a particular work, imposing and warm, blends with its surroundings generating blind spaces to protect itself from climatic and permeable agents through screening, emphasizing the visual connections of the terrace with its surroundings: the San Martín Urban Nature Reserve at west and the views to the city to the northeast, conserving the privacy to the users.
The philosophy of the project was to generate a constant dialogue with the environment at its different scales: with the neighborhood and with the city.

该房屋的拟议结构类似于一个盒子/洞穴，粘土砖是其主角。总体结构是由两层砖墙组成和包围的。
常见的陶瓷砖长期以来一直是当地熟悉的材料，在科尔多瓦被广泛使用，是一种简单的手工施工方法。

The proposed structure of the house resembles that of a box / cave, with clay brick being the protagonist. The general structure is composed and enclosed by two layers of brick wall.
The common ceramic brick has long been a familiar local material and widely used in Cordoba, by a simple method of manual construction.

这个长方形的体量被摆在南北方向，内部空间向北开放，提供了必要的自然采光，也确保了房屋在季节性变化中保持热舒适。该项目是为将来在上层的扩建而设计的。

This rectangular volume is posed in a north-south orientation, where the internal spaces open to the north, providing the necessary natural lighting and also ensuring that the house will remain thermally comfortable during seasonal changes. The project is designed for future extensions on the upper floor.

在南面的主要街道上，产生了一个体积断裂，在这个位移中看到的混凝土，放置在服务和循环的内部空间，目的是 “隔离室 “的声音和隐私。对外的结果是一个纯粹的、盲目的和有纹理的壁画。混凝土和砖的使用产生了简单线条的形式平衡，并给作品带来了永恒的特征。
使用了具有保温能力的开口：带铝型材的玻璃板和双层玻璃。

A volume break is generated towards the south, on the main street, with the concrete seen in this displacement, placing in the interior spaces of service and circulations with the purpose of “isolating chamber” of sounds and privacy. The result towards the exterior is a pure, blind and textured mural. The use of concrete and brick generate a formal balance of simple lines and give a character of timelessness to the work.
Openings with thermal insulation capacity were used: glass panels with aluminum profiles and double glazing.

通过设计空间图，物质性的概念是基于其所有外观的连续几何形状。
在参数化设计的探索之后，我们定义了一个恒定的障碍物的一致性和重复性，产生了一个覆盖所有房屋外部的皮肤。

By designing the spatial diagram, the concept of materiality is based on a continuous geometry in all its exterior.
After the exploration in the parametric design, we define the coherence and repetition of a constant obstacle that generates a skin covering all the exterior of the house.

从索具到 “soga “开始，在第二道工序中，每块砖都要旋转45度。交替进行的课程，产生了皮肤。
主要的设计目标之一是创造一种视觉上的形状振动，从而导致大气的感官振动。在这个概念中，与项目有关的外部体验情况对于理解这个形式是很重要的。

Starting from the rigging to ¨soga¨, in the second course a rotation of each brick takes place at 45 degrees. Alternating the courses, the skin was generated.
One of the main design goals was to create a visual vibration of the shape that leads to a sensory vibration of the atmosphere. In this concept, the external experiential situation in relation to the project is significant to understand the form.

最后，我们的目标是开发一种简单的不规则锁扣技术，以便由任何建筑商执行。
在露台上发生的光和影的游戏是通过屏蔽来实现的，其灵感来自于阿根廷的传统建筑，并转化为一种现代设计语言。同时允许持续的交叉通风。
思考过程的对象化和它的建设决定了空间的不同感觉和质量。

Finally the objective was to develop a simple irregular locking technique to be executed by any constructor.
The games of lights and shadows that occur on the terrace is through the screening inspired by the traditional architecture of Argentina that translates into a modern design language. Also allowing constant cross ventilation.
The objectification of the thought process and its construction determined the different sensations and qualities of the spaces.

Architects: MarcuzziArch
Area : 178 m²
Year : 2018
Photographs :Gonzalo Viramonte
Manufacturers : Sika, Weber, Acerco, Masisa, Sanitarios Ferrum
Lead Architect : María Gabriela Marcuzzi
Construction : MarcuzziArch
City : Córdoba
Country : Argentina