现场。CJP项目位于阿根廷门多萨省Luján de Cuyo的一个500m²的区域。附近环境的特点是人口密度低，因为房子位于城市综合城市结构的外围。周边地区是由单家独户的小社区组成的，并有葡萄园和果树的地块。该地区的建筑数量少，建筑风格低调，可以看到安第斯山脉的壮观景象。
Site. CJP project is located in a 500m² area in Luján de Cuyo, Mendoza, Argentina. The immediate context is characterized by a low population density as the house is located on the periphery of the consolidated urban fabric of the city. The surrounding area is populated by small neighborhoods of single family homes with plots of vineyards and fruit trees. The small number of buildings and the low-rise architecture of the area allow for an imposing view of the Andes mountains.
方案和类型。要求包括设计一个生活单元–供两个成年人和两个孩子使用–发展成一个L形结构，围绕着一个钢筋混凝土核心和一个干燥的天井。因此，一楼提供了一个宽敞的、朝北的照明区域，适合做饭、吃饭和休息；与之相对的是一个更隐蔽的区域，用于梳洗和睡觉。二楼为房子的所有成员提供了一个公共空间，无论他们打算学习还是工作。
Program y Typology. The request consisted of the design of a living unit -for two adults and two children- which developed into a L-shaped structure that surrounds a reinforced concrete core and a dry patio. Thus, the ground floor offers a spacious and illuminated north-facing area suitable for cooking, eating, and lounging; in contrast with a more secluded area designed for grooming and sleeping. The second floor offers a common space for all members of the house, whether they intend to study or work.
构造。材料的选择是基于两个不同的前提，根据层次的不同。第一层是用钢筋混凝土建造的，有裸露的饰面，砌筑的墙体部分未被覆盖，以展示其工艺作品。楼梯、客人休息室和书房的核心部分被设计成一块钢筋混凝土的整体，并与房子的其余房间相呼应。相反，一楼的材料选择遵循不同的逻辑，用波纹板覆盖的金属结构。因此，通过使用两种高度不同的建筑系统，实现了对比整合。
Tectonic. The choice of materials is based on two different premises according to the level. The first floor was built with reinforced concrete with an exposed finish and masonry walls that are partly uncovered to exhibit their crafted work. The nucleus of stairs, guest restroom and study were designed into a monolithic piece of reinforced concrete that contrive the remaining rooms of the house. Conversely, the choice of materials on the first floor follow a different logic, with a metallic structure covered in corrugated sheet. Thus, a contrast integration is achieved through the use of two highly different construction systems.
照明。照明是这个项目的关键。该项目的主要前提之一是为白天的空间寻找完美的朝向；即：起居室、餐厅、厨房和画廊；将更多的私人空间朝向西方，以便他们接受日落的照明。此外，一个战略性的天窗系统允许在一天中的不同时间段有直接的阳光，在整个房子里行走时可以欣赏到，从早上到晚上提供完美的氛围。
Lighting. Lighting is key in this project. One of the main premises of the project was the search for the perfect north-facing aspect for daytime spaces; i.e.: sitting room, dining room, kitchen, and gallery; placing the more private spaces facing west so that they receive the sunset lighting. In addition, a strategic skylight system allows for direct sunlight at different times of the day that can be appreciated while walking throughout the house, providing the perfect atmosphere from morning till evening.
生活的过程。今天的问题在建筑摄影报告中呈现了一个罕见的场景，因为尽管项目没有100%完成，但房子已经被其业主占用。我们发现，在这种报告中分享一个处于基本完成阶段的项目是很有趣的，因为没有明确的时间表来说明剩余的细节何时完成，但到目前为止所建造的建筑可以让人欣赏到项目的基本本质。这种情况往往比想象中更频繁地发生，但它通常不会出现在建筑图片中，因为这些图片通常考虑的是整洁、完美的完成，而且在大多数情况下是空的建筑。考虑到这一点，我们问自己：”即使还没有完工，收容不也是每个建筑作品的最终目标吗？为什么我们习惯于展示完美无缺、整齐划一、视觉上完美的建筑，而现实却不是这样？日常生活为每件建筑提供了概念、比例、尺度、基本理由和存在。也许，未来我们有可能在这些出版物中欣赏到更多不完美的、现实生活中的建筑作品，这些作品展示了真实的人们在快乐地使用我们–作为建筑师–正在创造的项目。
Living The Process. Today`s issue presents a rare scenario within the context of architectural photographic reports, since the house is already occupied by its owners even though the project is not 100% completed. We found it interesting to share a project during its substantial completion phase in this kind of report since there is no clear timeline as to when the remaining details will be completed, but the architecture built so far allows for the fundamental essence of the project to be appreciated. This scenario tends to occur more frequently than it seems, but it is not usually present in architecture pictures that often contemplate tidy, perfectly finished, and, in most cases, empty buildings. With this in mind, we ask ourselves: ¿Isn´t shelter the ultimate goal of every piece of architecture even if it hasn`t been completed yet? Why have we gotten used to showing faultless, neat, and visually perfect architecture if reality says otherwise? Everyday life provides concept, proportion, scale, fundamental reason, and existence to every piece of architecture. Perhaps, the future brings the possibility to appreciate a larger number of imperfect, real-life works of architecture in these kinds of publications which show actual people happily making use of the projects we -as architects- are creating.
Architects: ONA – Oficina Nómada de Arquitectura
Area: 210 m²
Year: 2020
Manufacturers: AutoDesk, Ikea, Adobe, Concremix, Trimble, Windows
Lead Architect: Arq. Nicolás Guerra
Collaborator:Arq. Fernando Zingaretti
Engineering:Ing. César Almécija
City:Lujan de Cuyo
Country:Argentina