该建筑建于19世纪第一季度，位于里斯本的Baixa Pombalina区的中心。

The building was constructed in the first quarter of the 19th century, at the heart of Lisbon’s Baixa Pombalina district.

到2016年，该建筑几乎完全空置，而且严重破损。该建筑的结构已经被拆除的地面上的抗力墙大大削弱，这导致了地板的沉降。

By 2016, the building was almost completely vacant and severely dilapidated. The structure of the building had been greatly weakened by the demolition of resistant walls at ground level, which had led to the floors settling.

为了充分利用该建筑的角落位置，建议将每层楼的配置从两套公寓改为三套，保持原有的Pombaline布局，形成一系列错综复杂的空间。为了满足现代人对舒适性和无障碍性的要求，在建筑中心安装了一部电梯，保留了原有的楼梯间。

To make the most of the corner location of the building, it was proposed to change the configuration from two apartments to three per floor, maintaining the original Pombaline layout, with an intricately arrange series of spaces. To address modern demands for comfort and accessibility, a lift was installed at the centre of the building, leaving the original stairwell intact.

第一阶段的施工于2017年开始，目的是纠正建筑的结构缺陷，修复屋顶，并翻新地面层。在这两个阶段之间进行了结构调查，同时还对墙壁和天花板进行了调查。

The first phase of construction began in 2017, with the aim of correcting the building’s structural shortcomings, repairing the roof, and renovating the ground floor. Structural surveys were carried out between the two phases, along with surveys on the walls and ceilings.

对墙面绘画的检查显示，所有公寓都存在连续的壁画和蛋彩画层。在这一点上，人们认为揭开壁画是非常重要的，因为这些壁画在新的绘画层下已经有几十年没有被发现了。保护它们被认为是整个项目中最重要的问题之一。我们调整了策略，以防止任何对墙壁的刮擦，并执行了安装建筑基础设施的新方案。

Examination of the wall paintings revealed the existence of successive layers of frescoes and tempera paintings in all the apartments. At that point, it was thought vital to uncover the frescoes, which languished unseen beneath newer layers of painting for decades. Preserving them was deemed one of the most important concerns of the whole project. The strategy was adjusted to prevent any scraping against the walls, new solutions for installing the building infrastructure were executed.

然而，随后决定不进行壁画的修复，也不优先考虑具体的特征。相反，大家一致认为，这些过去的痕迹应该保持原样，重叠，不完整，有所有的缺陷。我们努力通过揭示该建筑随着时间的推移所经历的多种转变来揭示其复杂性。

Subsequently, however, the decision was made not to proceed with the restoration of the frescoes, nor to prioritise specific features. Instead, the consensus was that these traces of the past should be left as they are, overlapping, incomplete, with all their flaws. We endeavoured to reveal the sheer complexity of the building by revealing the multitude of transformations that it has undergone over time.

Architects: José Adrião Arquitetos
Area: 1309 m²
Year: 2020
Photographs: FG + SG, Nuno Almendra
Manufacturers: Geberit, Sika, CIN, Hempel, Ikea, Isover, Legrand, Oli, Placo, W2007, Acatedal, Bosch, CTMT, Canilectrigás, Lda, DANOSA, Elvira Barbosa Limitada, Energia Aciva, Lda, Orona Pecres, S&P Soler, SINALUX, +5
Lead Architect: José Adrião Martins
Head Architect:Ricardo Aboim Inglez
Project Team:Ana Grácio, Ana Isabel Santos, Gonçalo Ponces, João Albuquerque Matos, Margarida Pereira, Tomás Forjaz
Measurements And Budgets:Perfectus
City:Lisboa
Country:Portugal